tag:blogger.com,1999:blog-335510912024-03-13T10:06:24.422+00:00a u x x xalchemistic undercurrentAuxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comBlogger127125tag:blogger.com,1999:blog-33551091.post-49042690861063396522023-07-16T21:19:00.037+01:002023-07-24T00:01:30.692+01:00Summer Alchemy 2023<img alt="" border="0" width="320" data-original-height="3000" data-original-width="4000" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7c_oF2WsAcPq1a9qUWMfPaNdNKFdTODYkn_OG5Z1kDle-nOnR2II7Q6v8F8ECjgz7SV2iNcr1zYl8b-jUWyaeAL2Rdfd05u-Rx27rvX0Zdzhx4JvMgLpYdwkw7TqSFwlbFLXOsEcWvlusvF-_AXFgQwVSHzaLWw0wAJsA-P9HU1ibA-Mc9f5LvA/s320/guenther_wiesenburg.jpg"/>
<br><br>
<b>21 + 21 + 28 JULY 2023</b>
<br><br>
3 Musical Sessions at <b>WIESENBURG</b> in <b>BERLIN</b> Wedding
<br><br>
<b>WIESENBURG</b><br>
Wiesenstrasse 55<br>
13357 <b>BERLIN</b> Wedding
<br><br>
S-Bahn Humboldthain<br>
U8 Pankstrasse<br>
Bus M27
<br><br>
<a href="https://tanzhallewiesenburg.net/de/start/" target="blank">tanzhallewiesenburg.net</a><br>
<a href="https://www.werkhallewiesenburg.berlin/" target="blank">werkhallewiesenburg.berlin</a>
<br><br>
<hr>
<br>
<b>FRIDAY 21 JULY</b> @ 19:00<br>
<b>TANZHALLE WIESENBURG</b><br>
<b>ZINC & COPPER + FRIENDS</b>
<br><br>
<img alt="" border="0" width="320" data-original-height="4016" data-original-width="6016" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBqBvZHeF3MJHp95Go4ADNl07OXqB7uNXaaif_nmPNgLlvaAp3gBUCCfueJYDTEfmhyY_HGHtli27yEgj6aHtCKt8wW1hcX9J3gnad5apiAlL-w--AW2blY-BWS34y1f7O2I21S2nnGMQgEa5OQYxYg_Wo8CpaOiHfIeMa9JHGWj_HsjAXSSq3gA/s320/Zinc_&_Copper_02_by_Joanna_Wizmur.jpg"/>
<br><br>
<b><i>OPEN REHEARSAL</i></b>
<br><br>
DOORS OPEN: 19:00<br>
MUSIC STARTS: 20:00
<br><br>
the microtonal brass trio <b>Zinc & Copper</b> present current works in progress in an informal setting
<br><br>
during this open rehearsal three new compositions will be publicly rehearsed and presented live
<br><br>
<b>Eleni Poulou</b> - "<b>Tetra Palta</b>"<br>
exploring ancient Greek music theory in a contemporary context, with brass and analogue synthesizers
<br><br>
<a href="https://welltunedbrass.net/repertoire/tetrapalta/" target="blank">welltunedbrass.net/repertoire/tetrapalta</a>
<br><br>
<b>Juan Felipe Waller</b> - "<b>Die sprechenden Stummen</b>"<br>
investigating the role of the mutes that brass instruments normally use to dampen their sound or change the tone of their instruments
<br><br>
<a href="https://zincandcopper.org/juan-felipe-waller" target="blank">zincandcopper.org/juan-felipe-waller</a>
<br><br>
<b>Marisol Jiménez</b> - "<b>Installation für autonomous Npise Machines and Brass Instruments</b>"<br>
three autonomous sound machines together with three brass instrumentalists create a non-linear, constantly changing musical structure
<br><br>
<a href="https://marisoljimenezcomposer.com/" target="blank">marisoljimenezcomposer.com</a>
<br><br>
<hr>
<br>
<b>SATURDAY 22 JULY</b> @ 19:00<br>
<b>TANZHALLE WIESENBURG</b><br>
<b>ALCHEMISTIC CABARET</b>
<br><br>
DOORS OPEN: 19:00<br>
MUSIC STARTS: 20:00
<br><br>
<b>Theresa Patzschke + Eleni Poulou</b>
<br><br>
<img alt="" border="0" height="320" data-original-height="4000" data-original-width="3000" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbRurtD49DHKaKJ62pGaBwU9MbxDc5nrxiviIWv9Vi8-5zW8t_87e4RsnVywlaxykWIJh2rb_Azbg9Uxc4Wy3Qrriyg25gpl7ildh939c9QVQ2OrGDU2Iwb-3uQ3r72xZBMgVDQb0HzCqiwZnL-lPSHYqtz573NWkkXjgIudRkd5Dhv0AjwGkhcw/s320/eleni_theresa.jpg"/>
<br><br>
Theresa Patzschke - flute, voice<br>
Eleni Poulou - synthesizer, voice
<br><br>
<a href="https://patzschkepoulou.cargo.site/" target="blank">patzschkepoulou.cargo.site</a>
<br><br>
<b>ITCHY SPOTS</b>
<br><br>
<img alt="" border="0" width="320" data-original-height="700" data-original-width="700" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOn7mBOS9JHcqR21_12Cwdi_eO1xWy_3m9rxqTWoqCuyZ6cW8C-K7Zz_eGq06LGMQU_vzWrLhTAaa0eR_IHFs0gtYlS_CpBFMIHAIlJDzSReBL_DqTxPmTic8s3A7U89ROLNnl5TLRoj1-2-8degYrocp0NlVVeaFJxt7AkVJZYAmlnuD3vr3lNA/s320/itchy_spots.jpg"/>
<br><br>
jayrope - devices<br>
James Main - voice<br>
Ansgar Wilken - percussion
<br><br>
<a href="https://itchyspots.bandcamp.com/" target="blank">itchyspots.bandcamp.com</a>
<br><br>
<b>ORGANZA RAY</b>
<br><br>
<img alt="" border="0" height="320" data-original-height="1909" data-original-width="1500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9JNhUY9wSSELrddGyyrKFKFwPLgOVb222IgrL6FhTUaatZv7nUn32PHmedzANzS2QdXhcAr8hcW6qzfbIcrjp7X-yG2OcHYdDqzKo_boRsH5COHroYVyfaHJoF-slO4irYQ4L2x2s6TCzPl0uzVn_wktT8VhkMFq0qmpqaAL-X2Vc3yLAEIXog/s320/melodica_organza.jpg"/>
<br><br>
Hilary Jeffery - brass, melodica, electronics<br>
Eleni Poulou - melodica, synth, voice<br>
+<br>
Juan Felipe Waller - electronics
<br><br>
<img alt="" border="0" width="320" data-original-height="2448" data-original-width="3264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrw7P58g5Pg-D5NWtmmVLH2mjeBQCX6egM-4FdtdqsAZTIL9PShD-rgv2EYqsFojCxv-7QxImHihFFEK_IZrzkMiSvcJfErUyb54zSrrHZRmMSrPGVICCV2H0qSKAEg-dEoi8rxXFbyq4m1zazbG1B3sgHbF98u4ZBrOr6lpr8ae8qaz6Go_M3Dw/s320/hiljef_+_warlip.jpg"/>
<br><br>
<a href="https://hiljef.com/band/organzaray/" target="blank">hiljef.com/band/organzaray</a><br>
<a href="https://organzaray.bandcamp.com/" target="blank">organzaray.bandcamp.com</a>
<a href="https://felipewaller.com/" target="blank">felipewaller.com</a>
<br><br>
<hr>
<br>
<b>FRIDAY 28 JULY</b>@ 19:00<br>
<b>WERKHALLE WIESENBURG</b>
<br><br>
DOORS OPEN: 19:00<br>
MUSIC STARTS: 20:00
<br><br>
<b>E T U D E</b><br>
<b>Ensemble Treffen Um Die Ecke</b>
<br><br>
play music by <b>Philip Corner</b>
<br><br>
Hilary Jeffery - alphorn, trumpet, trombone<br>
Theresa Patzschke - flute<br>
Eleni Poulou - synthesizer, baglama<br>
Simon Rose - baritone saxophone<br>
Zsolt Sőrés - viola
<br><br>
<b>SET 1: WERKHALLE</b>
<br><br>
Hilary Jeffery presents a sequence of pieces taken from Philip Corner's recent collection of compositions:
<br><br>
"<b>The Art of No-Art</b>" (2022), Los Angeles: Recital Program
<br><br>
<img alt="" border="0" width="320" data-original-height="2016" data-original-width="2474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN2jp4Lk2MDLvpaSMfPJhvRZzkr7rIUJOpakf79D_SrfJ6fgLBfZDpfwih4XTJHOdAhSiauf2f7dvNweaFBFh7Dsi9AH1tTe0hAyohmNJO-Q5PbK-3oRfrgIy6BC9aNF9yCqeLWvGBpx2uLspQZk59SbBkGhPZiTJ_qDj6Cm3hzvg1dkkROziOUA/s320/the_art_of_no_art_cover.png"/>
<br><br>
Philip Corner recently sold his old Swiss alphorn to Hilary Jeffery and subsequently sent this book for him to explore and play from, suggesting that some pages should work on 3 or 4 octaves of the instrument, with glissandos interpreted as sweeps through the harmonic series. Although the compositions in this book are originally conceived for piano exploring multiples of one key on several octaves, many lend themselves to other instrumentations. Hilary has selected a sequence of these pieces, combined together for a complete programme of solo alphorn with trombone interjections. Hilary originally recorded a series of trombone pieces by Corner together with his teacher James Fulkerson which was released on the CD "Extreme Positions" (2007), New World Records.
<brr><br>
The first ever performance by a new ensemble dedicated to performing the music of Philip Corner - Ensemble Treffen Um Die Ecke (ETUDE). Corner's music present creative challenges to musicians in a playful and immediate way. His compositions dive deep into the material of music and its transcendental qualities. To play his music is to take music very seriously, in a lighthearted and fun way. This new ensemble will also play pieces from "The Art of No-Art" and more. This is their first musical meeting, and a pilot for future long term projects.
<br><br>
<a href="https://extraditionpdx.bandcamp.com/album/extradition-plays-corner" target="blank">http://extraditionpdx.bandcamp.com/</a>
<br><br>
<hr>
<br><br>
<img alt="" border="0" width="320" data-original-height="3000" data-original-width="4000" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLOsCvZ2sGKUu-oeccqdwI6tfl4gM0xvYYcC1MBzSfz1h0pqDGxcA6aappS0PU6SGzk0Zz-A8i_dPDD6pKfMcuV8aw1knUgRKaYOPzIY5oUljFgnMlX7VGs6ePZ72FSl30Pwwxr5GvdkgNPdLx9ETmQflpcq9-YPauy147aB65BCdDIPdvPrsanA/s320/guenther.jpg"/>
<br>
these events are sponsored by <b>Guenther O Leipzig</b>
<br><br>
<hr>
<br><br>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-15942698733598991402023-03-04T12:19:00.027+01:002023-03-30T08:22:56.339+00:00KASERNE II<h2>another evening of healing noise, meta music and phuture pholk</h2>
<br><br>
<h3>SATURDAY 1 APRIL 2023 @ 19:00</h3>
<br>
<b>Jugend[widerstands]museum Galiläakirche</b><br>
Rigaer Straße 9-10<br>
<b>BERLIN</b> Friedrichshain
<br><br>
<img alt="" border="0" height="320" data-original-height="2813" data-original-width="2250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGUBFwwvK6OzesitvkQ4Zoj4du-qwyf_1MnYziglMAFohTR4thwKvZO40Qj-hseFZBwGqseibttjxBXwk_B0i-hWobCxsFHIuKo6GQ5TI-xEWa44Aiwx1lhqgbJESqVqiTeKMbujMoerrLsMYWk-p9uUaFPjNzMlWLP5Qcso2jfW0BspAJ0V4/s320/or_1_april_1.jpg"/></a>
<br><br>
<b>ORGANZA RAY</b>
<br><br>
Hilary Jeffery - trombone, trumpet<br>
Eleni Poulou - keyboard, vocals
<br>
<b>+</b>
<br>
Hayden Chisholm - alto sax, vocals<br>
Wolfgang Seidel - drums, electronics<br>
Zsolt Sőrés - viola, electronics, vocals
<br><br>
<b>Jugend[widerstands]museum Galiläakirche</b><br>
Rigaer Straße 9-10<br>
<b>BERLIN</b> Friedrichshain
<br><br>
doors:19.00<br>
start:20:00<br>
end:22.00
<br><br>
<a href="https://widerstandsmuseum.de/kultur-am-dorfplatz/" target="blank">widerstandsmuseum.de</a><br>
<a href="https://www.facebook.com/jugendwiderstandsmuseum/events" target="blank"> facebook.com/jugendwiderstandsmuseum/</a>
<br><br>
<img alt="" border="0" width="320" data-original-height="1242" data-original-width="1376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8yfPUfhUA52_G8MKmTVUi52cyVmsIjwFugpcUNFriJjizz0oDazbuZ78cmT1EB2LhHlfwTUkMfNvA4XJ2Km5yzEa478iLiL8jLRw7IkH5Bgbto5bAEUE567SBCf-pbBbJxdbJPLjhJZVKvCXAOq5rc4G7H-1Msz-hWG1PMqsd_VCmVR6z2K4/s320/kaserne_2.jpg"/></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>Organza Ray</b>
<br><br>
<img alt="" border="0" height="320" data-original-height="839" data-original-width="726" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBZxpBsMqsdDBCR5j-TPCmX8kXmZ54EQteLOai4xmOgg_L8-9fno2TkIQHsaJcLMv1w0i00UhhkE7we1Y8XytshAMTNdjvHy5DbWp4pRwnONd0kN5aAaJsRuvvp5uZ7Sl4izFp3kIissM9MsYiLtUXjj6Z0rOLJ-7W-djfRbM9bxCsXhTqNw4/s320/organza_ray_athens_02_by_noam_assayag.jpg"/></a>
<br><br>
Hilary Jeffery - brass<br>
Eleni Poulou - bass
<br><br>
<b>Organza Ray</b> are Hilary Jeffery and Eleni Poulou + guest musicians. A double well - merging and potentiating sounds and words to reach new pools. They are connecting pathways of knowledge through sound, discovering shimmering entrances and underwater arches. 400 years of long notes, open bags and dancing butterfly blues.
<br><br>
<a href="https://organzaray.bandcamp.com/" target="blank">organzaray.bandcamp.com</a><br>
<a href="https://hiljef.com/band/organzaray/" target="blank">hiljef.com/band/organzaray</a><br>
<a href="https://elenipoulou.bandcamp.com/releases" target="blank">elenipoulou.bandcamp.com/releases</a>
<br><br>
<b>Hayden Chisholm</b>
<br><br>
<img alt="" border="0" width="320" data-original-height="1071" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgDxS-w4KqjIIsIrYu8pJJILOegSmppB33me1OziC147LRKbJndnoBxk5fuxKgFH97IGJGqOyQdqkXKIO_vJL9KhHlshVVRo2j9ZghuulmHSrL5S55_Ut46MSMmD3xwnjA3MWdAI3HMFg64NW59i1cqp-mhXKEzzNgL1GxBs60ivuDifHY8kQ/s320/haydenchisholm.jpg"/></a>
<br><br>
Hayden Chisholm is a New Zealand saxophonist and composer. After studying in Cologne with a DAAD scholarship he continued his music studies in Japan in India. In 1995 he developed a new microtonal system he termed "split scales" for saxophone which he revealed on his debut solo CD "Circe". Since then his compositions have been recorded by BBC and WDR radios and he has toured and recorded extensively worldwide. He has created music for several Rebecca Horn installations as well as composing scores for her films. In 2008 he was assistant director in the Salzburger Festspiele. He has taught at Universities throughout the world and gives yearly master classes in Pelion, Greece. He curated 10 editions of the Plushmusic festival in Cologne and was artistic director of the Thessaloniki Jazz festival in 2018. In 2013 he released the 13 Box Set "13 Views of the Heart's Cargo" and received the German SWR Jazz Prize. In 2015 he was "Improvisor in Residence" in Moers and opened the Moers Jazz Festival. In 2016 he released his second 13CD box "Cusp of Oblivion" on the Moontower Foundation Edition and directed his first short film "Sisyphus Runs". After moving to Belgrade in 2016 he curated the “Dortjol Festival” and founded the BAM club which has become one of the region’s top jazz locations. He continues to record, give masterclasses, and tour the world in various formations.
<br><br>
<a href="http://www.haydenchisholm.net/" target="blank">haydenchisholm.net</a>
<br><br>
<b>Wolfgang Seidel</b>
<br><br>
<img alt="" border="0" width="320" data-original-height="320" data-original-width="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4B0rG3zLNLvMne2C-TpJTMVhWQkTJwyCZAxaHOtsxoPvAIHQfo1kf7Ix0tsD4cFsRgOTjS1utClzeYD3gYwYPXfmulih78hNA9Ky0Wo-k7fg3ezaSpiPj2PIwOylAAtEHhVS1LwoQb63mm_z4kjcao0fxG34usZMiXr7UK5nF5V2vb_1rr10/s320/Wolfgang_seidel_2013.jpg"/></a>
<br><br>
Born in 1949 in West Berlin in the last weeks of the blockade of the city by the Soviet army, Wolfgang Seidel has been heavily involved with the music scene in Berlin since he started playing drums in rock bands as a teenager. In the late 1960s he found himself in the vicinity of Joseph Beuys’ student Conrad Schnitzler and the Zodiak Free Arts Lab, one of the cradles of the music which would later get the label “Krautrock”. He played in Conrad Schnitzler’s group Eruption, an experimental unit which looked for new sounds and new forms of musical interaction. In 1970, Seidel was among the founders of Ton Steine Scherben, one of the first bands to combine rock music with the German language. From 1980 on, Seidel brought the experience of rock music and free improvisation together in groups such as Popular Mechanics and in collaboration with Alfred Harth. Today he is active in Berlin’s thriving Echzeitmusik and free improvisation scenes as a drummer and synthesizer player.
<br><br>
<a href="https://www.wikiwand.com/de/Wolfgang_Seidel_(Musiker)" target="blank">wikiwand.com/de/Wolfgang_Seidel</a>
<br><br>
<b>Zsolt Sőrés</b>
<br><br>
<img alt="" border="0" width="320" data-original-height="600" data-original-width="900" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhhuZ2KysD2GFUg-cUVnvaQMQoFUoIT9SRMTSXO3EfdGI1bjX_6LKVFtUVjE6nPTpRIzKAylnqK28nZGQcuDLRG9m1B3FEFReadeT0O_krCJOk4RAu4TZkd0SG60QxE7vEnnKmi_-HcKqeoGRy5dUlYBOGYvs5v-W_MIuh0WcUFUGjWn-Zf7Y/s320/ZsoltSo%CC%8Bre%CC%81sAhad_COL.jpg"/></a>
<br><br>
Zsolt Sőrés (Budapest, 1969) is a "sonic ontologist", experimental music composer, improviser (five-string viola and electronics), sound and intermedia artist. Sőrés has been one of the longest active and inescapable figures of the Hungarian experimental music and sound art scene for more than 30 years. His music and sound art explores the possibilities of conceptual-meta-music electro-acoustic free improvisation and the "flux" nature of sound as a material and the 21st century possibilities of the objet sonore concept. Current projects: Ahad (solo), Liz Allbee - Matthias Koole - Zsolt Sőrés trio, Werner Zappi Diermaier's faust, Inconsolable Ghost (with Hilary Jeffery, Gideon Kiers and others), Un-garians (with André Vida), Isabel Anders - Victor Laju - Zsolt Sőrés trio, collaborations with Anla Courtis (Reynols), Franz Hautzinger, Nicola Hein, Christian Kobi, Kazuhisa Uchihashi, Ute Wassermann and Organza Ray (Hilary Jeffery, Eleni Poulou), among others. In 2020, he set up his own record label, Hinge Thunder. In 2014, Sőrés curated the first international sound installation art exhibition in Hungary, entitled On the Edge of Perceptibility - Sound Art, at the Kunsthalle in Budapest. He was a recipient of the DAAD Artists-in-Berlin Programme (Berliner Künstlerprogramm des DAAD) 2021 grant for sound art and music, and has since been living and working in Berlin.
<br><br>
<a href="https://www.berliner-kuenstlerprogramm.de/en/artist/zsolt-sores/" target="blank">berliner-kuenstlerprogramm.de/en/artist/zsolt-sores</a>
<br><br>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-64714521216629575642022-09-26T12:46:00.014+01:002022-10-07T22:15:32.615+01:00KASERNE<h2>an evening of healing noise, meta music and phuture pholk</h2>
<br><br>
<h3>SATURDAY 8 OCTOBER 2022 @ 19:30</h3>
<br>
<b>Jugend[widerstands]museum Galiläakirche</b><br>
Rigaer Straße 9-10<br>
<b>BERLIN</b> Friedrichshain
<br>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuA6ay8Asi1VSdiN_z_QNMQi0on1s8DBk6LCcAENpBA9A7lL_ZfBJvZBBpP6xxLy5gxT4wI80OaJ_7kbiiAq6FTv70qDS3Qvap7D7DzgN9nNlzTGIRh4bhqEDB-l2zWEuSNER83XuWdq93wYPgV5pCtlIWFSi2SU_TZdc7eQiI_2ccGPcI94U/s1400/kaserne.jpg" style="display: block; padding: 1em 0; text-align: none; "><img alt="" border="0" width="400" data-original-height="1400" data-original-width="1400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuA6ay8Asi1VSdiN_z_QNMQi0on1s8DBk6LCcAENpBA9A7lL_ZfBJvZBBpP6xxLy5gxT4wI80OaJ_7kbiiAq6FTv70qDS3Qvap7D7DzgN9nNlzTGIRh4bhqEDB-l2zWEuSNER83XuWdq93wYPgV5pCtlIWFSi2SU_TZdc7eQiI_2ccGPcI94U/s400/kaserne.jpg"/></a></div>
<b><i>featuring</i></b>
<br><br>
Samira Aakcha - dance<br>
Constantin Carstens (HeDuDa, Organza Ray) - computer, electronics<br>
Hilary Jeffery (Zinc & Copper, Organza Ray) - trombone, trumpet<br>
Petr Step Kišur (Nohe Noshe, Honey Suckle Company) - harmonium<br>
Theresa Patzschke - flute, vocals<br>
Eleni Poulou (Nohe Noshe, Organza Ray) - keyboard, bass, vocals<br>
Zsolt Sőrés (Faust, Un-garians) - viola, electronics<br>
André Vida (Un-garians) - saxophones, electronics
<br><br>
<b>Jugend[widerstands]museum Galiläakirche</b><br>
Rigaer Straße 9-10<br>
<b>BERLIN</b> Friedrichshain
<br><br>
doors:19.30<br>
start:20:00<br>
end:22.00
<br><br>
<a href="https://widerstandsmuseum.de/events/8-10-konzert-healing-noise-meta-music/" target="blank">widerstandsmuseum.de</a><br>
<a href="https://www.facebook.com/events/5519975914750028/" target="blank">facebook.com/events/5519975914750028</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>NOHE NOSHE</b><br>
- healing music -
<br><br>
<img alt="" border="0" height="320" data-original-height="1204" data-original-width="1068" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXsUe-OsZDY-wucXh4lzMGckXd2OjHHz09WkmdHsDdLylie0s5lAQwKtAFADKvwjNyHpe5GCO3rNBrgaNBL9BWAsLQyB4cPx4MS_Z9llLB1TW6pt9UpfAobCqAEtIjZkpqVlDClZgLqLin1SA-fro60mINYrjNCt5G8RqFfODh3CczyaI-feM/s320/nohe_noshe_02_by_enver_hadidjai.png"/><br>
<i>photo by Enver Hadidjai</i>
<br><br>
Petr Step Kišur - harmonium<br>
Eleni Poulou - keyboard<br>
+ guests
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<b>NOHE NOSHE</b> are Petr Step Kisur (founder of the Honey Suckle Company art collective) and Eleni Poulou (The Fall). They make healing music with synthesizers and an Indian harmonium.
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Kišur is founder of the collective Honey Suckle Company, with which he has exhibited at PS1 in New York, KW Berlin, and Kunsthalle Basel. Eleni Poulou is a Greek musician, DJ, and poet. She has recorded and toured world wide with groups like The Fall and Shizuo, is currently recording with Slurge/Wolfgang Seidel, Bomb Sniffing Dogs, and as ULR with James »Jeanette« Main. Current projects include collaboration with Andre Vide and Zolt Sores, as well as regular shows on Cashmere Radio and Movement Radio.
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<img alt="" border="0" width="320" data-original-height="1009" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGiMhNGwsodULszpy9EBtJM5Qpnx9TcqF4G96Kcb-yDDbE_Wt1B0bbaCk49Vtdx9vGgST75GgsJ4OU_gmgbEXYjWBwqXm_578WaSwuCz6Tjv38rN9a_8ng6bFA0ngjEmlqp6euA8OrirJ1KpJ0siNMdgZDzQReizDkHKjQ9iODealVPg4hzw/s320/nohe_nosh2_01.png"/>
<br><br>
As Nohe Noshe, they have performed with Konrad Sprenger in 2019 at the Honey Suckle Company exhibition »Omnibus« at the ICA London, at Kunstverein Braunschweig, and at the Albertinum Museum in Dresden together with Sabina Maria Van der Linden. Other performances include the Holosounds 4 Festival, Staatsgalerie Stuttgart, and an anti-fashion show in Athens on Lycabettus Hill in 2021, in collaboration with the artist run space 3 137 and Goethe-Institut Athens. They composed music and created the trailer for the Dior Cruise Collection 22.
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<img alt="" border="0" width="320" data-original-height="1061" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguelgaeSnmt31DaJGcn37uNGpIdJWUiGJsM8XSElllAAK8bp74tx8uR8YLkC-60i9wdMShxHLPPO_rGkMb6t5vd3WnEDRmW-dtVq9AHN9oXDwyJ5rZqMB_WqKizkjswP_9x6dioOkYxqiNy-aBbJtjzKWPmFDGkPgz8ml4FwQJtzzI6PHkDH8/s320/nohe_noshe_03.png"/>
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Recently, they have recorded with Zappi Diermaier, Schneider TM, and the Singing Machine created by artist Martin Riches.
<br><br>
<a href="https://thelastgreatrecord.wordpress.com/2019/05/28/nohe-noshe-where-are-you/" target="blank">thelastgreatrecord.wordpress.com</a><br>
<a href="https://nohenoshe.bandcamp.com" target="blank">nohenoshe.bandcamp.com</a><br>
<a href="https://www.ica.art/exhibitions/honey-suckle-company-omnibus/" target="blank">ica.art/exhibitions/honey-suckle-company-omnibus</a><br>
<a href="https://www.instagram.com/eleni.poulou/" target="blank">instagram.com/eleni.poulou</a><br>
<a href="https://www.instagram.com/honey.suckle.company/" target="blank">instagram.com/honey.suckle.company</a><br>
<a href="https://www.instagram.com/nohenoshe_/" target="blank">instagram.com/nohenoshe_</a>
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<b>ORGANZA RAY</b><br>
- phuture pholk -
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<img alt="" border="0" width="320" data-original-height="1280" data-original-width="1280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp0Uza0n5NKLJ8UBqAoqSC4SXrK8yVpiqBbWNV9Le1XJlVV8G39xFSruUpgK9WcBzg5BKvZfSllJqcAtrusNx7Dq1SP2PJegreq_DOH9nQF7saHaysmfjfH1SniC96CbXwZuuOJbtnI9YtqiZU6wWWKIXYtITvHuwxhBUCo-wYwF3nqT0pOHY/s320/organza_ray_01.jpg"/>
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Hilary Jeffery - brass<br>
Eleni Poulou - bass
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<b>ORGANZA RAY</b> are connecting pathways of knowledge through sound, discovering shimmering entrances and underwater arches. 400 years of long notes, open bags and dancing butterfly blues.
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<a href="https://organzaray.bandcamp.com/" target="blank">organzaray.bandcamp.com</a><br>
<a href="https://hiljef.com/band/organzaray/" target="blank">hiljef.com/band/organzaray</a><br>
<a href="https://elenipoulou.bandcamp.com/releases" target="blank">elenipoulou.bandcamp.com/releases</a>
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<b>UN-GARIANS</b><br>
- meta music -
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<img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRappyCpykabcvuHr8OxyWUX3xbHjq5R3qH2xHT2lHULFamhBDWmw1bxSimgMMLdSTo8-QPOhxgKWvZ1TWYSSR6HurVNkUEIt1IE69lulxJvXh-yaJ2lvd4EuFzML7AMz4VejsyWlKwVySpTbpKKrFcgHEI0Y4RBMCPcRadyxDR5X8upB3h-I/s320/Un-garians03%20-%20photo_Eunice%20Maurice.jpg"/><br>
<i>photo by Eunice Maurice</i>
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Zsolt Sőrés - viola, electronics<br>
André Vida - saxophones, electronics
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Zsolt Sőrés and André Vida have been playing together in different formations since 2013. Their Berlin-based duo Un-garians is a continuation of their more focused collaboration that was born as a result of their work together since 2018.
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<img alt="" border="0" width="320" data-original-height="1132" data-original-width="1887" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb6bFmsfejUplVuWjuLez0GH9Eb3rmIVS6MwzIdf-teNfk7-GAFAhaPFUE8JKNYllohZw-LbBumcgXnCVn_2ojM0V7Ldxt301NxlGO0IPhrbT7v0hHGvveX9KwqpsJEAzXXq8MS-XqfSVaJ64or66k607E-yltSOzP-PFe3SP94VUr0hD5osE/s320/Un-garians04%20-%20photo_G%C3%A9za%20Buda.jpg"/><br>
<i>photo by Géza Buda</i>
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In addition to traditional concert situations and studio music, their music, based on real-time composition and site-specific improvisation, is also characterised by a materialist approach to sonic ontological actionism. Such as Vida's "breathless saxophone music" project, or new, custom-developed, extended sounding, interactive instruments in electroacoustic environments, or participation in concert installations and sound installation-intermedia art projects.
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<img alt="" border="0" width="320" data-original-height="1151" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMRy5xhnJyPcxJqBompWdA-y_frR_KQOp28MnUEBtP8MmtYQDcpIVeZ2vSGGDGDjhvZPcAH5_-RCGOFX1oAGPpwRH2YOhE0FoWvj2uMgqonBdLCqNGAL12CdAgBeDjuUSi0jmSFc2V6DWyks5w6-1yuYOWWhEuoiGSyPqwnWKD1UParrwXyUc/s320/Un-garians01%20-%20photo_Luci%20Lux.jpg"/><br>
<i>photo by Luci Lux</i>
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Through the performance of their works, they primarily question the changing position of musical language in the 21st century: instead of the traditional and less relevant improvisation-composition dichotomy, the sonic practical possibilities for sonic interpretations are sought in the context of music vs. sound object.
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<a href="https://vidatone.com/" target="blank">vidatone.com</a><br>
<a href="https://www.berliner-kuenstlerprogramm.de/en/artist/zsolt-sores/" target="blank">berliner-kuenstlerprogramm.de</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-23099156241487131612021-01-09T23:55:00.008+01:002021-01-10T00:08:45.628+01:00BREXIT FUGUE<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEfIGwyLcFI0QkD74jw-mXDHma-yLHcniqr7qCnGKdzh303i_dhnTePWJpBXtlJK7P9mRb1a6i3A0FbNy7tcFVodVjge1v0i69C83y4PWvwOy1IGWehtpqkQTaVvTgbWhKy_W7dQ/s536/kinoflag.jpeg" style="display: block; padding: 1em 0; text-align: none; "><img alt="" border="0" width="320" data-original-height="376" data-original-width="536" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEfIGwyLcFI0QkD74jw-mXDHma-yLHcniqr7qCnGKdzh303i_dhnTePWJpBXtlJK7P9mRb1a6i3A0FbNy7tcFVodVjge1v0i69C83y4PWvwOy1IGWehtpqkQTaVvTgbWhKy_W7dQ/s320/kinoflag.jpeg"/></a></div>
<br><br>
<iframe width="100%" height="150" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/679015923&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/hiljef" title="hiljef" target="_blank" style="color: #cccccc; text-decoration: none;">hiljef</a> · <a href="https://soundcloud.com/hiljef/brexit-fugue" title="BREXIT FUGUE" target="_blank" style="color: #cccccc; text-decoration: none;">BREXIT FUGUE</a></div>
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Audio collage using recordings from the first Cinesthesia screen concert series at Brotfabrik Kino in Berlin from September 2017 - June 2019. Artists include:
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Yorgos Dimitriadis, Gamut Inc, Simon Goff, Boris Hauf, Steve Heather, Hilary Jeffery, Alex Jezdinsky, Joke Lanz, King Penda, Claus Loeser, Chris Long, Andrea Parkins, Gianpaolo Peres, Kaffe Matthews, Minor Tom, Angela Seo, Elliott Sharp, Maciej Sledziecki, Zsolt Sőrés, Jamie Stewart, Marion Wörle, Xiu Xiu.
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<a href="http://auxxx.blogspot.com/2019/06/cinesthesia-screen-concerts.html" target"blank">cinesthesia-screen-concerts</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-48295400441989351142020-12-22T00:42:00.007+01:002020-12-22T00:47:19.543+01:00Singalong with Jupiter Cat<iframe src="https://player.vimeo.com/video/493523913?color=ffffff&title=0&byline=0&portrait=0" width="500" height="300" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
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While practising tuba at Tempelhofer Feld in the beautiful Berlin summer of 2020 - in between shutdowns - I found myself playing the melody to "We Shall Overcome". While playing, new lyrics came to me affirming my firm belief that reality is already virtual enough and so "we shall go offline".
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Singalong with Jupiter Cat!Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-28023512303473804402020-04-22T23:34:00.003+00:002020-12-22T00:47:46.652+01:00If I Were A Fat Cat<strong>JUPITER CAT</strong> sings "<b>if i were a fat cat</b>"
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<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/O8QZVhflZ2A" width="480"></iframe>
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"<strong>If I Were A Fat Cat</strong>"
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While practising tuba, shortly after the Corona shutdown started in Berlin, I found myself playing the melody of "I Were A Rich Man" from the musical "Fiddler On The Roof", while playing this song new lyrics came to me and I realised I had to record them. The lyrics refer to fat cats of this world - if they were to pay their dues (as most of us already do) and share their wealth which many people actually help to generate worldwide, they would help to solve many of the economic and other problems caused by this crisis. I do not have many naïve illusions or hopes that this utopian-psychedelic-Brechtian-anthem will change much, but at least its hopefully some entertainment for friends and colleagues.
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I am grateful to the city of Berlin for Soforthilfe II, to the Volksbühne for paying for rehearsals which did not happen and to the Hans-Werner-Henze Musikschule in Marzahn-Hellersdorf who made it possible to continue getting paid after the school closed, giving me enough time to figure out my approach to online teaching. All this has helped me to continue working as a musician and so I feel very lucky to live and work in Berlin.
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One result of all of all this is the creation of a new platform for music and education called Berlintune. The beginnings of this are already online, including a personal statement about how I think this situation is a really great opportunity to retune and restart:
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<a href="https://www.hiljef.com/berlintune/restart/" target="blank" rel="noopener noreferrer">hiljef.com/berlintune/restart</a>
<br><br>
<a href="https://www.field-notes.berlin/en/festivals/47531/safe-and-sound/47981/safe-and-sound/48148/hilary-jeffery-if-i-were-a-fat-cat" target="blank">field-notes.berlin</a>
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Hilary Jeffery<br>
23 April 2020<br>
Berlin
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-13425981596751788712019-06-30T08:15:00.006+01:002020-11-11T21:00:08.173+01:00CINESTHESIASince 2006 AUXXX has been presenting mixed media programmes at various venues in Berlin and Amsterdam. AUXXX specialises in combining artists and their audiences in a special way, tapping into creative undercurrents and opening up new channels. Between September 2017 and June 2019 AUXXX organised a special series of film and music events together with Dr Claus Löser at Brotfabrik Kino in Berlin. Various approaches to composing for and playing to film were showcased - we tried to avoid the typical format of “improvised soundtrack to a silent movie” and instead challenged musicians to compose and perform on an equal footing with the films, sometimes using the original soundtracks as source material, other times playing a concert along with and in parallel to the film on screen.
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<b>CINESTHESIA</b> SCREEN CONCERTS <b>001</b> - <b>012</b> / <b>2017</b> - <b>2019</b>
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<b>BROTFRABIK KINO</b><br>
Caligariplatz 1 - 13086 Berlin
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9AQYljxRckEaClJK5eqNHZyywTwyhWCWa4PNBebsQwT9a0WO-BUw6gmkAJd5Jzd51wPBOivt6HmeA85-fzkmCjUr0IZjLd9yN8QOWrh0_gOCPyTVe77DGTzTrOVvwLSGmSnJHnQ/s1600/kinosign.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9AQYljxRckEaClJK5eqNHZyywTwyhWCWa4PNBebsQwT9a0WO-BUw6gmkAJd5Jzd51wPBOivt6HmeA85-fzkmCjUr0IZjLd9yN8QOWrh0_gOCPyTVe77DGTzTrOVvwLSGmSnJHnQ/s320/kinosign.jpg" width="320" height="140" data-original-width="1600" data-original-height="699" /></a>
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*** <b>THANXXX</b> ***<br>
to everyone involved for making this series happen:<br>
artists, audience and staff at Brotfabrik<br>
+ Musikfonds for supporting Screen Concerts 007 - 011
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s1600/logo_brotfabrikNEU.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s320/logo_brotfabrikNEU.jpg" width="320" height="82" data-original-width="1500" data-original-height="383" /></a>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUxnfG0I89-N8H07KSTVkhTLzuDrYzyqGMEgLJPw88wYavD7jkbKXveEwTfhLULeAvZGRQN45uEdSq9rET1QdAt3wLn_EWAVfPPapzqb19GR2DtuKf7NrH1fWDFrn-F_hrO0biwA/s1600/MUSIKFONDS.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUxnfG0I89-N8H07KSTVkhTLzuDrYzyqGMEgLJPw88wYavD7jkbKXveEwTfhLULeAvZGRQN45uEdSq9rET1QdAt3wLn_EWAVfPPapzqb19GR2DtuKf7NrH1fWDFrn-F_hrO0biwA/s320/MUSIKFONDS.jpg" width="320" height="50" data-original-width="1600" data-original-height="250" /></a>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4E0C3l9BHyKdS4jpXIq6EXFN9QUnLY0YPW_nG5XJfndsC51aj-QFnBMhlIu_il3YVHSUDq209ffqrU4Cvy7XnLg_Cby5VibY6RIkhtjqCur4Bm2cy8C4vRbbUCgeMNwjCA3sxvQ/s1600/BKM_2017_Office_Farbe_de.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4E0C3l9BHyKdS4jpXIq6EXFN9QUnLY0YPW_nG5XJfndsC51aj-QFnBMhlIu_il3YVHSUDq209ffqrU4Cvy7XnLg_Cby5VibY6RIkhtjqCur4Bm2cy8C4vRbbUCgeMNwjCA3sxvQ/s320/BKM_2017_Office_Farbe_de.png" width="320" height="137" data-original-width="1600" data-original-height="685" /></a>
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<b>Cinesthesia</b> audio collage on <b>Soundcloud</b>:
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<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/679015923&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe>
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<b>Cinesthesia</b> photo album on <b>Flickr</b>:
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<a data-flickr-embed="true" href="https://www.flickr.com/photos/hiljef/albums/72157710005310007" title="Cinesthesia Screen Concerts 2017 - 2019"><img src="https://live.staticflickr.com/65535/48421394636_8f12ae77c9.jpg" width="500" height="375" alt="Cinesthesia Screen Concerts 2017 - 2019"></a><script async src="//embedr.flickr.com/assets/client-code.js" charset="utf-8"></script>
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<b>CINESTHESIA 2017 - 2019</b>
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<b>001</b> THURSDAY <b>14</b> SEPTEMBER <b>2017</b>
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FILM: "<b>THX 1138</b>"<br>
USA 1969 | 95min | 35mm | Director: George Lucas
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRbkWlsJ7cADTF_eFwCUTGSoSMdtqT0vb75MpzDUlbITstVclMiHKPUkn1wH5KONi3f9coniJgBWRQDUvMkO14km251FWdFxFLptixivkNvmmFDdYHDn_LIRJMAOUh9oeAMzt0Og/s1600/thx1.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRbkWlsJ7cADTF_eFwCUTGSoSMdtqT0vb75MpzDUlbITstVclMiHKPUkn1wH5KONi3f9coniJgBWRQDUvMkO14km251FWdFxFLptixivkNvmmFDdYHDn_LIRJMAOUh9oeAMzt0Og/s320/thx1.jpg" width="320" height="405" data-original-width="525" data-original-height="714" /></a>
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LIVE MUSIC: <b>HUB</b><br>
Boris Hauf - saxophones, keyboards, electronics<br>
Steve Heather - drums, electronics<br>
Hilary Jeffery - trombone, electronics
<br><br>
<a href="http://auxxx.blogspot.com/2017/08/cinesthesia-brotfabrik.html" target="blank">auxxx.blogspot.com/2017/08/cinesthesia-brotfabrik</a>
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<b>002</b> THURSDAY <b>7</b> DECEMBER <b>2017</b>
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FILM: "<b>DER RIESE</b>"<br>
GERMANY 1983 | 82min | 16mm | Director: MICHAEL KLIER
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm31tPbgIS7Z4YY5AF5x7rD4KpNIhML1ovNyeOJ7mHQbXiShx8VltQ6YD2NM6Apr1z6IcgRJfApL4MRIKnGTMmGb78QNna_TrAl9hkrLGVnt_btA-Vf6zT_9S4dPoMD-_jHxgK9w/s1600/der_riese_2.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm31tPbgIS7Z4YY5AF5x7rD4KpNIhML1ovNyeOJ7mHQbXiShx8VltQ6YD2NM6Apr1z6IcgRJfApL4MRIKnGTMmGb78QNna_TrAl9hkrLGVnt_btA-Vf6zT_9S4dPoMD-_jHxgK9w/s320/der_riese_2.jpeg" width="320" height="233" data-original-width="546" data-original-height="397" /></a>
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LIVE MUSIC: <b>VARG</b><br>
Beat Keller - guitar<br>
Julia Reidy - guitar
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<b>Q&A</b>: director Michael Klier and Claus Löser
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<a href="http://auxxx.blogspot.com/2017/11/der-riese.html" target="blank">auxxx.blogspot.com/2017/11/der-riese</a>
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<b>003</b> THURSDAY <b>25</b> JANUARY <b>2018</b>
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FILM: <b>HÄXAN</b><br>
Sweden 1922 | 107 minutes | Director: Benjamin Christensen
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbdfPt_GwZQLJ8Q-24QvDJa8aMauwaB-4_1NmjC1YqSbypg0V59IV9oMXBJLrH3PFR84LrcnZWDbn4J_-lJ2eZwaqk2F4NIoEPl-R-eOcQCYWMzEa0MHH9dnwenf8F3a4wdv_VMQ/s1600/2018_01_Kino_Hexen.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbdfPt_GwZQLJ8Q-24QvDJa8aMauwaB-4_1NmjC1YqSbypg0V59IV9oMXBJLrH3PFR84LrcnZWDbn4J_-lJ2eZwaqk2F4NIoEPl-R-eOcQCYWMzEa0MHH9dnwenf8F3a4wdv_VMQ/s320/2018_01_Kino_Hexen.jpg" width="320" height="317" data-original-width="500" data-original-height="496" /></a>
<br><br>
LIVE MUSIC:<br>
Boris Hauf - keyboards, electronics<br>
Alex Jezdinsky - drums
<br><br>
<a href="http://auxxx.blogspot.com/2018/01/haxan.html" target="blank">auxxx.blogspot.com/2018/01/haxan</a>
<br><br>
<b>004</b> THURSDAY <b>22</b> MARCH <b>2018</b>
<br><br>
FILM: <b>THEMROC</b><br>
France 1973 | 1h 40min | Director: Claude Faraldo
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHI_-b75QQ25Ea69rooCqOQ_uBV2DQ5tyB-Y574vpzBhdssJHCjVSUCWaug4zvcgIQiUKcJ7jNXZUBEGAj6h0Eb_d91oUq9p_P3cq6UN5P8XN-Gi83WkOhOI6ZBfCBsIlAffz7PA/s1600/themroc2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHI_-b75QQ25Ea69rooCqOQ_uBV2DQ5tyB-Y574vpzBhdssJHCjVSUCWaug4zvcgIQiUKcJ7jNXZUBEGAj6h0Eb_d91oUq9p_P3cq6UN5P8XN-Gi83WkOhOI6ZBfCBsIlAffz7PA/s320/themroc2.jpg" width="320" height="289" data-original-width="500" data-original-height="452" /></a>
<br><br>
LIVE MUSIC:<br>
Joke Lanz - turntables
<br><br>
<a href="http://auxxx.blogspot.com/2018/02/themroc.html" target="blank">auxxx.blogspot.com/2018/02/themroc</a>
<br><br>
<b>005</b> TUESDAY <b>5</b> JUNE <b>2018</b>
<br><br>
FILM: <b>1984</b><br>
USA 1956| 90 minutes | Director: Michael Anderson
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_uZO96dzqhOHvohP5jU97LUQGRcuzRW-8jU4PL-tKbcv7mEiC_a7d7IrwVnh6edEZ5yW3rim-riU7a41UraT-O4cGAXwp0ik4Wvu3yGq_PJr4ExF5k8H0rm257oTiMDDmYpGYew/s1600/1984_poster.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_uZO96dzqhOHvohP5jU97LUQGRcuzRW-8jU4PL-tKbcv7mEiC_a7d7IrwVnh6edEZ5yW3rim-riU7a41UraT-O4cGAXwp0ik4Wvu3yGq_PJr4ExF5k8H0rm257oTiMDDmYpGYew/s320/1984_poster.jpg" width="320" height="360" data-original-width="600" data-original-height="685" /></a>
<br><br>
LIVE MUSIC:<br>
Elliott Sharp - guitar
<br><br>
<a href="http://auxxx.blogspot.com/2018/05/elliott-sharp-plays-1984.html" target="blank">auxxx.blogspot.com/2018/05/elliott-sharp-plays-1984</a>
<br><br>
<b>006</b> THURSDAY <b>9</b> AUGUST <b>2018</b>
<br><br>
FILM: <b>Fenda's Pen</b><br>
UK 1974 | 90 minutes | Writer: David Rudkin | Director: Alan Clarke
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9JtPTD-oVYx9sd_ICvsu8l4P1U-17JlV8G4bfee6SmEXXkzjHxRy-qnP9J_3JMjc2KfkeqdTxRVIW05h93wjwTmrA25LUsXAEXc0SBkGn1eNjrA76JitFtppApvD1Su37432GQ/s1600/pendasfen.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9JtPTD-oVYx9sd_ICvsu8l4P1U-17JlV8G4bfee6SmEXXkzjHxRy-qnP9J_3JMjc2KfkeqdTxRVIW05h93wjwTmrA25LUsXAEXc0SBkGn1eNjrA76JitFtppApvD1Su37432GQ/s320/pendasfen.jpg" width="320" height="235" data-original-width="1000" data-original-height="733" /></a>
<br><br>
LIVE MUSIC: <b>MINOR TOM</b><br>
Hilary Jeffery - trombone, trumpet, electronics<br>
Chris Long - keyboards, computer, electronics<br>
Gianpaolo Peres - voice
<br><br>
<a href="http://auxxx.blogspot.com/2018/07/pendas-fen.html" target="blank">auxxx.blogspot.com/2018/07/pendas-fen</a>
<br><br>
<b>007</b> MONDAY <b>10</b> SEPTEMBER <b>2018</b>
<br><br>
FILM: <b>Chapp aqua</b><br>
USA 1966 | 82 minutes | 35mm | Director: Conrad Rooks
<br><br>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7t7hEW3WRBwdxlOJhHShG2X2Oy9VeS6t4hZ273dA5-gZmasfHmA_lr1dgsYT8iTy-xDRVpRVceCxCqOoA0LIs12ICa7grqeLYIl3-83mdafVyryFpE-9gyDIVslYpJshjC1DhFg/s320/2018_09_Kino_Chappaqua_.jpg" style="display: block; padding: 1em 0; text-align: none; "><img alt="" border="0" width="320" data-original-height="320" data-original-width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7t7hEW3WRBwdxlOJhHShG2X2Oy9VeS6t4hZ273dA5-gZmasfHmA_lr1dgsYT8iTy-xDRVpRVceCxCqOoA0LIs12ICa7grqeLYIl3-83mdafVyryFpE-9gyDIVslYpJshjC1DhFg/s320/2018_09_Kino_Chappaqua_.jpg"/></a></div>
<br><br>
LIVE MUSIC: <b>GAMUT INC</b><br>
Maciej Sledziecki - electric guitar
Marion Wörle - laptop
<br><br>
<a href="http://auxxx.blogspot.com/2018/09/gamut-play-chappaqua.html" target="blank">auxxx.blogspot.com/2018/09/gamut-play-chappaqua</a>
<br><br>
<b>008</b> THURSDAY <b>11</b> OCTOBER <b>2018</b>
<br><br>
MAIN FILM: "<b>Visions Of Suffering - Final Directors Cut</b>"<br>
Russia 2018 | 85 minutes | Director: Andrey Iskanov<br>
Soundtrack: Zinc Room feat.Purple Eve, Beta Evers, Inconsolable Ghost
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-h5dSwFsngsFEJWzYA2m-8zWpWj7IBx7t1CaTv7qD_MxaGEJ3G3OhmSFvIRFR-vbYkQnkZyIBGb918cGVr5yLmUFkhVeZiwYBc5ky-va3kKBuf2MhJpS9Y7zcTXk1zTi4cM-T7A/s1600/VoSposter.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-h5dSwFsngsFEJWzYA2m-8zWpWj7IBx7t1CaTv7qD_MxaGEJ3G3OhmSFvIRFR-vbYkQnkZyIBGb918cGVr5yLmUFkhVeZiwYBc5ky-va3kKBuf2MhJpS9Y7zcTXk1zTi4cM-T7A/s320/VoSposter.jpg" width="320" height="420" data-original-width="1090" data-original-height="1600" /></a>
<br><br>
OPENING FILM: "<b>TRANQUIL</b>"<br>
Japan 2007 | 17 minutes | 8mm film → video | Director: Makino Takashi
<br><br>
LIVE MUSIC: <b>INCONSOLABLE GHOST</b> channelled by:<br>
Hilary Jeffery - trumpet, voice<br>
Claus Löser - electric guitar<br>
Zsolt Sőrés - viola, voice, electronics
<br><br>
<b>Q&A</b>: Jörg Buttgereit, Zsolt Sőrés and Claus Löser discuss sound design in horror films with special reference to the work of Andrey Iskanov
<br><br>
<a href="http://auxxx.blogspot.com/2018/09/coming-soon-visions-of-suffering.html" target="blank">auxxx.blogspot.com/2018/09/coming-soon-visions-of-suffering</a>
<br><br>
<b>009</b> THURSDAY <b>6</b> DECEMBER <b>2018</b>
<br><br>
FILM: "<b>SHOCK CORRIDOR</b>"<br>
USA 1963 | 101 minutes | Director: Samuel Fuller
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwTzghOaLy1lVhwDrV5DQaRtcT-lT1X7xzr0-ul2uoX_ltKxom_QaqM8Y-GeNGV5qKUiteimtm8K6xb_4l4_CDjx9rJ4_K1CWXNnHWxIDQgHXtBZfyt_Adpub4Q_uu-jSuvDP1g/s1600/shock_corridor.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwTzghOaLy1lVhwDrV5DQaRtcT-lT1X7xzr0-ul2uoX_ltKxom_QaqM8Y-GeNGV5qKUiteimtm8K6xb_4l4_CDjx9rJ4_K1CWXNnHWxIDQgHXtBZfyt_Adpub4Q_uu-jSuvDP1g/s320/shock_corridor.jpg" width="320" height="222" data-original-width="542" data-original-height="376" /></a>
<br><br>
LIVE MUSIC:<br>
Yorgos Dimitriadis - drums, electronics<br>
Andrea Parkins - accordion, electronics
<br><br>
<a href="http://auxxx.blogspot.com/2018/11/shock-corridor.html" target="blank">auxxx.blogspot.com/2018/11/shock-corridor</a>
<br><br>
<b>010</b> THURSDAY <b>24</b> JANUARY <b>2019</b>
<br><br>
FILM:"<b>LE DERNIER COMBAT</b>"<br>
FRANCE 1983 | 92 minutes | Director: Luc Besson
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-JWZHsdhRaUnl7y9yXHSMEkKw2v-JT_j5eCMj-0sDfVqcdD_VjkKnPxuyd7jXdPrlG4oxOTfvAyV_5jJEx6ubJ3yR1XHYw3Phc1SqcRO4BTJpIycz0xnePh6pElsdqaELjpR8A/s1600/le-dernier-combat.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-JWZHsdhRaUnl7y9yXHSMEkKw2v-JT_j5eCMj-0sDfVqcdD_VjkKnPxuyd7jXdPrlG4oxOTfvAyV_5jJEx6ubJ3yR1XHYw3Phc1SqcRO4BTJpIycz0xnePh6pElsdqaELjpR8A/s320/le-dernier-combat.jpg" width="320" height="213" data-original-width="1080" data-original-height="720" /></a>
<br><br>
<b>BROTFABRIK KINO</b><br>
LIVE MUSIC:<br>
Boris Hauf - keyboards, electronics<br>
Alex Jezdinsky - drums
<br><br>
<a href="http://auxxx.blogspot.com/2019/01/2019-le-dernier-combat.html" target="blank">auxxx.blogspot.com/2019/01/2019-le-dernier-combat</a>
<br><br>
<b>011</b> THURSDAY <b>28</b> MARCH <b>2019</b>
<br><br>
MAIN FILM:<br>
"<b>MADE IN BRITAIN</b>"<br>
UK 1983 | 76min | Directed by Alan Clarke
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2hW_X2NKAgHsBmUDPrfksWxbsOqBYDYyOKBuB2gIZpwcC8Wz-TkluvjHA1MGslNMonQA5HSfePM46bCU6CEgGlOMn7yVAeG_mYfcdhXrGNeVIheSAbm3u70XD6_82x925estqIQ/s1600/kinoflag.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2hW_X2NKAgHsBmUDPrfksWxbsOqBYDYyOKBuB2gIZpwcC8Wz-TkluvjHA1MGslNMonQA5HSfePM46bCU6CEgGlOMn7yVAeG_mYfcdhXrGNeVIheSAbm3u70XD6_82x925estqIQ/s320/kinoflag.jpg" width="320" height="224" data-original-width="536" data-original-height="376" /></a>
<br><br>
MUSIC:<br>
Kaffe Matthews - laptop
<br><br>
OPENING FILM: "<b>In-situ Cinema</b>"<br>
UK 2016 | 6min | Directed by Maria Anastassiou and Julie Myers
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR6RJZ4TSFZyoWkgXdgohRmH8tpL8um-t68nnx3YsodhOXmtzRo7SkZH9xuDjA_JNg5_kMyXys7cnk9PpK5AA0_E3z0Cl5kf1MW1RUAJ3fR5vqNIl5MDJRQcuJLoSjmoMEVh7N8g/s1600/in_situ_cinema.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR6RJZ4TSFZyoWkgXdgohRmH8tpL8um-t68nnx3YsodhOXmtzRo7SkZH9xuDjA_JNg5_kMyXys7cnk9PpK5AA0_E3z0Cl5kf1MW1RUAJ3fR5vqNIl5MDJRQcuJLoSjmoMEVh7N8g/s320/in_situ_cinema.jpg" width="320" height="210" data-original-width="645" data-original-height="423" /></a>
<br><br>
<a href="http://auxxx.blogspot.com/2019/03/made-in-britain.html" target="blank">auxxx.blogspot.com/2019/03/made-in-britain</a>
<br><br>
<b>012</b> FRIDAY <b>21</b> JUNE <b>2019</b>
<br><br>
MAIN FILM: "<b>L'Age d'Or</b>"<br>
France 1930 | 63min | Written by <b>Luis Buñuel</b> and <b>Salvador Dali</b> | Directed by <b>Luis Buñuel</b>
<br><br>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCEqbzgghIB_AyNATS7lhEVgTz4N-WIGUHAEj_Cd60KCeL7aBj8MUKw4RTGjeBQuzpIOii4k4yJl4NEP4euFOq5JwNkQ1-SMS7wSSNoznOz_3Im4FZxSyD3zBfIJ8FiMmAvQlbg/s1600/brunel_lage.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCEqbzgghIB_AyNATS7lhEVgTz4N-WIGUHAEj_Cd60KCeL7aBj8MUKw4RTGjeBQuzpIOii4k4yJl4NEP4euFOq5JwNkQ1-SMS7wSSNoznOz_3Im4FZxSyD3zBfIJ8FiMmAvQlbg/s320/brunel_lage.jpg" width="320" height="269" data-original-width="1189" data-original-height="999" /></a>
<br><br>
LIVE MUSIC: <b>XIU XIU</b><br>
Simon Goff - violine, electronics<br>
Angela Seo - keyboard, objects, electronics<br>
Jamie Stewart - guitar, electronics
<br><br>
OPENING FILM: "<b>Un Chant D'Amour</b>"<br>
France 1950 | 26min | Written and Directed by <b>Jean Genet</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpN1g9ae6H1KR68fs5ajXuvzGcDT2Efg8TuB0Ym-dsNCGGIm0ypW3GPW7V0yk1mwicuupXBdMwfFQsr1XYPyeJw8aDOB9o7kLbSIZhFu7_iTJTHS4REXpHRMGi95Ui6iNlHFbwjg/s1600/genet_chant.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpN1g9ae6H1KR68fs5ajXuvzGcDT2Efg8TuB0Ym-dsNCGGIm0ypW3GPW7V0yk1mwicuupXBdMwfFQsr1XYPyeJw8aDOB9o7kLbSIZhFu7_iTJTHS4REXpHRMGi95Ui6iNlHFbwjg/s320/genet_chant.jpg" width="320" height="261" data-original-width="750" data-original-height="612" /></a>
<br><br>
LIVE MUSIC: <b>MINOR TOM</b><br>
Hilary Jeffery - trombone, electronics
Gianpaolo Peres - voice
<br><br>
<a href="http://auxxx.blogspot.com/2019/04/xiu-xiu.html" target="blank">auxxx.blogspot.com/2019/04/xiu-xiu</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-77758457665509105022019-04-30T23:38:00.002+01:002019-06-30T11:53:48.855+01:00XIU XIU - GENET - BRUNEL<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 012</b>
<br><br>
FRIDAY <b>21</b> JUNE <b>2019</b> @ 21:00
<br><br>
a very special <b>Screen Concert</b> to end the first <b>Cinesthesia</b> series
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9AQYljxRckEaClJK5eqNHZyywTwyhWCWa4PNBebsQwT9a0WO-BUw6gmkAJd5Jzd51wPBOivt6HmeA85-fzkmCjUr0IZjLd9yN8QOWrh0_gOCPyTVe77DGTzTrOVvwLSGmSnJHnQ/s1600/kinosign.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9AQYljxRckEaClJK5eqNHZyywTwyhWCWa4PNBebsQwT9a0WO-BUw6gmkAJd5Jzd51wPBOivt6HmeA85-fzkmCjUr0IZjLd9yN8QOWrh0_gOCPyTVe77DGTzTrOVvwLSGmSnJHnQ/s320/kinosign.jpg" width="320" height="140" data-original-width="1600" data-original-height="699" /></a>
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<b>XIU XIU</b> and <b>MINOR TOM</b><br>
play live soundtracks to two classics of French Cinema
<br><br>
MAIN FILM:
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCEqbzgghIB_AyNATS7lhEVgTz4N-WIGUHAEj_Cd60KCeL7aBj8MUKw4RTGjeBQuzpIOii4k4yJl4NEP4euFOq5JwNkQ1-SMS7wSSNoznOz_3Im4FZxSyD3zBfIJ8FiMmAvQlbg/s1600/brunel_lage.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCEqbzgghIB_AyNATS7lhEVgTz4N-WIGUHAEj_Cd60KCeL7aBj8MUKw4RTGjeBQuzpIOii4k4yJl4NEP4euFOq5JwNkQ1-SMS7wSSNoznOz_3Im4FZxSyD3zBfIJ8FiMmAvQlbg/s320/brunel_lage.jpg" width="320" height="269" data-original-width="1189" data-original-height="999" /></a>
<br><br>
"<b>L'Age d'Or</b>" | France 1930 | 63min | Written by <b>Luis Buñuel</b> and <b>Salvador Dali</b> | Directed by <b>Luis Buñuel</b>
<br><br>
LIVE MUSIC: <b>XIU XIU</b>
<br><br>
<b>Jamie Stewart</b> + <b>Angela Seo</b> + <b>Simon Goff</b><br>
vocals, guitar, keyboards, violin, electronics
<br><br>
<a href="http://www.xiuxiu.org" target="blank">xiuxiu.org</a><br>
<a href="https://qujunktions.com/artists/xiu-xiu" target="blank">qujunktions.com/artists/xiu-xiu</a>
<br><br>
OPENING FILM:
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpN1g9ae6H1KR68fs5ajXuvzGcDT2Efg8TuB0Ym-dsNCGGIm0ypW3GPW7V0yk1mwicuupXBdMwfFQsr1XYPyeJw8aDOB9o7kLbSIZhFu7_iTJTHS4REXpHRMGi95Ui6iNlHFbwjg/s1600/genet_chant.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpN1g9ae6H1KR68fs5ajXuvzGcDT2Efg8TuB0Ym-dsNCGGIm0ypW3GPW7V0yk1mwicuupXBdMwfFQsr1XYPyeJw8aDOB9o7kLbSIZhFu7_iTJTHS4REXpHRMGi95Ui6iNlHFbwjg/s320/genet_chant.jpg" width="320" height="261" data-original-width="750" data-original-height="612" /></a>
<br><br>
"<b>Un Chant D'Amour</b>" | France 1950 | 26min<br>
Written and Directed by <b>Jean Genet</b>
<br><br>
LIVE MUSIC: <b>MINOR TOM</b>
<br><br>
<b>Hilary Jeffery</b> + <b>Gianpaolo Peres</b><br>
trombone, voice, electronics
<br><br>
<b>TICKETS</b> available from <b>BROTFABRIK KINO</b>:
<br><br>
<a href="http://brotfabrik-berlin.de/events/xiu-xiu-plays-lage-dor-1930-von-luis-bunuel/?occurrence=2019-06-21" target="blank">brotfabrik-berlin.de</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrufMh80LBnNSBjDS58ip_jgGxmKYt500E0dLuRcmxLLwRDi0x5OjM5mW6BRZ2Jf1jjk9hJXWJwwe-0n7XZyhZhthGEC2g08u1EWURdswBnde1sLWGZxMNgD7ST9AqA289RvT04A/s1600/kinosign.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrufMh80LBnNSBjDS58ip_jgGxmKYt500E0dLuRcmxLLwRDi0x5OjM5mW6BRZ2Jf1jjk9hJXWJwwe-0n7XZyhZhthGEC2g08u1EWURdswBnde1sLWGZxMNgD7ST9AqA289RvT04A/s320/kinosign.jpg" width="320" height="240" data-original-width="1600" data-original-height="1200" /></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>XIU XIU</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimssg936XTPeDNsVKTymm1izQYoEfRbdkmaq9goq_-VnAD9Wmw0KHz9FoDURFfIkNp4pJ6yVjgJ7XVQl5JOiHuAELiXQqlgHQ451Trthqgzj1bTdRQoNW6p-7v9oBIetdjHQ2TgQ/s1600/Xiu-Xiu-by-Sharon-Van-Etten.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimssg936XTPeDNsVKTymm1izQYoEfRbdkmaq9goq_-VnAD9Wmw0KHz9FoDURFfIkNp4pJ6yVjgJ7XVQl5JOiHuAELiXQqlgHQ451Trthqgzj1bTdRQoNW6p-7v9oBIetdjHQ2TgQ/s320/Xiu-Xiu-by-Sharon-Van-Etten.jpg" width="320" height="212" data-original-width="500" data-original-height="332" /></a><br>
<i>photo: Sharon Van Etten</i>
<br><br>
<b>Xiu Xiu </b>is the conduit for the uncompromising and unnervingly personal musical works of Los Angeles-based multi-instrumentalist Jamie Stewart, plus a roll call of collaborators both in studio and onstage. Formed in 2002 the current line-up consists of Stewart (the only constant member since formation), Angela Seo, Thor Harris, and Jordan Geiger. The band's name comes from the film Xiu Xiu: The Sent Down Girl and has influenced the sound of their music according to Stewart. Xiu Xiu have released their new album titled 'Girl with Basket of Fruit' on February 8, 2019 via Polyvinyl.
<br><br>
<a href="http://www.xiuxiu.org" target="blank">xiuxiu.org</a><br>
<a href="https://qujunktions.com/artists/xiu-xiu" target="blank">qujunktions.com/artists/xiu-xiu</a>
<br><br>
<b>MINOR TOM</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGMo4ODqRRJNligV5qpgkRnpARREBpTO8U0edf67V2da7z44HY1N9xc4VS8dqiHVKHfkVGlhECVTHOzqKVeasIMaqV_R6_FGckxl90k8wy6kXj62DTcEa4wYmWJhT2HEEF17CRgw/s1600/minor_tom_bw.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGMo4ODqRRJNligV5qpgkRnpARREBpTO8U0edf67V2da7z44HY1N9xc4VS8dqiHVKHfkVGlhECVTHOzqKVeasIMaqV_R6_FGckxl90k8wy6kXj62DTcEa4wYmWJhT2HEEF17CRgw/s320/minor_tom_bw.jpg" width="320" height="162" data-original-width="1000" data-original-height="506" /></a>
<br><br>
Hilary Jeffery and Gianpaolo Peres started working together as Minor Tom in January 2016 in the wake of David Bowie’s departure. Their music plumbs the depths of blues and treads the lesser known path of dhrupad in a futuristic synthetic setting.
<br><br>
<a href="http://www.hiljef.com/news/band/minortom" target="blank">hiljef.com/news/band/minortom</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-84942924261633949952019-03-17T23:07:00.003+01:002019-04-30T23:39:10.128+01:00MADE IN BRITAIN<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 011</b>
<br><br>
THURSDAY <b>28</b> MARCH <b>2019</b> @ 21:00
<br><br>
FILM:<br>
"<b>MADE IN BRITAIN</b>" | UK 1983 | 76min | Directed by Alan Clarke
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
MUSIC:<br>
<b>KAFFE MATTHEWS</b> - laptop, electronics
<br><br>
<iframe width="320" height="215" src="https://www.youtube.com/embed/H7kIMZ2Yup0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br><br>
<i>"Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse."</i>
<br><br>
Quoted from <a href="https://www.imdb.com/title/tt0084287" target="blank">IMDb.com</a>
<br><br>
<b>+</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR6RJZ4TSFZyoWkgXdgohRmH8tpL8um-t68nnx3YsodhOXmtzRo7SkZH9xuDjA_JNg5_kMyXys7cnk9PpK5AA0_E3z0Cl5kf1MW1RUAJ3fR5vqNIl5MDJRQcuJLoSjmoMEVh7N8g/s1600/in_situ_cinema.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR6RJZ4TSFZyoWkgXdgohRmH8tpL8um-t68nnx3YsodhOXmtzRo7SkZH9xuDjA_JNg5_kMyXys7cnk9PpK5AA0_E3z0Cl5kf1MW1RUAJ3fR5vqNIl5MDJRQcuJLoSjmoMEVh7N8g/s320/in_situ_cinema.jpg" width="320" height="210" data-original-width="645" data-original-height="423" /></a>
<br><br>
"<b>In-situ Cinema</b>" | UK 2016 | 6min | Directed by Maria Anastassiou and Julie Myers
<br><br>
Over four weekends in July residents of Chester Road and Carlisle Road in Queen’s Park, Bedford joined artists Julie Myers and Maria Anastassiou for a series of filmmaking workshops in their outdoor filmmaking space. In-situ Cinema reflects the thoughts and ideas residents have about their local area - the defunct telephone box becomes a silver birch tree, a concrete wall becomes a magical gate into the park, speeding cars vanish and overgrown gardens become places for adventure. Commissioned by Bedford Creative Arts. Funded by
Arts Council England, Bedford Borough Council and bpha.
<br><br>
<a href="https://bedfordcreativearts.org.uk" target="blank">bedfordcreativearts.org.uk</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>MARIA ANASTASSIOU</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTnUdkk7s9j-qVIkuoSwgp8p9fIq859wtN5sWxeQIYJFM9H2WUy8Voml9Rdha4xzNKUPCMt9IQYzzhJ0gbpcBsIdzK2-H2FISC2yjkmtAOET3imOm8azYZiPsKttiO0qIOvvuc2A/s1600/Maria_Anastassiou.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTnUdkk7s9j-qVIkuoSwgp8p9fIq859wtN5sWxeQIYJFM9H2WUy8Voml9Rdha4xzNKUPCMt9IQYzzhJ0gbpcBsIdzK2-H2FISC2yjkmtAOET3imOm8azYZiPsKttiO0qIOvvuc2A/s320/Maria_Anastassiou.jpg" width="241" height="320" data-original-width="1180" data-original-height="1569" /></a>
<br><br>
Maria Anastassiou is an artist/filmmaker based in London. She uses analogue and digital media in moving image, social practice and curatorial projects. Her work is informed by experimental ethnographic approaches to documentary and structuralist film traditions. She is interested in the form and application of the filmmaking process as an entry point into responding to place, historical narrative, communities, individuals and other artists. Her films highlight the illusory space of the moving image and the material space of the surface employing the possibilities and limitations of the apparatus to self-reflective effect. Many of her projects are collaborative and defined by an exchange with other artists and the public, across disciplines and presentational platforms. Recent commissions: New Geographies (2018), Bedford Creative Arts (2016, 2017), Whitney Museum of American Art (2016), Creative Europe Program (2015-2017), Europe for Citizens (2014), Open Society Foundation (2014).
<br><br>
<a href="http://mariaanastassiou.tumblr.com" target="blank">mariaanastassiou.tumblr.com</a>
<br><br>
<b>KAFFE MATTHEWS</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioYgypC-Kj8I_PoleXANQsBgkv_giMRaojpmLrKDIOSe_EQAcTisvvbqna_bnQQrq3QooVoB5GFDaI5phxmCpxWO6ADV7vLbK9GaTikVFt2PZVfDkdclCJxQ5VkvUzBOIelmHlYw/s1600/kaffe_matthews.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioYgypC-Kj8I_PoleXANQsBgkv_giMRaojpmLrKDIOSe_EQAcTisvvbqna_bnQQrq3QooVoB5GFDaI5phxmCpxWO6ADV7vLbK9GaTikVFt2PZVfDkdclCJxQ5VkvUzBOIelmHlYw/s320/kaffe_matthews.jpg" width="320" height="215" data-original-width="1200" data-original-height="806" /></a>
<br><br>
Kaffe Matthews is a pioneering music maker who works live with space, data, things, and place to make new electroacoustic composition. The physical experience of music for the maker and listener has always been central to her approach and to this end she has also invented some unique interfaces, the sonic armchair, the sonic bed and the sonic bike that not only enable new approaches to composition for makers but give immediate ways in to unfamiliar sound and music for wide ranging audience. Violin, theremin, wild salmon, star maps, NASA scientists, sharks, children, solo walks and the BBC Scottish Symphony Orchestra have all sourced this growing body of works for sites such as concert hall, city street, basement club, gallery, theatre, living room, empty shop and the human body. Kaffe has also established the collectives Music for Bodies(2006) and The Bicrophonic Research Institute(2014) where ideas and techniques are developed within a pool of coders and artists using shared and open source approaches, publishing all outcomes online. Awards include a NESTA Dreamtime Fellowship; Honorary Professor of Music at the Shanghai Music Conservatory; a BAFTA with Mandy McIntosh and Zeena Parkins; Distinction Prix Ars Electronica Sonic Bed_London, Honorary Mention Prix Ars Electronica cd cécile and she is the first woman to have received the Edgar Varèse guest professorship in computer music at TU Berlin. Kaffe has also been releasing solo works on Annette Works since 1996.
<br><br>
<a href="https://www.kaffematthews.net" target="blank">kaffematthews.net</a>
<br><br>
<b>JULIE MYERS</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRmydovTapa62q0ZpJ3IVqLp6LSjl1BHk3LciDIYcpkraUhuG2BPOjvjmgmJ9EjIoLcTyiHxTI4Dn9gMrLCkkI85YbEbeMNsnc-E4R7CH7BWlESQgBu2tvp4vZ8C7HrUO4mN0H0w/s1600/Julie_Myers.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRmydovTapa62q0ZpJ3IVqLp6LSjl1BHk3LciDIYcpkraUhuG2BPOjvjmgmJ9EjIoLcTyiHxTI4Dn9gMrLCkkI85YbEbeMNsnc-E4R7CH7BWlESQgBu2tvp4vZ8C7HrUO4mN0H0w/s320/Julie_Myers.jpg" width="320" height="243" data-original-width="1024" data-original-height="778" /></a>
<br><br>
Julie’s works combines film, sound, photography, installation and digital media. Her work forms a response to people and place; exploring everyday ways that people make sense of their environment through memory, personal experience and the representation of stories. Past commissions have included: Lift The Lid - Isle of Wight, UK (2019); Bedford Creative Arts, UK ( 2017, 2016, 2014); Milton Keynes Gallery, UK (2017), Kunsthal, Arhaus, DK (2015); Creative Europe Programme (2015 -17); Arts Council England (2011, 2009, 2007); The British Council (2008); The British Film Institute (2000).
<br><br>
<a href="http://www.juliemyers.org.uk/home/" target="blank">juliemyers.org.uk</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiqnIedFdfvRbE5aA-zd2bO4jRR2E2ySMahqfj-MlLaqthzK9lN4jo80DtujqStenH8h-3N35K2Gh7fcn63y9uhM71d6QIh_EJF-NOYLz4XUqSHMKgMFDQrI0iFHsLgM19R5MmPw/s1600/kinoflag.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiqnIedFdfvRbE5aA-zd2bO4jRR2E2ySMahqfj-MlLaqthzK9lN4jo80DtujqStenH8h-3N35K2Gh7fcn63y9uhM71d6QIh_EJF-NOYLz4XUqSHMKgMFDQrI0iFHsLgM19R5MmPw/s320/kinoflag.jpg" width="320" height="224" data-original-width="536" data-original-height="376" /></a>
<br><br>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-61777376725709169062019-02-23T19:39:00.002+01:002019-02-24T22:03:13.599+01:00An Evening with Makino Takashi<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>AN EVENING WITH MAKINO TAKASHI</b>
<br><br>
WEDNESDAY <b>13</b> MARCH <b>2019</b> @ <b>20:00</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdVPnHd35E0OJBpBkQsVLX3l8ymwTwIpUdx0m9jyPzzlGN0131D0Guo0NaVYvTEquo4m0rRfRk4iPUdV2-jAiZZJD_epadFskl6BkPSJ16HynGqzrdSaEsPbxx8DM1S9Z9xy660g/s1600/On_Generation_and_Corruption_50.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdVPnHd35E0OJBpBkQsVLX3l8ymwTwIpUdx0m9jyPzzlGN0131D0Guo0NaVYvTEquo4m0rRfRk4iPUdV2-jAiZZJD_epadFskl6BkPSJ16HynGqzrdSaEsPbxx8DM1S9Z9xy660g/s320/On_Generation_and_Corruption_50.jpg" width="320" height="134" data-original-width="1600" data-original-height="671" /></a>
<br>
<i>image: Makino Takashi</i>
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<b>FILMS</b>
<br><br>
"<b>Low Storm</b>" 2009 | 16 minutes | Music by <b>Lawrence English</b>
<br>
"<b>On Generation and Corruption</b>" | 2017 | 26min | Music by <b>Jim O'Rourke</b>
<br><br>
<i>interval</i>
<br><br>
"<b>while we are here</b>" | 2009 | 15min | Music by <b>Colleen</b>
<br>
"<b>The Picture from Darkness</b>" | 2016 | 30min | Music by <b>Simon John Fisher Turner</b>
<br><br>
<b>Q&A</b> with <b>Dr Claus Loeser</b> (Brotfabrik) and director <b>Makino Takashi</b>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM3TEH_OFfyDSaCUYhqmdVE3FfzS1DlLsqInSigtVt_INxKi6krsjy4F6VasY1OFIKxs0Ta11ixaP8ky-x8-eQVIZKqQlsECDdKZ5vS4PSflLmAd9TR5tCWCmCaVrkdLz-GVAhdw/s1600/makino_goggles.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM3TEH_OFfyDSaCUYhqmdVE3FfzS1DlLsqInSigtVt_INxKi6krsjy4F6VasY1OFIKxs0Ta11ixaP8ky-x8-eQVIZKqQlsECDdKZ5vS4PSflLmAd9TR5tCWCmCaVrkdLz-GVAhdw/s320/makino_goggles.jpg" width="320" height="240" data-original-width="1600" data-original-height="1200" /></a>
<br><br>
Takashi Makino (b. 1978 ) is a Tokyo-based experimental filmmaker widely considered to be one of the most influential Japanese moving-image artists of his generation. After graduating from the the cinema department at Nihon University College of Art, he spent time honing his skills in the London-based studio of the Quay Brothers before moving back to Japan. His unique working process usually involves capturing representational footage of humans, nature, and urban life in various formats and then transforming these images radically during the editing stage. Through a process of layering, superimposition and other formal manipulations, these concrete images blend together into pulsating visual fields of organic abstraction in his finished works.
<br><br>
Makino regularly presents installations, screenings, and audio-visual performances of his work internationally, having appeared in over 120 cities to date. Recent engagements include: documenta 14, Athens, Greece (2017); Austrian Film Museum, Vienna, Austria (2017); New York Film Festival, New York, USA (2014, 2017); Whitechapel Gallery, London, UK (2016); The Korean Film Archive, Seoul, Korea (2016); BFI IMAX Theatre, London, UK (2016); MoMAPS1, New York, USA (2013); San Francisco MoMA, USA (2009); New Museum of Contemporary Art, New York, USA (2008). In 2012, he was awarded the Tiger Award at the International Film Festival Rotterdam.
<br><br>
<a href="http://makinotakashi.net" target="blank">makinotakashi.net</a>
<br><br>
*** <b>COMING UP</b> *** on THURSDAY <b>28</b> MARCH <b>2019</b> @ 21:00
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 011</b>
<br><br>
<iframe width="320" height="215" src="https://www.youtube.com/embed/H7kIMZ2Yup0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br><br>
FILM:<br>
"<b>MADE IN BRITAIN</b>" | 1983 | 76min | Directed by Alan Clarke
<br><br>
MUSIC:<br>
<b>KAFFE MATTHEWS</b> - laptop, electronics
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiqnIedFdfvRbE5aA-zd2bO4jRR2E2ySMahqfj-MlLaqthzK9lN4jo80DtujqStenH8h-3N35K2Gh7fcn63y9uhM71d6QIh_EJF-NOYLz4XUqSHMKgMFDQrI0iFHsLgM19R5MmPw/s1600/kinoflag.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiqnIedFdfvRbE5aA-zd2bO4jRR2E2ySMahqfj-MlLaqthzK9lN4jo80DtujqStenH8h-3N35K2Gh7fcn63y9uhM71d6QIh_EJF-NOYLz4XUqSHMKgMFDQrI0iFHsLgM19R5MmPw/s320/kinoflag.jpg" width="320" height="224" data-original-width="536" data-original-height="376" /></a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-28119319834249503012019-01-10T23:58:00.002+01:002019-01-11T00:39:15.727+01:00CINESTHESIA 2019 - LE DERNIER COMBAT<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 010</b>
<br><br>
THURSDAY <b>24</b> JANUARY <b>2019</b> @ <b>21:00</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-JWZHsdhRaUnl7y9yXHSMEkKw2v-JT_j5eCMj-0sDfVqcdD_VjkKnPxuyd7jXdPrlG4oxOTfvAyV_5jJEx6ubJ3yR1XHYw3Phc1SqcRO4BTJpIycz0xnePh6pElsdqaELjpR8A/s1600/le-dernier-combat.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC-JWZHsdhRaUnl7y9yXHSMEkKw2v-JT_j5eCMj-0sDfVqcdD_VjkKnPxuyd7jXdPrlG4oxOTfvAyV_5jJEx6ubJ3yR1XHYw3Phc1SqcRO4BTJpIycz0xnePh6pElsdqaELjpR8A/s320/le-dernier-combat.jpg" width="320" height="213" data-original-width="1080" data-original-height="720" /></a>
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
FILM:<br>
"<b>LE DERNIER COMBAT</b>"<br>
FRANCE 1983 | 92 minutes | Director: Luc Besson
<br><br>
MUSIC:<br>
BORIS HAUF - keyboards, electronics<br>
ALEX JEZDINSKY - drums
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYM-7Q46mTlMcgwJ9RX0g_BIbYLCz9P1Xdal_ziaG_NA-EZuZJhldcF64eOSAUBQI5EWtbauPkrOnpFdDKWCaAUE0UJktPinM5i2ve43LEAxB5QprKtvGAiTFWSU72GKqM2rdxA/s1600/kinosign.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYM-7Q46mTlMcgwJ9RX0g_BIbYLCz9P1Xdal_ziaG_NA-EZuZJhldcF64eOSAUBQI5EWtbauPkrOnpFdDKWCaAUE0UJktPinM5i2ve43LEAxB5QprKtvGAiTFWSU72GKqM2rdxA/s320/kinosign.jpg" width="320" height="140" data-original-width="1600" data-original-height="699" /></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>BORIS HAUF</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D_JQv47aP_fElSa_o8M8Azg3D4Fzg-V9YLZTX7TFe882fPuTyDQbJflBhVw9umbP7nGc4hb7VdPERgPmoZno1K86aFDvkG2q_EBtQjPcoKGTiSEQKorHTgLCsV13A9FG7eqiDw/s1600/BORIS+HAUF.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D_JQv47aP_fElSa_o8M8Azg3D4Fzg-V9YLZTX7TFe882fPuTyDQbJflBhVw9umbP7nGc4hb7VdPERgPmoZno1K86aFDvkG2q_EBtQjPcoKGTiSEQKorHTgLCsV13A9FG7eqiDw/s320/BORIS+HAUF.jpg" width="320" height="213" data-original-width="1600" data-original-height="1065" /></a>
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Multi-intrumentalist, composer, producer and performer Boris Hauf plays saxophones, flutes, synths, organ, various computer-based applications, cymbals, bells, rudimentary guitar and sings. He composes for large and small ensembles, performance artists, film, radio, soloists, video and installation art. More than 50 releases on vinyl, CD, tape and online. He initiated and curated the annual composition festival Chicago Sound Map in Chicago and the concert series Playdate in Berlin and lectures at the University of the Arts in Berlin. Hauf tours worldwide in a variety of bands, ensembles as well as in various performative contexts and if necessary as a solo artist. Current bands include Clark, Owl & Mack, Postmarks, Next Delusion, The Peeled Eye. As performer and composer he collaborates closely with Choreographers Christina Ciupke, Martin Nachbar, Karen Christopher and many others with in the performance context. Boris is the keyboarder/multiinstrumentalist of legendary Austrian rock band “Naked Lunch”, owns and runs the independent record label shameless and lives in Berlin, Germany.
<br><br>
<a href="http://hauf.klingt.org/" target="blank">hauf.klingt.org</a><br>
<a href="http://shamelessrecords.rocks/" target="blank">shamelessrecords.rocks</a>
<br><br>
<b>ALEX JEZDINSKY</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELKAmYU9L1I_4yWAKxiH2oavknobb6_Esk_m2o5Ex6ZPksOMbGEJ4euX9V99_sH-yDjXCC3nGwK5JSIId2wMrzeQv0PAied7sQ4QYkyRqLUqv6VXuJz3pm4tDop_COkDVeeNpgw/s1600/ALEX_JEZDINSKY.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELKAmYU9L1I_4yWAKxiH2oavknobb6_Esk_m2o5Ex6ZPksOMbGEJ4euX9V99_sH-yDjXCC3nGwK5JSIId2wMrzeQv0PAied7sQ4QYkyRqLUqv6VXuJz3pm4tDop_COkDVeeNpgw/s320/ALEX_JEZDINSKY.jpeg" width="214" height="320" data-original-width="427" data-original-height="640" /></a>
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Alex studied Jazz Drums at the Frankfurter Musikwerkstatt and Musikhochschule Köln with Rainer Rumpel and Keith Copeland. Ever since he started playing the drums at the age of 10 he has always been playing his own music in bands, as a singer and drummer. He has been giving lessons for more than 20 years now and is constantly expanding his palette as a composer, musician and educator. As a sought after studio musician, he has recorded with a large number of German artists and producers, and has been part of theatrical productions both as musician and actor. As a touring musician he extensively travelled across Europe, the US and China. He is a member of the legendary Austrian band Naked Lunch for 10 years now.
He lives in Hamburg and is the proud father of his son Emil.
<br><br>
<a href="https://www.youtube.com/channel/UCeejHJpebvhioLoSdH3z9rA" target="blank">alex's youtube channel</a>
<br><br>
the new Screen Concert series is made possible with support from <b>MusikFonds</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s1600/MUSIKFONDS.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s320/MUSIKFONDS.jpg" width="320" height="50" data-original-width="1600" data-original-height="250" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s1600/BKM_2017_Office_Farbe_de.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s320/BKM_2017_Office_Farbe_de.png" width="320" height="137" data-original-width="1600" data-original-height="685" /></a>Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-71674330773435000572018-11-15T00:44:00.002+01:002018-11-15T01:50:39.416+01:00SHOCK CORRIDOR<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 009</b>
<br><br>
THURSDAY <b>6</b> DECEMBER <b>2018</b> @ <b>21:00</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU2bwk2UXjR3HtZO9zZHQkuSGHnaUdHc2l-aourS-7Ov577sekJc5Qdqpj1u8mJ9hg2CzpGq89a4-Vyh5SxPz424CycYdR-yc7YuFJx2YV0Wm9725-lutffZoWE1zcBnpWLO2gfA/s1600/Andrea%252BYorgos.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU2bwk2UXjR3HtZO9zZHQkuSGHnaUdHc2l-aourS-7Ov577sekJc5Qdqpj1u8mJ9hg2CzpGq89a4-Vyh5SxPz424CycYdR-yc7YuFJx2YV0Wm9725-lutffZoWE1zcBnpWLO2gfA/s320/Andrea%252BYorgos.jpeg" width="320" height="170" data-original-width="590" data-original-height="314" /></a>
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
FILM:<br>
"<b>SHOCK CORRIDOR</b>"<br>
USA 1963 | 101 minutes | Director: Samuel Fuller
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwTzghOaLy1lVhwDrV5DQaRtcT-lT1X7xzr0-ul2uoX_ltKxom_QaqM8Y-GeNGV5qKUiteimtm8K6xb_4l4_CDjx9rJ4_K1CWXNnHWxIDQgHXtBZfyt_Adpub4Q_uu-jSuvDP1g/s1600/shock_corridor.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibwTzghOaLy1lVhwDrV5DQaRtcT-lT1X7xzr0-ul2uoX_ltKxom_QaqM8Y-GeNGV5qKUiteimtm8K6xb_4l4_CDjx9rJ4_K1CWXNnHWxIDQgHXtBZfyt_Adpub4Q_uu-jSuvDP1g/s320/shock_corridor.jpg" width="320" height="222" data-original-width="542" data-original-height="376" /></a>
<br><br>
MUSIC:<br>
<b>YORGOS DIMITRIADIS</b> - drums, electronics<br>
<b>ANDREA PARKINS</b> - accordion, electronics
<br><br>
the new Screen Concert series is made possible with support from <b>MusikFonds</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s1600/MUSIKFONDS.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s320/MUSIKFONDS.jpg" width="320" height="50" data-original-width="1600" data-original-height="250" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s1600/BKM_2017_Office_Farbe_de.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s320/BKM_2017_Office_Farbe_de.png" width="320" height="137" data-original-width="1600" data-original-height="685" /></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>YORGOS DIMITRIADIS</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd4qOWDCqnfWgMZbcHTkRJ3Yy8JM3evaVEz5K19H7B2lgDucpxRWffUHGNzbXRf6DI8O3vw70hiX4xCw0r3VdZBEeIUQ0UAVrU1XH4_tIE2Cr3fZ58VDopDNruTzErigR85ncl8g/s1600/yorgos_foto_JeffHumbert_960.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd4qOWDCqnfWgMZbcHTkRJ3Yy8JM3evaVEz5K19H7B2lgDucpxRWffUHGNzbXRf6DI8O3vw70hiX4xCw0r3VdZBEeIUQ0UAVrU1XH4_tIE2Cr3fZ58VDopDNruTzErigR85ncl8g/s320/yorgos_foto_JeffHumbert_960.jpg" width="320" height="320" data-original-width="960" data-original-height="960" /></a><br>
<i>photo: Jeff Humbert</i>
<br><br>
Yorgos Dimitriadis is a Berlin based percussionist, improviser, active in the fields of improvised music and contemporary jazz. In his original solo work he uses drums, cymbals and microphones to compose in real time sonic landscapes, with the emphasis in timbre, sound color and long durations. Since 2006 he works and lives in Berlin, connecting with the international improvisers scene and participating in different groups and projects: from solo performances to appearances with the 25 piece orchestra BerIO. Dimitriadis is a founding member of among others: GRIX, GLUE and FABRIC trios. He has performed in festivals and concert series throughout Europe, as a soloist and in collaboration with an array of renowned international artists like Achim Kaufmann, Tobias Delius, Clayton Thomas, Axel Dörner, Ignaz Schick, Andrea Parkins, Audrey Chen, Hilary Jeffery, Robin Hayward, Paul Dunmall, Tristan Honsinger, Alexander von Schlippenbach, Conny and Matthias Bauer, Amir ElSaffar. After having studied drums at the New Conservatory Thessaloniki, Greece, Dimitriadis moved to Boston, U.S.A. to study with Alan Dawson and Bob Moses. After returning to Europe, in 1994 he was offered a two-year residency at the Cité Internationale des Arts in Paris from the Greek Ministry of Culture. For the next twelve years Dimitriadis was an active member of the Paris jazz and improvised music scene, playing locally as well as participating in festivals world wide.
<br><br>
<a href="https://yorgosdimitriadis.com" target="blank">yorgosdimitriadis.com</a>
<br><br>
<b>ANDREA PARKINS</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZX8TnQq23EMd5qPr11E1INKeQmLwsG9_9L19QgSo0iu6pymVdXZbpLlto6fK6YJ7kicyymmhu6x2bIhdhcRf4kGn9KoQQCdJ8SIVj0a8ZVLT6xr30EpE18LvEFPUV8jK5vagDiw/s1600/Andrea_Parkins.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZX8TnQq23EMd5qPr11E1INKeQmLwsG9_9L19QgSo0iu6pymVdXZbpLlto6fK6YJ7kicyymmhu6x2bIhdhcRf4kGn9KoQQCdJ8SIVj0a8ZVLT6xr30EpE18LvEFPUV8jK5vagDiw/s320/Andrea_Parkins.jpeg" width="240" height="320" data-original-width="360" data-original-height="480" /></a>
<br><br>
Andrea Parkins is a sound artist, composer and electro-multi-instrumentalist who also makes/arranges objects and images. Known especially for her dynamic timberal explorations on the electric accordion and inventive use of customized sound processing, she wields a sonic language that is both fractured and fluid – releasing awkward electronic disruptions, concretized sampling and explosive feedback into the rising flow of her electric accordion’s sonority. Parkins performs internationally as a solo artist, and has collaborated with Nels Cline, Fred Frith, Thomas Lehn, Otomo Yoshihide, and ROVA Saxophone Quartet, among many others. She also creates sound art works, and compositions for solo and ensemble instruments. Her audio works and performances have been presented at the Whitney Museum of American Art, The Kitchen, and Experimental Intermedia, among other contemporary ar/t/multimedia venues, and she has collaborated in this context with sound artists Michael J. Schumacher, Stephen Vitiello, Anne Wellmer, and others. Parkins appears on more than 50 recordings on labels including Hatology, Cryptogramophone, and Atavistic.
<br><br>
<a href="https://soundcloud.com/andreaparkins" target="blank">soundcloud.com/andreaparkins</a>
<br><br>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-41977289246439398632018-09-19T23:35:00.001+01:002018-10-03T11:09:05.976+01:00TRANQUIL VISIONS OF SUFFERING<b>AUXXX</b> + <b>BROTFABRIK</b> + <b>LAST EXIT ENTERTAINMENT</b> <i>present </i>
<br><br>
<b>ANDREY ISKANOV</b> - <b>VISONS OF SUFFERING: FINAL DIRECTORS CUT</b>
<br><br>
THURSDAY <b>11</b> OCTOBER <b>2018</b> @ <b>20:00</b>
<br><br>
with <b>Jörg Buttgereit</b>, <b>Zsolt Sőrés</b>, <b>Claus Löser</b> and <b>Hilary Jeffery</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrz1cJC5KVbCc55MCTS5Z2VaXk5w1DbyRVXhlHRn34AYaZaEiPjY6F7gE-66JUGyILdKEUhfJuXxD5JqGCXDllMdyZywF5nspAbmNBNL9o_WLyoiUSeetv_xR2rG7CgGVTl3rsTQ/s1600/VoSposter.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrz1cJC5KVbCc55MCTS5Z2VaXk5w1DbyRVXhlHRn34AYaZaEiPjY6F7gE-66JUGyILdKEUhfJuXxD5JqGCXDllMdyZywF5nspAbmNBNL9o_WLyoiUSeetv_xR2rG7CgGVTl3rsTQ/s320/VoSposter.jpg" width="218" height="320" data-original-width="1090" data-original-height="1600" /></a>
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<a href="http://brotfabrik-berlin.de/programmuebersicht/live-konzert-premiere-diskussion-mit-dem-film-visions-of-suffering-auxxx-brotfabrik-present-cinesthesia-screen-concert-008/?occurrence=2018-10-11" target="blank">brotfabrik-berlin.de</a>
<br><br>
<b>Cinesthesia Screen Concert 008</b> - <b>BROTFABRIK KINO</b> @ 20:00 (starts on time!)
<br><br>
Andrey Iskanov's epic masterpiece "Visions of Suffering:Final Diretors Cut" will be screened for the first time in Germany as part of the Cinesthesia Screen Concert series. Not for the faint hearted and for viewers over the age of 18 only!
<br><br>
<b>20:00</b> - LIVE MUSIC - <b>INCONSOLABLE GHOST</b> channelled by:
<br><br>
<b>Hilary Jeffery</b> - trombone, trumpet, electronics<br>
<b>Claus Löser</b> - electric guitar<br>
<b>Zsolt Sőrés</b> - viola, vocals, electronics
<br><br>
+ FILM: "<b>TRANQUIL</b>"<br>
Japan 2007 | 17 minutes | 8mm film → video | Director: <b>Makino Takashi</b>
<br><br>
<b>20:45</b> - FILM - "<b>VISONS OF SUFFERING</b>" (German Premiere) introduced by <b>Zsolt Sőrés</b><br>
Russia 2018 | 85 minutes | Director: <b>Andrey Iskanov</b> | <br>
Soundtrack: Zinc Room feat.Purple Eve, Beta Evers, Inconsolable Ghost
<br><br>
<b>22:15</b> - DISCUSSION - <b>Jörg Buttgereit</b> and <b>Zsolt Sőrés</b> - a public discussion about sound design in horror films with special reference to the work of Andrey Iskanov.
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrizxjTKXUnBBLI7hfoVNqn2yyQo3eN-tK3qHiZr-YOChwFc9JXN3uWBG0-sqgmDu7zI1tP1pgh4A7nIDoMInverdeJbUoW-HUD_kL3NmZdsBnFV63GTCepsfLogfkkCByAB5xTw/s1600/VOS-FDC_POSTER.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrizxjTKXUnBBLI7hfoVNqn2yyQo3eN-tK3qHiZr-YOChwFc9JXN3uWBG0-sqgmDu7zI1tP1pgh4A7nIDoMInverdeJbUoW-HUD_kL3NmZdsBnFV63GTCepsfLogfkkCByAB5xTw/s320/VOS-FDC_POSTER.jpg" width="213" height="320" data-original-width="1067" data-original-height="1600" /></a>
<br><br>
<b>SYNOPSIS</b>
<br><br>
Sasha is obsessed with death, necrophilia and decaying human bodies. In an otherworldly forest he disturbs a demonic shaman which makes the line between our world and the demon realm shift. At night the situation spirals out of control, becoming lethal when daytime is smashed, throwing the world into an eternal night of horrors. To save himself Sasha ventures into a world without shapes, inhabited by tormenting vampires and seductive demons lurking in every shadow bringing death and annihilation in their path. After years of reshoots, painstaking reediting, and reshuffling of the narrative, the true nightmare vision Iskanov always wanted the movie to be is here: Visions of Suffering – Final Directors Cut!
<br><br>
<i>“Disturbing and gut level horrific”</i><br>
Steve Naive: The Holy Mountain: Dr Caligari’s Cult Movie Utopia
<br><br>
<i>“A feast for the senses”</i><br>
Richard Taylor, Twisted Minds
<br><br>
“Grotesque scenes of necrophilia and other underground film atrocities for the fans of the darkest of obscure cinema”<br>
Steven Paul, Beneath The Underground
<br><br>
“Hallucinatory trips to make Gaspar Noé jealous“<br>
Nicolas Beaudeux, Horreur.com
<br><br>
“9/10, Blew me away with the visuals, and the music and the madness of it all”<br>
Jasmine & Sarah, Bitches of Horror
<br><br>
“Horror that shakes the screen with madness and pain”<br>
Ryan Nicholson Director, Writer, Special Effects Wizard.
<br><br>
“Hypnotic, Disturbing, Fascinating”<br>
Harry Bromley Davenport, director of XTRO
<br><br>
the new Screen Concert series is made possible with support from <b>MusikFonds</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir6tcWc7dJvMQZIhisfHS2T_nIHPjCt-eAk2AUi3ZPDh0PklCIwBkQZlxwlQfjKWq84iyoiKOWIoLx721isHQOuir_r6Upw2qkIRycSLxfn_URxo__h3aKc5EEaAQeCrB6fKle1w/s1600/musikfonds_web_color.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir6tcWc7dJvMQZIhisfHS2T_nIHPjCt-eAk2AUi3ZPDh0PklCIwBkQZlxwlQfjKWq84iyoiKOWIoLx721isHQOuir_r6Upw2qkIRycSLxfn_URxo__h3aKc5EEaAQeCrB6fKle1w/s200/musikfonds_web_color.jpg" width="200" height="129" data-original-width="850" data-original-height="548" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJXSVjNr3HyNoT8Sc51mz05PFpdH6Ce6FLljRgElO0xLVIvAYelmqZlydy08qUg-c8NbQ1cGRPJ4K6ZuB4kG9dY8PoYrcXjwgJjss6N0UBSbWJmFmw6u-0_OCjBfO9tm0XH7AWbg/s1600/BKM_2017_Office_Farbe_de.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJXSVjNr3HyNoT8Sc51mz05PFpdH6Ce6FLljRgElO0xLVIvAYelmqZlydy08qUg-c8NbQ1cGRPJ4K6ZuB4kG9dY8PoYrcXjwgJjss6N0UBSbWJmFmw6u-0_OCjBfO9tm0XH7AWbg/s200/BKM_2017_Office_Farbe_de.png" width="200" height="86" data-original-width="1600" data-original-height="685" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUr8DNSNg9s4bVgo28ckPL-ywEoa-Oi283VNwcz5G_hASztCanYTjsOhsW_8oYelFwPJbNoWkPCcGdp9lt1l0XNcekCgxbAWuTPQ2UA8iGeTPW8eo25Ws6KmZvdKzKrJ4fWVC_0Q/s1600/LEE-text-logo+minst.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUr8DNSNg9s4bVgo28ckPL-ywEoa-Oi283VNwcz5G_hASztCanYTjsOhsW_8oYelFwPJbNoWkPCcGdp9lt1l0XNcekCgxbAWuTPQ2UA8iGeTPW8eo25Ws6KmZvdKzKrJ4fWVC_0Q/s200/LEE-text-logo+minst.jpg" width="200" height="43" data-original-width="140" data-original-height="30" /></a>
<br><br>
<a href="http://www.lastexitentertainment.typepad.com/" target="blank">lastexitentertainment.typepad.com</a>
<br><br>
"<b>Visions of Suffering</b>" will also be screened on Friday 12 October at 22:15
<br><br>
<a href="http://brotfabrik-berlin.de/programmuebersicht/visions-of-suffering-videnija-uschtschasov-%d0%b2%d0%b8%d0%b4%d0%b5%d0%bd%d0%b8%d1%8f-%d1%83%d0%b6%d0%b0%d1%81%d0%be%d0%b2/?occurrence=2018-10-12" target="blank">brotfabrik-berlin.de</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>Andrey Iskanov</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHxgNMAD17eglcffrYq-PK5YQ01p2DLl3S6G4-L-tuuaWDsXlZDNcMmqB_c2xsLky5aj-ir8TEGy06raY7wxZSCpHquWn26MwErP-qulN2EwYOH2a8BfwUn2ZHL13x6PRiEjL0MA/s1600/iskanovfoto.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHxgNMAD17eglcffrYq-PK5YQ01p2DLl3S6G4-L-tuuaWDsXlZDNcMmqB_c2xsLky5aj-ir8TEGy06raY7wxZSCpHquWn26MwErP-qulN2EwYOH2a8BfwUn2ZHL13x6PRiEjL0MA/s320/iskanovfoto.jpg"></a>
<br><br>
Photographer, director, visual effects designer, make-up artist and actor, Andrey Iskanov is a true author-creator. His fascination for the surreal and fantastic is omnipresent in all of his works, consisting of four feature films to date. Citing movies by directors such as David Lynch, Shinya Tsukamoto, Dario Argento and Andrei Tarkovsky as sources of inspiration, Andrey Iskanov develops mostly non-linear narratives, wrapped in fluorescent aesthetics. This former medical student masterfully dissects the human being and reveals degradation, suffering and repulsion. The very violent and gore depictions in his films have attracted censorship and limited their theatrical exposure to a minimum.
<br><br>
<i>bio borrowed from <b>LUFF 2013</b> website</i>
<br><br>
<a href="http://www.luff.ch/en/archives/2013.php" target="blank">www.luff.ch</a><br>
<a href="http://www.imdb.com/name/nm2310557/" target="blank">www.imdb.com/name/nm2310557</a>
<br><br>
<b>Jörg Buttgereit</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-1KRLrIcSNfj7vsgcvvqgbwVg_vhG0Wz4WpKpzEvpSTk4zqq8_aSM-n26HGxhcdvBjWMiosWX_DdyOGIOJxUqxadoMs2HnSFpxES7sM69tAhVvFbGSTBQoRwk77J3vK8H9P1u_g/s1600/joerg_buttgereit.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-1KRLrIcSNfj7vsgcvvqgbwVg_vhG0Wz4WpKpzEvpSTk4zqq8_aSM-n26HGxhcdvBjWMiosWX_DdyOGIOJxUqxadoMs2HnSFpxES7sM69tAhVvFbGSTBQoRwk77J3vK8H9P1u_g/s320/joerg_buttgereit.jpg" width="320" height="192" data-original-width="1600" data-original-height="959" /></a>
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Jörg Buttgereit, born 1963 in Berlin, has been called a Trash Poet, Punk Surrealist and Underground Icon by the international press. He is the director and author of arthouse-horror-movies, TV-documentarys, stageplays and radio dramas. He also works as a film journalist and writes comic books.
<br><br>
<a href="http://www.joergbuttgereit.com/" target="blank">joergbuttgereit.com</a>
<br><br>
<b>Makino Takashi</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM3TEH_OFfyDSaCUYhqmdVE3FfzS1DlLsqInSigtVt_INxKi6krsjy4F6VasY1OFIKxs0Ta11ixaP8ky-x8-eQVIZKqQlsECDdKZ5vS4PSflLmAd9TR5tCWCmCaVrkdLz-GVAhdw/s1600/makino_goggles.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM3TEH_OFfyDSaCUYhqmdVE3FfzS1DlLsqInSigtVt_INxKi6krsjy4F6VasY1OFIKxs0Ta11ixaP8ky-x8-eQVIZKqQlsECDdKZ5vS4PSflLmAd9TR5tCWCmCaVrkdLz-GVAhdw/s320/makino_goggles.jpg" width="320" height="240" data-original-width="1600" data-original-height="1200" /></a>
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Among Japan’s most prolific, active and adventurous filmmakers, Makino Takashi is known for hallucinatory, non-linear films that harness techniques from the twin media of film and video, treating both image and sound with equal importance. “Makino Takashi’s immersive live media experiences are a transcendence into ‘physical unconsciousness.’ Hallucinatory and experiential, Takashi creates abstract cinematic worlds immersing the viewer like a grain of emulsion free falling in the corporeality of image forming materials” (Unconscious Archives, London). Often described as being at the forefront of Japanese experimental filmmaking, Takashi himself generally shies from the term “experimental.” Rather, his influences include the multiple exposure techniques of 1920s French Surrealist films and a near-death experience at the age of five during which he envisioned “a place filled with lights more brilliant than any image I had ever seen.” Takashi’s work evolves as he attempts to find the ideal film, "an unshaped, organic, lump-like film that links with the consciousness and mental state of the viewers... and never ceases to change."
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<i>bio borrowed from <b>RECOMBINANT festival 2017</b> website</i>
<br><br>
<a href="http://recombinantfestival.com/2017/project/makinotakashi/" target="blank">recombinantfestival.com</a><br>
<a href="https://makinotakashi.net/" target="blank">makinotakashi.net</a>
<br><br>
<b>Zsolt Sőrés</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidBYF-CMIUdad9EAw2kmnRTyc_mL4mwHL3hoQViVdLa31XFpQU_InJOalJ0qE17__3WyD7rg_O10zknJ_4CGNPLrkwhZ4zADk900q09qmNXg7hQ9E8sfOHPD-N9VRpkr7oUG9wsQ/s1600/zsolt-sores.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidBYF-CMIUdad9EAw2kmnRTyc_mL4mwHL3hoQViVdLa31XFpQU_InJOalJ0qE17__3WyD7rg_O10zknJ_4CGNPLrkwhZ4zADk900q09qmNXg7hQ9E8sfOHPD-N9VRpkr7oUG9wsQ/s320/zsolt-sores.jpg"></a>
<br><br>
Improvised / electroacoustic and noise musician, sound artist, editor, performance and conceptual artist. Zsolt is a long time collaborator with and champion of Andrey Iskanov.
<br><br>
<a href="http://inaplo.hu/ahad/" target="blank">inaplo.hu/ahad</a><br>
<a href="http://ahadmaster.blogspot.com/" target="blank">ahadmaster.blogspot.com</a>
<br><br>
<b>Claus Löser</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg17FIybChSOGHwMUmdQYKR25ZLx_bBlxlm8rhMYeFExQsfNDuXA-j7_Q0E8mFTkRU4pKXm_Kjs2a9bppH5RcwCpR56XBne3OZrrz2zDHQAg4b0BAzj6Prg0lnqqXyvramfFlmq4g/s1600/claus_loeser.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg17FIybChSOGHwMUmdQYKR25ZLx_bBlxlm8rhMYeFExQsfNDuXA-j7_Q0E8mFTkRU4pKXm_Kjs2a9bppH5RcwCpR56XBne3OZrrz2zDHQAg4b0BAzj6Prg0lnqqXyvramfFlmq4g/s320/claus_loeser.jpeg" width="320" height="213" data-original-width="1600" data-original-height="1067" /></a>
<br><br>
Claus Löser was born in Karl-Marx-Stadt (now Chemnitz) in 1962. As a writer and Super-8 filmmaker, he was very closely connected to the art scene there in the 1980’s. In 1983, he co-founded the music improvisation group Die Gehirne (The Brains), of which he has since been a member. Since 1990, Löser has been the programmer at the arthouse cinema Brotfabrik in Berlin-Prenzlauer Berg; since 1992, he has also worked as a curator, freelance journalist, and film historian. He studied media and dramaturgy at the Academy for Film and Television in Potsdam-Babelsberg from 1990-1995. In 1996, he co-founded Ex.Oriente.Lux, an archive devoted to East German underground and experimental films, and he co-published the book Counter-Images: Film Subversion in the GDR 1976-1989 [Gegenbilder - Filmische Subversion in der DDR 1976-1989] with Karin Fritsche.
<br><br>
<a href="https://eastgermancinema.com/tag/claus-loser/" target="blank">eastgermancinema.com</a>
<br><br>
<b>Hilary Jeffery</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjohTmxT07J-yCpkARIW3QYsY2RESGSIGR6TPfTrewmfv0SwEJ_M50kAUhYuA3iZSDDrwhen3Vd1-kJxaRU9lSFKGJVZlVgGTtMwu5lhJ0nzBt67fDKEC6uU7IAoP7_L1OL_Qv19A/s1600/hil%252Bfriend.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjohTmxT07J-yCpkARIW3QYsY2RESGSIGR6TPfTrewmfv0SwEJ_M50kAUhYuA3iZSDDrwhen3Vd1-kJxaRU9lSFKGJVZlVgGTtMwu5lhJ0nzBt67fDKEC6uU7IAoP7_L1OL_Qv19A/s320/hil%252Bfriend.jpg" width="320" height="221" data-original-width="768" data-original-height="531" /></a>
<br><br>
Hilary Jeffery is a composer, trombonist and founder of the <b>AUXXX</b> series.
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<a href="http://www.hiljef.com" target="blank">www.hiljef.com</a>
<br><br>
<b>Inconsolable Ghost</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWe4VOeqs1WBRew7R-25dgGN8qc6nvxGeTkJXRyYMOg4oPePttRo8ZvWQKxZcCOoCpz5kSiFyb5UhLWyITEB_k9qi-8TFyl2dFiGH4eoyRbwkUSH6Fld6YXgTTdFGBKCaxcfE3ig/s1600/ig_bw.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWe4VOeqs1WBRew7R-25dgGN8qc6nvxGeTkJXRyYMOg4oPePttRo8ZvWQKxZcCOoCpz5kSiFyb5UhLWyITEB_k9qi-8TFyl2dFiGH4eoyRbwkUSH6Fld6YXgTTdFGBKCaxcfE3ig/s320/ig_bw.jpg" width="320" height="213" data-original-width="960" data-original-height="640" /></a>
<br><br>
<i>tapping into signals from beyond, broadcasting into haunted cinemas...</i>
<br><br>
Inconsolable Ghost is an occult audio-visual group produced by Hilary Jeffery and Gideon Kiers, former members of The Kilimanjaro Darkjazz Ensemble and The Mount Fuji Doomjazz Corporation. Conjuring up a twenty-first century vision of spiritism and occupying a similarly spooky territory as Kilimanjaro / Fuji, this project works with several well known artists who are conceived as channellers of energies, atmospheres, ghosts, spirits, thought forms and other entities. A new cassette "Sokolowsko Channelling" has just been released on Fourth Dimension Records.
<br><br>
<a href="https://fourthdimensionrecords.bigcartel.com/product/inconsolable-ghost-sokolowska-channelling-cassette-pre-order" target="blank">fourthdimensionrecords.bigcartel.com</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdxBRnvbW3uUgH8H2eYkZxBi74LBsAvJYh4RK1r9MtxZkv4RBiW-cNHVAIi-lR-eOPu0u67zxO8DQtFLDzoX-tZYKCh6h8eaFfUOK2_n0axkXu97AQC4t_iSSI1l5QP2lkK7a2wQ/s1600/VoS-FDC_03.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdxBRnvbW3uUgH8H2eYkZxBi74LBsAvJYh4RK1r9MtxZkv4RBiW-cNHVAIi-lR-eOPu0u67zxO8DQtFLDzoX-tZYKCh6h8eaFfUOK2_n0axkXu97AQC4t_iSSI1l5QP2lkK7a2wQ/s320/VoS-FDC_03.jpg" width="320" height="213" data-original-width="1600" data-original-height="1067" /></a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-29921702792775387942018-09-04T21:06:00.002+01:002020-11-10T14:40:33.222+01:00GAMUT INC play CHAPPAQUA<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwcQs_jVVZ7Ll4aWw1SQALWJZyOZULhtv04iX4H8R76xvCRt7cdWxHG7AVkgX0Xxskx6PvWlj_I788iq72Cmzy99-bzUW_qHyw2snUoJMgpsWYQz2z5jwA1Z9af6JomUByquip_A/s320/2018_09_Kino_Chappaqua_.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="300" data-original-height="300" data-original-width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwcQs_jVVZ7Ll4aWw1SQALWJZyOZULhtv04iX4H8R76xvCRt7cdWxHG7AVkgX0Xxskx6PvWlj_I788iq72Cmzy99-bzUW_qHyw2snUoJMgpsWYQz2z5jwA1Z9af6JomUByquip_A/s320/2018_09_Kino_Chappaqua_.jpg"/></a></div>
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>Cinesthesia Screen Concert 007</b> @ <b>BROTFABRIK KINO</b>
<br><br>
MONDAY <b>10</b> SEPTEMBER <b>2018</b> @ <b>21:00</b>
<br><br>
<b>AUXXX</b> and <b>Brotfabrik Kino</b> begin a new season of their <b>Cinesthesia Screen Concert</b> series with a special <b>35mm</b> screening of Conrad Rooks' cult film "Chappaqua" from 1966, accompanied with a new live soundtrack performed by <b>GAMUT INC</b>.
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FILM:
<br><br>
<b>Chappaqua</b> | USA 1966 | 82 minutes | Director: Conrad Rooks | 35mm
<br><br>
LIVE MUSIC:
<br><br>
<b>GAMUT INC</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6VDip4K9nRUGTxVhOKFSBf3f-8pzfB7XKU4Iy634B9Bo1HlzmyBFUyHN1GcLSXRzfJmuYGwuRrf6l7bjVfKLLcXQ7yT0vOTRcbxniwCiCFat2srsINfcqLUTAjODYasM3NHsDFA/s1600/gamut_inc_by_hilary_jeffery.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6VDip4K9nRUGTxVhOKFSBf3f-8pzfB7XKU4Iy634B9Bo1HlzmyBFUyHN1GcLSXRzfJmuYGwuRrf6l7bjVfKLLcXQ7yT0vOTRcbxniwCiCFat2srsINfcqLUTAjODYasM3NHsDFA/s320/gamut_inc_by_hilary_jeffery.jpg" width="320" height="180" data-original-width="1000" data-original-height="563" /></a>
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<b>Maciej Sledziecki</b> - electric guitar<br>
<b>Marion Wörle</b> - laptop
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<a href="http://brotfabrik-berlin.de/programmuebersicht/gamut-inc-plays-chappaqua-usa-1966-auxxx-brotfabrik-present-cinesthesia-screen-concert-007/?occurrence=2018-09-10" target="blank">brotfabrik-berlin.de</a>
<br><br>
the new Screen Concert series is made possible with support from <b>MusikFonds</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s1600/MUSIKFONDS.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJJS7tTgOm7-EhunzR9WpO6gX0n-GqbwU5pmkTC7A8ODdJflru63UpzxCop7shXwhTZbAjaupcjZMsdXM5h5mwwWS1mbFws1kj8IHvbBFJNW17iLPs06UPD20ldSN7sLuB8PMYDg/s320/MUSIKFONDS.jpg" width="320" height="50" data-original-width="1600" data-original-height="250" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s1600/BKM_2017_Office_Farbe_de.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-h-scH03pqF7vdbT6GKWedS8m_NWv0tmzXpWqCfLwEBdOjoIdEJyfRM7GAT1jB-1RpVQlHxmMwWYsgXpdcBIfC-fRaZ7JHuLtj1n7eILkmZNOAUcV23mRU5EA8k-m4c1OjjCCQ/s320/BKM_2017_Office_Farbe_de.png" width="320" height="137" data-original-width="1600" data-original-height="685" /></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>GAMUT INC</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigOL_DvSA_rRF7qifKL1FT0uILnbXXbrNR964KFce7G_d-iP1QKLddkJvI8p7IUzlGNgyodR6Rl_Jtlib_OVDOxIGqMLt6Bngk7Do2ILvY9Q1qA3BvWh3-rHNK3cA15Hhn2i5X6g/s1600/gamut_inc_CLASSIC-1024x717.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigOL_DvSA_rRF7qifKL1FT0uILnbXXbrNR964KFce7G_d-iP1QKLddkJvI8p7IUzlGNgyodR6Rl_Jtlib_OVDOxIGqMLt6Bngk7Do2ILvY9Q1qA3BvWh3-rHNK3cA15Hhn2i5X6g/s320/gamut_inc_CLASSIC-1024x717.jpg" width="320" height="224" data-original-width="1024" data-original-height="717" /></a>
<br><br>
The retro-futuristic ensemble gamut inc makes musical theatre and plays computer-controlled music machines that they develop themselves. The core of the ensemble is made up of computer-musician Marion Wörle and composer Maciej Śledziecki, who collaborate on a project by project basis with various other musicians and artists.
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Their last musical theatre piece THIS IS NOT A SWAN SONG, for choir, electro-acoustic ensemble and performers, tackled the ‘end’ in a complex and multifaceted way. GHOST TAPE XI broached the issue of the misuse of music in the military context; ONE MORE PIONEER in turn dealt with the mechanisation of society. In gamut inc’s current production, REDRUM, they are adapting August Strindberg’s “The Red Room” for electro-acoustic ensemble, the cello quartet The Octopus and performers, in collaboration with the US American librettist Leslie Dunton-Downer. Meanwhile, in the long-duration musical theatre piece INTERZONE, they are working with the contemporary brass trio Zinc & Copper on long, intensive drones.
<br><br>
The ensemble is made up of a growing number of self-playing, acoustic music machines that are controlled live by computer and are developed especially for and by gamut inc. These Jules Verne-like apparatuses translate antique acoustic considerations into a tonal language of now. Out of a collaboration with the Logos Foundation in Gent, the largest robot orchestra in the world, gamut inc created the piece “Planet 9” for its computer-controlled brass instruments. Within the framework of their concert series AGGREGATE, which is dedicated to the interaction between human and machine, they are currently developing a programme for computer-controlled church organ.
<br><br>
Wörle and Śledziecki organise the WIR SIND DIE ROBOTER festival, which is dedicated to machine and robot music, and the international festival AVANT AVANTGARDE, a journey through time to musical experiments before the 20th century. They have received composition commissions and invitations from international festivals (e.g. CTM, Acht Brücken, Musica Jauna Vilnius, NuMusicFestival, AudioArt Festival, NewMusic Festival Gdansk, Technosphärenklänge). They regularly compose for film and radio, are co-founders of the “Zentrum für Aktuelle Musik” and have run the satelita record label, which is dedicated to contemporary music formats, since 2009.
<br><br>
<a href="http://gamutinc.org/" target="blank">gamutinc.org</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-61444508696218032262018-07-10T14:03:00.001+01:002020-11-10T14:36:00.731+01:00Fenda's Pen<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9JtPTD-oVYx9sd_ICvsu8l4P1U-17JlV8G4bfee6SmEXXkzjHxRy-qnP9J_3JMjc2KfkeqdTxRVIW05h93wjwTmrA25LUsXAEXc0SBkGn1eNjrA76JitFtppApvD1Su37432GQ/s1600/pendasfen.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9JtPTD-oVYx9sd_ICvsu8l4P1U-17JlV8G4bfee6SmEXXkzjHxRy-qnP9J_3JMjc2KfkeqdTxRVIW05h93wjwTmrA25LUsXAEXc0SBkGn1eNjrA76JitFtppApvD1Su37432GQ/s320/pendasfen.jpg" width="320" height="235" data-original-width="1000" data-original-height="733" /></a>
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>Cinesthesia Screen Concert 006</b> @ <b>BROTFABRIK KINO</b>
<br><br>
THURSDAY <b>9</b> AUGUST <b>2018</b> @ <b>21:00</b>
<br><br>
the <b>Cinesthesia</b> series continues... following our exposé of aspects of the Police State, we embark on an investigation of how the unconscious reacts to repression in the form of magical rebellion, starting in the English countryside!
<br><br>
FILM:
<br><br>
<b>Penda's Fen</b> | UK 1974 | 90 minutes | Director: Alan Clarke | Writer: David Rudkin
<br><br>
<a href="https://celluloidwickerman.com/2015/10/26/ritual-and-identity-in-pendas-fen-1974-alan-clarke/" target="blank">celluloidwickerman.com/ritual-and-identity-in-pendas-fen-1974-alan-clarke</a><br>
<a href="https://www.bfi.org.uk/news-opinion/news-bfi/features/quest-romantic-tradition-british-film-pendas-fen" target="blank">bfi.org.uk/quest-romantic-tradition-british-film</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJG7vzPInOTWcV3-DFpYqUiLDkv-SjnDxv0Gn6REJbhojBilJWz3JskQb_dIYRiTNCncqOYsES3TfFU5Xs5vxLsjYdkQo7Lci1VfXpfHumEPWn-1qtPdEJ1Q0pmNMvD6RLcbGVCw/s1600/pendasfen2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJG7vzPInOTWcV3-DFpYqUiLDkv-SjnDxv0Gn6REJbhojBilJWz3JskQb_dIYRiTNCncqOYsES3TfFU5Xs5vxLsjYdkQo7Lci1VfXpfHumEPWn-1qtPdEJ1Q0pmNMvD6RLcbGVCw/s320/pendasfen2.jpg" width="320" height="241" data-original-width="800" data-original-height="602" /></a>
<br><br>
LIVE MUSIC:
<br><br>
<b>CHRIS LONG</b> - keyboards, electronics<br>
<b>GIANPAOLO PERES</b> - voice<br>
<b>HILARY JEFFERY</b> - trombone, electronics
<br><br>
<b>BROTFABRIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<a href="http://brotfabrik-berlin.de/kino-programm-aktueller-monat/" target="blank">brotfabrik-berlin.de</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>CHRIS LONG</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh2t4zy_lR5bB0fpMKb9tysRPXMpjsObIhTBcrixiVhmX9k_1677lzYRZsTT7CKRUsRzrH7lYGojijbU3cSDj_EgANmGyt4zo04lXUVwte9pWNq-eeV2du0UtRVqC0wTZ1uOzDUg/s1600/chrislong.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh2t4zy_lR5bB0fpMKb9tysRPXMpjsObIhTBcrixiVhmX9k_1677lzYRZsTT7CKRUsRzrH7lYGojijbU3cSDj_EgANmGyt4zo04lXUVwte9pWNq-eeV2du0UtRVqC0wTZ1uOzDUg/s320/chrislong.jpg" width="240" height="320" data-original-width="600" data-original-height="800" /></a>
<br><br>
Chris works as a musician in the UK and in Europe, creating live soundcapes for film, for dance & for spaces, as well as working as a performer in more conventional settings (contemporary classical, rock & jazz, early music). He has been a member of improvising trio Netherworld Airtours (alongside longterm collaborator, improviser and multi-instrumentalist David Coulter); jazz-rock-psych-fusion outfit OIGOI; has collaborated with actor Eward Pinner in the Soundcape Theatricalist duo Seeing2Sound; and has worked on projects involving various luminaries including Damon & Albarn and Gorillaz, Richard Strange (Doctors of Madness) and Robert Fripp (King Crimson).
<br><br>
<a href="http://www.chrislongmusic.co.uk" target="blank">chrislongmusic.co.uk</a>
<br><br>
<b>GIANPAOLO PERES</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoxjXxKum_pySrxNcytSCUVlXcw3DwQlI6HYdFYl-DdapULzG6CSukyxDqBHBawfSL9K-jTm14KfuousvYzNlQtjVnnmhKIqikppJE_E5ERcfjpge8AP-eMKqHie-QfXrwHNWEIg/s1600/gp.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoxjXxKum_pySrxNcytSCUVlXcw3DwQlI6HYdFYl-DdapULzG6CSukyxDqBHBawfSL9K-jTm14KfuousvYzNlQtjVnnmhKIqikppJE_E5ERcfjpge8AP-eMKqHie-QfXrwHNWEIg/s320/gp.jpg" width="320" height="213" data-original-width="600" data-original-height="400" /></a>
<br><br>
Gianpaolo Peres was born in Italy and currently lives in Berlin. He graduated after many years of study with Amelia Cuni at the Music Conservatory of Vicenza, specialising in Indian dhrupad. He is primarily a singer and also plays the tanpura. He is actively interested in exploring the many connections between sound, light and movement. He has collaborated with Amelia Cuni, Werner Durand, Robert Miles, Dalata, Planeta Terra, A Group, Agnese Toniutti, KV5, Inconsolable Ghost, Lysn and works with Hilary Jeffery as "Minor Tom" for Silent Records.
<br><br>
<a href="https://silentrecords.bandcamp.com/track/blue-funeral-garden" target="blank">silentrecords.bandcamp.com</a>
<br>
<a href="http://www.hiljef.com/news/band/minortom" target="blank">hiljef.com/news/band/minortom/</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-60208734723939314322018-06-12T17:11:00.000+00:002020-02-06T22:09:58.061+01:00ZINC & COPPER WIRED<b>TUESDAY 3 JULY 2018</b> @ <b>ACUD</b>
<br><br>
<b>ZINC & COPPER WIRED</b> featuring <b>ARNOLD DREYBLATT</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtBWRb0-yqBFocJgbBk2457Fh10P0bEWhyacLiFr6KD9Dcogiwswn7nvBNYqTNj_KRL6bre0OEIpe3VUCn9jQM7kma8XoLBpvsP7SwcT9-YCtoqRopLhyphenhypheneSZkR_V5QKfEZMhVRyA/s1600/Arnold_Dreyblatt_by_Ben_Tran_2017_2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtBWRb0-yqBFocJgbBk2457Fh10P0bEWhyacLiFr6KD9Dcogiwswn7nvBNYqTNj_KRL6bre0OEIpe3VUCn9jQM7kma8XoLBpvsP7SwcT9-YCtoqRopLhyphenhypheneSZkR_V5QKfEZMhVRyA/s320/Arnold_Dreyblatt_by_Ben_Tran_2017_2.jpg" width="320" height="246" data-original-width="590" data-original-height="453" /></a>
<br>
<i>photo: Ben Tran</i>
<br><br>
Arnold Dreyblatt presents the world premiere of new music commissioned by Zinc & Copper in Acud Club on 3 July 2018. Following their popular concerts at Maerz Musik and Berlin Jazzfest, as well as the renowned recording of Ellen Arkbro’s „For Organ and Brass“ in 2017, the ensemble now move into a new rhythmic territory with „Zinc & Copper Wired“. Joining them onstage will be percussionist Morten J. Olsen and Dreyblatt himself playing a modified double bass. This special programme, supported by Initiative Neu Musik, includes a solo set by Dreyblatt, a public discussion and DJ sets from Phonosphere (Jens Strüver & Werner Durand).
<br><br>
doors open - 20:00<br>
live music starts - 21:00
<br><br>
<b>ACUD MACHT NEU</b><br>
Veteranenstraße 21<br>
10119 <b>BERLIN</b> Mitte
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHoJZn1yPtrhE0ib3NVeJtTkiFEwhb_z_b-YnZoDo0DLFb4I7zvydSXqn8v75cH23whh_NwpeSWaDDTP8x8SwY9SI4Pets5Jv6LixzYJ4witlA5DHfO4PUDHh4OEOcfx9iejRMzw/s1600/auxxx_dreyblatt.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHoJZn1yPtrhE0ib3NVeJtTkiFEwhb_z_b-YnZoDo0DLFb4I7zvydSXqn8v75cH23whh_NwpeSWaDDTP8x8SwY9SI4Pets5Jv6LixzYJ4witlA5DHfO4PUDHh4OEOcfx9iejRMzw/s320/auxxx_dreyblatt.jpg" width="320" height="227" data-original-width="582" data-original-height="413" /></a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Ak9DeOSkwKK5kSFPrBXGotv9Uxhw_CoGy9yZtKMNu1-s4ZqgSdPG1MR3Ec4VhWogZ3mp5DGscih5Dpitl1CLzK96Qv3rJrH5566-QT6uETbWamR6vG_VWmLjRZ2vkdAxRfiqcQ/s1600/fngr%25C3%25BCn.PNG" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Ak9DeOSkwKK5kSFPrBXGotv9Uxhw_CoGy9yZtKMNu1-s4ZqgSdPG1MR3Ec4VhWogZ3mp5DGscih5Dpitl1CLzK96Qv3rJrH5566-QT6uETbWamR6vG_VWmLjRZ2vkdAxRfiqcQ/s320/fngr%25C3%25BCn.PNG" width="120" height="85" data-original-width="400" data-original-height="231" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_xQHAOd_aIb-uoqH3psfdq61RMU9Cv5TYa670icuDo4qIAm7cU8-gTJQttGebXXjnvLI6bx5yFrng532MRPs75rR8j_O_GBgkqiFsf1_f6RuImW3off-3qYq3Q32sgfoMql7e0g/s1600/DiB_Logo.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_xQHAOd_aIb-uoqH3psfdq61RMU9Cv5TYa670icuDo4qIAm7cU8-gTJQttGebXXjnvLI6bx5yFrng532MRPs75rR8j_O_GBgkqiFsf1_f6RuImW3off-3qYq3Q32sgfoMql7e0g/s320/DiB_Logo.jpg" width="120" height="85" data-original-width="262" data-original-height="193" /></a>
<br><br>
<a href="http://www.digitalinberlin.de/auxxx-acud-macht-neu-2018/" target="blank">digitalinberlin.de</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>ARNOLD DREYBLATT</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIABNGySPPBvMGc5KJiGZuojgnaNKsWBK7o80hZkwRZYG4Tk-2vSZVDD8IiBBP34DNTxKh00c30g9kzKmnXibpdPZCGtrB5jD6cKoDx_8OZTX6WJiKmhEAPBUWhRtYPXyApdYiAg/s1600/Arnold_Dreyblatt_by_Ben_Tran_2017_1.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIABNGySPPBvMGc5KJiGZuojgnaNKsWBK7o80hZkwRZYG4Tk-2vSZVDD8IiBBP34DNTxKh00c30g9kzKmnXibpdPZCGtrB5jD6cKoDx_8OZTX6WJiKmhEAPBUWhRtYPXyApdYiAg/s320/Arnold_Dreyblatt_by_Ben_Tran_2017_1.jpg" width="250" height="250" data-original-width="590" data-original-height="518" /></a>
<br>
<i>photo: Ben Tran</i>
<br><br>
American media artist and composer. He is currently Professor of Media Art at the Muthesius Academy of Art and Design in Kiel. One of the second generation of New York minimal composers, Dreyblatt studied music with Pauline Oliveros, La Monte Young, and Alvin Lucier and media art with Woody and Steina Vasulka.
<br><br>
<a href="http://www.dreyblatt.net" target="blank">dreyblatt.net</a>
<br><br>
<b>ZINC & COPPER</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj277Bxa2wss34oDDxvAJ7IkrhvQGxnkijmBjgqJzSi_2cZe5JTfA2KcW1FQSAGpnE9y3zWWurFYuTM_t7X0LQHlcsrlA6Fh5151KybAFFvQ81DjRMiSE16IioM1k19YsweRn3auA/s1600/z%2526c.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj277Bxa2wss34oDDxvAJ7IkrhvQGxnkijmBjgqJzSi_2cZe5JTfA2KcW1FQSAGpnE9y3zWWurFYuTM_t7X0LQHlcsrlA6Fh5151KybAFFvQ81DjRMiSE16IioM1k19YsweRn3auA/s320/z%2526c.jpg" width="250" height="140" data-original-width="1600" data-original-height="669" /></a>
<br><br>
Brass trio founded by Robin Hayward (tuba) in 2005, featuring Hilary Jeffery (trombone) and Elena Kakaliagou (french horn) since 2014. An innovative and pioneering Berlin ensemble whose recent collaborations have included World Premieres of pieces by Ellen Arkbro, Amir ElSaffar, Robin Hayward, CC Hennix, Hilary Jeffery, Simon Martin, Phill Niblock and Jan-Peter E.R. Sonntag.
<br><br>
<a href="https://www.zincandcopper.org" target="blank">zincandcopper.org</a>
<br><br>
<b>MORTEN J. OLSEN</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMA5QZrFT02j5Ql0XYmkYAgLk2Nb0gfU-uunwbWRsAXLbAos3XEA-4g4IhBYW4R-8qRgwT5x2BOMII7m-EO9n0KMTzsgF3URgQXXsu1i85x9wsAmmLMDM-gfoOWhtaTeodiN2JFA/s1600/morten_jolsen_bw_770x513jpg.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMA5QZrFT02j5Ql0XYmkYAgLk2Nb0gfU-uunwbWRsAXLbAos3XEA-4g4IhBYW4R-8qRgwT5x2BOMII7m-EO9n0KMTzsgF3URgQXXsu1i85x9wsAmmLMDM-gfoOWhtaTeodiN2JFA/s320/morten_jolsen_bw_770x513jpg.jpg" width="240" height="120" data-original-width="860" data-original-height="350" /></a>
<br><br>
Musician, composer and artist who has performed throughout Europe, North America, Oceania and Asia with MoHa!, Ultralyd, The Pitch and his latest collaboration NMO with Rubén Patiño.
<br><br>
<a href="http://plus3db.net/artists/morten_olsen" target="blank">plus3db.net/artists/morten_olsen</a>
<br><br>
<b>WERNER DURAND</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5vukJNscGzA4-wGFHdIMAMFaCrJXKiCNmwVQw_cwprqwHBUbSssnHyYrIsK65PKiAVYl-IGG9TPhvgQIm5Bx6BzJdt-uH29A6PtsZ76vA4QmPjTKYLwnSH4SY8Wja_CzYWercXw/s1600/tonaliens_01.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5vukJNscGzA4-wGFHdIMAMFaCrJXKiCNmwVQw_cwprqwHBUbSssnHyYrIsK65PKiAVYl-IGG9TPhvgQIm5Bx6BzJdt-uH29A6PtsZ76vA4QmPjTKYLwnSH4SY8Wja_CzYWercXw/s320/tonaliens_01.jpg" width="250" height="250" data-original-width="796" data-original-height="822" /></a>
<br><br>
Musician, composer and instrument inventor. Played in Arnold Dreyblatt’s Orchestra of Excited Strings in the 90s. He has worked closely with his partner Amelia Cuni for many years and his other collaborations include projects with David Moss, David Behrman, Henning Christiansen, Muslimgauze and David Toop.
<br><br>
<b>JENS STRÜVER</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYynDueDOA3nygRJUV3yJrGqvP1y6z7CxhMMVheTkMZYjErDLUoyomorUcbjA5S2N51gxRoFtBy7ZSnCSkYGr2QrzFnnwlcsP1HkzC9UqRo1GQnPkeFvSluU2gSWSemiz3kjnRHQ/s1600/jens_LP.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYynDueDOA3nygRJUV3yJrGqvP1y6z7CxhMMVheTkMZYjErDLUoyomorUcbjA5S2N51gxRoFtBy7ZSnCSkYGr2QrzFnnwlcsP1HkzC9UqRo1GQnPkeFvSluU2gSWSemiz3kjnRHQ/s320/jens_LP.jpg" width="250" height="250" data-original-width="1074" data-original-height="1074" /></a>
<br><br>
Jens has been active as a DJ since 1983 and belongs to the first generation of 4 on the floor DJs in germany. He shared DJ sets with people like Robert Hood, Jeff Mills and Felix da Housecat.
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-28394832711120792342018-05-07T10:02:00.001+01:002018-05-24T12:06:29.580+00:00Elliott Sharp plays 1984 <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_uZO96dzqhOHvohP5jU97LUQGRcuzRW-8jU4PL-tKbcv7mEiC_a7d7IrwVnh6edEZ5yW3rim-riU7a41UraT-O4cGAXwp0ik4Wvu3yGq_PJr4ExF5k8H0rm257oTiMDDmYpGYew/s1600/1984_poster.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_uZO96dzqhOHvohP5jU97LUQGRcuzRW-8jU4PL-tKbcv7mEiC_a7d7IrwVnh6edEZ5yW3rim-riU7a41UraT-O4cGAXwp0ik4Wvu3yGq_PJr4ExF5k8H0rm257oTiMDDmYpGYew/s320/1984_poster.jpg" width="280" height="320" data-original-width="600" data-original-height="685" /></a>
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>Cinesthesia Screen Concert 005</b>
<br><br>
TUESDAY <b>5</b> JUNE <b>2018</b> @ <b>21:00</b>
<br><br>
<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<a href="http://brotfabrik-berlin.de/event/elliott-sharp-vertont-1984-1956-auxxx-brotfabrik-present-cinesthesia-screen-concert-005/" target="blank">brotfabrik-berlin.de</a>
<br><br>
LIVE MUSIC:
<br><br>
<b>ELLIOTT SHARP</b> - guitar
<br><br>
FILM: <b>1984</b> | USA 1956| 90 minutes | Director: Michael Anderson
<br><br>
<a href="https://www.imdb.com/title/tt0048918/" target="blank">www.imdb.com/title/tt0048918</a>
<br><br>
<b>George Orwell</b> wrote his visionary novel "1984" based on personal experiences with totalitarian systems. The 1956 film rendition appeared in the middle of the Cold War, not long after Orwell's death. His widow sold the film rights to a film agent without realising that the agent's employer was the CIA's culture department!
<br><br>
<b>E#</b> says:
<br><br>
<i>"Impossible to see for most of my life, the 1956 film version of George Orwell’s 1984 reveals a gritty noir sensibility combined with a cynical world view, unwittingly reinforcing Orwell’s very message. The text of 1984 has never rung more true than in our current times."</i>
<br><br>
<a href="https://www.inm-berlin.de/de/konzertkalender/18083/cinesthesia_screen_concert_featuring_elliott_sharp" target="blank">inm-berlin.de</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXrbtSB4ci21or2IsaATZXHlPe0Zm1emTJ4HGhgxveyK0Uy5cr_0EANJiLOhGWbGzbJCcsNTgVx_oDzNSDn5HY9Jrr7R80iwwIbFtCMeOW_tnWPV_7cUTcUUqaHqtS57qD8kiY3w/s1600/Elliott_Sharp_by_Janene_Higgins_2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXrbtSB4ci21or2IsaATZXHlPe0Zm1emTJ4HGhgxveyK0Uy5cr_0EANJiLOhGWbGzbJCcsNTgVx_oDzNSDn5HY9Jrr7R80iwwIbFtCMeOW_tnWPV_7cUTcUUqaHqtS57qD8kiY3w/s320/Elliott_Sharp_by_Janene_Higgins_2.jpg" width="320" height="247" data-original-width="590" data-original-height="455" /></a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>ELLIOTT SHARP</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5aNmq4aX2z60OYDd4Fvk6s1gguqI23CPTUTvhDIk-Gy8LAHkP6QdYjY9oMYRW-S64lhyphenhyphenDelzFKU0EoZgBDY2Yt2rDganLs_KNKyKdCenzishwOBo8VflhWL48DZT7ZS-DmeBpCA/s1600/Elliott_Sharp_by_Janene_Higgins_1.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5aNmq4aX2z60OYDd4Fvk6s1gguqI23CPTUTvhDIk-Gy8LAHkP6QdYjY9oMYRW-S64lhyphenhyphenDelzFKU0EoZgBDY2Yt2rDganLs_KNKyKdCenzishwOBo8VflhWL48DZT7ZS-DmeBpCA/s320/Elliott_Sharp_by_Janene_Higgins_1.jpg" width="320" height="248" data-original-width="590" data-original-height="458" /></a>
<br>
<i>E# photos by Janene Higgins</i>
<br><br>
<b>Elliott Sharp</b> leads SysOrk, Orchestra Carbon, Terraplane, and Tectonics and pioneered the use of fractal geometry, chaos theory, and genetics in musical composition and interaction. Recent operas include Port Bou and Binibon and he is currently composing a new opera and installation for the 2018 Ruhr Trienalle. Sharp’s composition Storm Of the Eye appears on Hilary Hahn's Grammy-winning album In 27 Pieces. Recent festival appearances include Huddersfield, Darmstadt, Donaueschingen, Au Printemps, and Tomorrow Shenzhen. Sharp is the subject of the documentary film Doing The Don't and has been featured on the USA National Public Radio "All Thing's Considered". He was awarded the Berlin Prize; a Guggenheim Fellowship; and a fellowship from the Center for Transformative Media. In 2015, he was awarded the Jahrespreis from der Deutscher Schallplatten Kritiks for Terraplane:4AM Always. Collaborators include Ensemble Modern; pop singer Debbie Harry; blues legends Hubert Sumlin and Pops Staples; qawaali singer Nusrat Fateh Ali Khan; pianist and poet Cecil Taylor; multimedia artists Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
<br><br>
<a href="http://www.elliottsharp.com" target="blank">elliottsharp.com</a><br>
<a href="http://zoarmusic.tumblr.com" target="blank">zoarmusic.tumblr.com</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-65147826132921213562018-04-09T21:50:00.000+01:002018-04-09T22:09:36.589+01:00ERIK RUIN @ FEHRE 6<b>AUXXX</b> + <b>REDWIG</b> <i>present</i>:
<br><br>
<b>ERIK RUIN</b>'s NEW PERFORMANCE: <b>LONG</b>/<b>GONE</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh66M_SE32uOPnlGNgzbB49SiYq_hyKz5Ey4_I4xbUolycnOfg59JBQgjbE4VBnbX7wODd78OeCM2IQ-f7vtm0mLHuDyFARlUrzNzCqVKWS53zvUeo20Oti7qAPPChyphenhyphenVXRHA7q4UA/s1600/reruin.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh66M_SE32uOPnlGNgzbB49SiYq_hyKz5Ey4_I4xbUolycnOfg59JBQgjbE4VBnbX7wODd78OeCM2IQ-f7vtm0mLHuDyFARlUrzNzCqVKWS53zvUeo20Oti7qAPPChyphenhyphenVXRHA7q4UA/s320/reruin.jpg" width="400" height="200" data-original-width="1600" data-original-height="551" /></a>
<br><br>
<b>FRIDAY 13 APRIL</b> @ 21:00
<br><br>
<b>FEHRE 6</b><br>
Fehrbelliner Str. 6<br>
10119 <b>BERLIN</b> Prenzlauerberg
<br><br>
Over 100 feet in length, <b>LONG</b>/<b>GONE</b> is a single intricately-cut piece of paper created by artist Erik Ruin, who has been lauded by the New York Times for his “spell-binding cut-paper animations.” The piece flows freely from image to image, while narratives and scenarios (often drawn from classic works of literature from Homer to Dante) emerge, collapse, and spill over and into each other. Philly Voice calls it “stark, intricate and wondrous – Ruin’s paper-cut art combines the enthralling fantasy of a storybook with the prismatic, fragmented beauty of a stained-glass window.” In performance, Ruin scrolls the paper-cut continually across the surface of an overhead projector, creating an epic and immersive shadow-show.
<br><br>
with <b>LIVE MUSIC</b> from:
<br><br>
<b>ELENA KAKALIAGOU</b> - french horn<br>
<b>CAROLINE CECILIA TALLONE</b> - hurdy gurdy
<br><br>
<iframe width="400" height="250" src="https://www.youtube.com/embed/HbBlFhNlRDA" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
<br><br>
<a href="http://www.redwig.org/" target="blank">redwig.org</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>ERIK RUIN</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6BCbpRJYuv_oPO7Lj1GGiphEK-3elP-IJwp9_kXilp9L5-kRGUgAIprRenCR2FrVVNOrO5MGT9AFGrSqa416GWm87ZiHyg4G-ZIlX89txCpuMi97w93ay8UtqVxi6INGqCZKPA/s1600/erik_ruin.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6BCbpRJYuv_oPO7Lj1GGiphEK-3elP-IJwp9_kXilp9L5-kRGUgAIprRenCR2FrVVNOrO5MGT9AFGrSqa416GWm87ZiHyg4G-ZIlX89txCpuMi97w93ay8UtqVxi6INGqCZKPA/s320/erik_ruin.jpg" width="320" height="320" data-original-width="960" data-original-height="960" /></a>
<br><br>
Erik Ruin is a Michigan-raised, Philadelphia-based printmaker, shadow puppeteer, paper-cut artist, etc. His work oscillates between the poles of apocalyptic anxieties and utopian yearnings, with an emphasis on empathy, transcendence and obsessive detail. He frequently works collaboratively with musicians, theater performers, other artists, and activist campaigns. He is a founding member of the international Justseeds Artists' Cooperative, and co-author of the book Paths Toward Utopia: Graphic Explorations of Everyday Anarchism (w/ Cindy Milstein, PM Press, 2012).
<br><br>
<a href="https://justseeds.org/artist/erikruin/" target="blank">justseeds.org/artist/erikruin</a>
<br><br>
<b>ELENA KAKALIAGOU</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_RXjrhr2UjvsD9a_jME7DoK1uWlVPZGU_jecYrmhIzLxJ6B_ogMTXn90UWDhzcEIckTOYBVJ0yecHisPQkDURQJ1pJWej_mPawfDv5ADCb0Y5HH9OY5hCgsuds1-hxVKP4Z3phA/s1600/elena2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_RXjrhr2UjvsD9a_jME7DoK1uWlVPZGU_jecYrmhIzLxJ6B_ogMTXn90UWDhzcEIckTOYBVJ0yecHisPQkDURQJ1pJWej_mPawfDv5ADCb0Y5HH9OY5hCgsuds1-hxVKP4Z3phA/s320/elena2.jpg" /></a>
<br><br>
Elena Kakaliagou is a Greek-Austrian french horn player and performer, currently based in Berlin. Starting out with piano lessons, she moved on to the French horn at the age of 18. After completing her studies in Athens with Vangelis Skouras, she moved on to KUG-Graz to continue her education under the teaching of Hector McDonald. Instructed by Erja Joukamo-Ampuja, Elena obtained her Master’s degree from Sibelius Academy, Helsinki in 2010 in French horn and chamber music. During her career, Elena has received scholarships from Klangforum, Impuls and Ensemble Modern with teachers like Mike Svoboda and Bill Formann. Elena’s field of specialization is free improvised and contemporary music, next to classic chamber music. She has performed premiers and classical repertoire both as a soloist and as a member of Ensembles such as Ensemble Linea, Unitedberlin, KNM Berlin, zinc & Copper and zeitkratzer at Festivals such as Ultraschall Berlin, Maerz Music, Randspiele, Musica Nova (Finland), Musica (France), Warsaw Autumn, New Adits and Klanspuren (Austria). She has also worked with individual artists: Riikka Innanen, Samuel Stoll, James Andean, Ingrid Schmoliner, Katharina Klement, Catherine Christer Hennix, Robin Hayward, Simon Steen-Andersen, Thomas Noll, to name but a few. Elena is the co-founder of the Helsinki-based Rank Ensemble, the Austrian trio PARA, the performance groups Lúiss and Continuous Variation, as well as the classical wind quintet Aeolides.
<br><br>
<a href="http://www.elenakakaliagou.com" target="blank">elenakakaliagou.com</a>
<br><br>
<b>CAROLINE CECILIA TALLONE</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz__RzZWaXlNkc-szveMVRXQNiiPQM1-vFmE_fLkAUa6SOXyG7FluO6ZVYyr0-IKgToIyV8ESNLsWgdoYa4YrLyJtmxdln0JyQDQSHO9DzO7or8qlwIh53QbokpQLtvsDLVz5Zhw/s1600/tallone.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz__RzZWaXlNkc-szveMVRXQNiiPQM1-vFmE_fLkAUa6SOXyG7FluO6ZVYyr0-IKgToIyV8ESNLsWgdoYa4YrLyJtmxdln0JyQDQSHO9DzO7or8qlwIh53QbokpQLtvsDLVz5Zhw/s320/tallone.jpg" width="242" height="320" data-original-width="500" data-original-height="662" /></a>
<br><br>
Caroline Cecilia Tallone lives in Berlin where she works as a musician and luthier. She has played all over Europe with several Italian ensembles, orchestras and singer-songwriters. With a background of classical, antique and folk music, she´s now into experimental, electroacoustic and improvised music. She is a graduate of the Professional Institute of Violin Making in Cremona in 2000 and in 2001 she obtained a post-graduate at the Centro di Formazione Professionale of Cremona. Consequently, qualifications post-diploma in violin maker and in 2006 she graduated from the Civica Scuola of Violin Making in Milan after attending specialization courses in 'Construction of stringed instruments' and in 2008 'Restoration of stringed instruments'. During the same year she attended the course of 'Construction of baroque instruments' at the International Institute of Violin Making, the Centre "CR Forma" company Professional Training of Cremona, the Chamber of Commerce and the University of Pavia achieving the diploma of Superior Technical Baroque Violin Making. In 2013 she attended the course in restoration at the Academy Perosi of Biella. Atelier Tallone is located in Berlin since 2015.
<br><br>
<a href="http://www.ateliertallone.com" target="blank">ateliertallone.com</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-76696289329602294742018-04-04T20:21:00.002+01:002018-04-04T20:21:53.562+01:00MARCH 30 @ ZAAL 100 <b>FRIDAY 30 MARCH</b> @ 20:00
<br><br>
<b>ZAAL 100</b><br>
De Wittenstraat 100<br>
1052 BA <b>AMSTERDAM</b>
<br><br>
<a href="http://zaal100.nl/event/30-mrt-18-monotak/" target="blank">zaal100.nl</a>
<br><br>
<b>RUIN</b> - <i>it is all about shadows</i> - hypnotic dance + music performance
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ5PWKnIrC5uZgGg0f52hI6PYKR1P83mIRGDFmVOihJUmUq-QLgkX1n0i4hR-8GQYQCegW6ivBzEPcvC7LzqYo01hWORs2UjSjjr9ZH43d7dpWk1n8QDEMdypOhO0l5ITnIAZ4rQ/s1600/RUIN+livea.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ5PWKnIrC5uZgGg0f52hI6PYKR1P83mIRGDFmVOihJUmUq-QLgkX1n0i4hR-8GQYQCegW6ivBzEPcvC7LzqYo01hWORs2UjSjjr9ZH43d7dpWk1n8QDEMdypOhO0l5ITnIAZ4rQ/s320/RUIN+livea.jpg" width="320" height="180" data-original-width="510" data-original-height="287" /></a>
<br><br>
Dirk Bruinsma - sax<br>
Paul Glazier - bariton gitaar<br>
Sato Endo - dans
<br><br>
<b>THE END IS THE END</b> - <i>how many times can you end something?</i>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxuxM8vUQxr169HNBuTgVgXw6UNJwYJyQCZVuHhwS1g03hIn0V3gDtoGYhnw2_a41nFNOtVgoH5tpUdFr-hoyU0MdjaACP3of2YRhTziyP3t1WcNjiOJBwtHSS7vKXPC1l90t-xQ/s1600/Luis.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxuxM8vUQxr169HNBuTgVgXw6UNJwYJyQCZVuHhwS1g03hIn0V3gDtoGYhnw2_a41nFNOtVgoH5tpUdFr-hoyU0MdjaACP3of2YRhTziyP3t1WcNjiOJBwtHSS7vKXPC1l90t-xQ/s320/Luis.jpg" width="320" height="213" data-original-width="1600" data-original-height="1067" /></a>
<br><br>
Ivo Bol - live sampling<br>
Luis Lara Malvacias - dance<br>
Jonathan Zorn - electronics
<br><br>
Luis Lara Malvacías is a Venezuelan choreographer and trans-disciplinary artist. His projects explore the interaction between dance, design, videos, installations, sound, new media and the visual arts. He has worked since 2005 with performer and composer Ivo Bol. Together with American composer and performer Jonathan Zorn they will present a new piece that has only endings.
<br><br>
<b>REASONATOR</b> - installation / performance
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRxjDxEen3NMh2FCEzgGCrwuYbQRYu5JXeztXRY6ryxNiJxDs1k8-Dokdr37YrElRIQ99ZnfTJsbfJ5mQSyzfNv6r_nqNpCONz8LG3HVmxypfU7yKeCXQ2SPSuCEulFJcI438BkA/s1600/Olivier+Schreuder2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRxjDxEen3NMh2FCEzgGCrwuYbQRYu5JXeztXRY6ryxNiJxDs1k8-Dokdr37YrElRIQ99ZnfTJsbfJ5mQSyzfNv6r_nqNpCONz8LG3HVmxypfU7yKeCXQ2SPSuCEulFJcI438BkA/s320/Olivier+Schreuder2.jpg" width="320" height="320" data-original-width="567" data-original-height="567" /></a>
<br><br>
Olivier Schreuder - gongs, bells, vietnamese buddha machine
<br><br>
Olivier Schreuder composes & produces electronic and acoustic music with custom made electro-acoustic instruments. He is especially interested in how traditional cultures and new technologies meet, and often works together with musicians from these cultures to find new hybrid forms of music.
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-21400336419175471772018-02-11T09:39:00.003+00:002018-03-21T13:13:06.776+00:00THEMROC<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHI_-b75QQ25Ea69rooCqOQ_uBV2DQ5tyB-Y574vpzBhdssJHCjVSUCWaug4zvcgIQiUKcJ7jNXZUBEGAj6h0Eb_d91oUq9p_P3cq6UN5P8XN-Gi83WkOhOI6ZBfCBsIlAffz7PA/s1600/themroc2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHI_-b75QQ25Ea69rooCqOQ_uBV2DQ5tyB-Y574vpzBhdssJHCjVSUCWaug4zvcgIQiUKcJ7jNXZUBEGAj6h0Eb_d91oUq9p_P3cq6UN5P8XN-Gi83WkOhOI6ZBfCBsIlAffz7PA/s320/themroc2.jpg" width="320" height="289" data-original-width="500" data-original-height="452" /></a>
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>Cinesthesia Screen Concert 004</b>
<br><br>
THURSDAY <b>22</b> MARCH <b>2018</b> @ <b>21:00</b>
<br><br>
<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
FILM: <b>THEMROC</b> | France 1973 | 1h 40min |
<br><br>
<a href="http://www.imdb.com/title/tt0069369/" target="blank">imdb.com/title/tt0069369</a>
<br><br>
LIVE MUSIC:
<br><br>
<b>JOKE LANZ</b> - turntables
<br><br>
Joke says:
<br><br>
<i>"We need more films like 'Themroc', more rebellion against a dull and capitalist society and more courage to break down inhibitions. Destruction as a conscious creative fragmentation of bodies, ideas, opinions, music, language and institutions. Against stupidity, satiety, intolerance, provincialism, against the cowardice to bear responsibility, against the sack that eats at the front and shits at the back."</i>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWBJEhyphenhyphenF0pKOHuq6UrxChjzKbNZdnqPHgtElu9Dzo6hS5lx7CL6w_wjnngJhTS-kiyxaSjGPTV6eSze5FzOCeHTpRxEmMtqMjI1jYNPkJZ8Isv7CNATh8__C4_j-RvwHAvutRcUQ/s1600/themroc3.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWBJEhyphenhyphenF0pKOHuq6UrxChjzKbNZdnqPHgtElu9Dzo6hS5lx7CL6w_wjnngJhTS-kiyxaSjGPTV6eSze5FzOCeHTpRxEmMtqMjI1jYNPkJZ8Isv7CNATh8__C4_j-RvwHAvutRcUQ/s320/themroc3.jpg" width="264" height="320" data-original-width="492" data-original-height="596" /></a>
<br><br>
<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b>
<br><br>
<a href="http://brotfabrik-berlin.de/kino-programm-aktueller-monat/" target="blank">brotfabrik-berlin.de</a>
<br><br>
<b>ARTIST INFO</b>
<br><br>
<b>JOKE LANZ</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjecAXj1262HwY7hCTtllZM5FjUMOF0VH2HwyNBNbgUz4HCCZe5gtXvVJbElqnQwG87gEFY0EdJx1V2LQ68_ker_4N5aQIJgCOnLYInoZvVmGTA3FZ0s1Tgn7J5VJnffNW9Ztk1Tg/s1600/Joke+Lanz.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjecAXj1262HwY7hCTtllZM5FjUMOF0VH2HwyNBNbgUz4HCCZe5gtXvVJbElqnQwG87gEFY0EdJx1V2LQ68_ker_4N5aQIJgCOnLYInoZvVmGTA3FZ0s1Tgn7J5VJnffNW9Ztk1Tg/s320/Joke+Lanz.jpeg" width="320" height="240" data-original-width="1001" data-original-height="751" /></a>
<br><br>
Turntablist Joke Lanz creates autonomous sound-cells that melt into a language free of any function. He combines ritual reductionism with anarchistic playfulness, atmospheric soundscapes with cut-up noise and physicalness with unpredictability: Massive scratches, walls of sound, grooves, loops, noises and voice modulations! He collaborated with: Shelley Hirsch, Christian Marclay, Olaf Rupp, Ken Vandermark, Lasse Marhaug, Jorge Sanchez-Chiong, Strotter Inst, Christian Weber, Charlotte Hug, Audrey Chen, Ute Wassermann, Peter Kowald, DJ Olive, Sophie Agnel, dieb13, eRikM, Martin Tétreault, Christian Wolfarth, Jonas Kocher, Mat Pogo, Kazuhisa Uchihashi, Vienna Radio Symphony Orchestra, just to name a few. Best known for his international acclaimed Noise project 'Sudden Infant', Joke Lanz is presenting his work since more than 25 years all over the world. Born in Switzerland and currently operating out of Berlin, Joke Lanz is one of the most prolific and profound artists working in the border zones where performance and body art meet Improvisation and Noise.
<br><br>
<a href="http://www.suddeninfant.com" target="blank">suddeninfant.com</a><br>
<a href="http://www.facebook.com/Turntablism666/" target="blank">turntablism666</a>
<br><br>
<iframe width="560" height="315" src="https://www.youtube.com/embed/zTYc4t1pWjU" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
<br><br>
COMING UP: <b>AUXXX</b> + <b>Monoták</b> in <b>AMSTERDAM</b>
<br><br>
<b>FRIDAY 30 MARCH</b> @ 20:00
<br><br>
<b>ZAAL 100</b><br>
De Wittenstraat 100<br>
1052 BA <b>AMSTERDAM</b>
<br><br>
<a href="http://zaal100.nl/event/30-mrt-18-monotak/" target="blank">zaal100.nl</a>
<br><br>
<b>RUIN</b> - <i>it is all about shadows</i> - hypnotic dance + music performance
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ5PWKnIrC5uZgGg0f52hI6PYKR1P83mIRGDFmVOihJUmUq-QLgkX1n0i4hR-8GQYQCegW6ivBzEPcvC7LzqYo01hWORs2UjSjjr9ZH43d7dpWk1n8QDEMdypOhO0l5ITnIAZ4rQ/s1600/RUIN+livea.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ5PWKnIrC5uZgGg0f52hI6PYKR1P83mIRGDFmVOihJUmUq-QLgkX1n0i4hR-8GQYQCegW6ivBzEPcvC7LzqYo01hWORs2UjSjjr9ZH43d7dpWk1n8QDEMdypOhO0l5ITnIAZ4rQ/s320/RUIN+livea.jpg" width="320" height="180" data-original-width="510" data-original-height="287" /></a>
<br><br>
Dirk Bruinsma - sax<br>
Paul Glazier - bariton gitaar<br>
Sato Endo - dans
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<b>THE END IS THE END</b> - <i>how many times can you end something?</i>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxuxM8vUQxr169HNBuTgVgXw6UNJwYJyQCZVuHhwS1g03hIn0V3gDtoGYhnw2_a41nFNOtVgoH5tpUdFr-hoyU0MdjaACP3of2YRhTziyP3t1WcNjiOJBwtHSS7vKXPC1l90t-xQ/s1600/Luis.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxuxM8vUQxr169HNBuTgVgXw6UNJwYJyQCZVuHhwS1g03hIn0V3gDtoGYhnw2_a41nFNOtVgoH5tpUdFr-hoyU0MdjaACP3of2YRhTziyP3t1WcNjiOJBwtHSS7vKXPC1l90t-xQ/s320/Luis.jpg" width="320" height="213" data-original-width="1600" data-original-height="1067" /></a>
<br><br>
Ivo Bol - live sampling<br>
Luis Lara Malvacias - dance<br>
Jonathan Zorn - electronics
<br><br>
Luis Lara Malvacías is a Venezuelan choreographer and trans-disciplinary artist. His projects explore the interaction between dance, design, videos, installations, sound, new media and the visual arts. He has worked since 2005 with performer and composer Ivo Bol. Together with American composer and performer Jonathan Zorn they will present a new piece that has only endings.
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<b>REASONATOR</b> - installation / performance
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRxjDxEen3NMh2FCEzgGCrwuYbQRYu5JXeztXRY6ryxNiJxDs1k8-Dokdr37YrElRIQ99ZnfTJsbfJ5mQSyzfNv6r_nqNpCONz8LG3HVmxypfU7yKeCXQ2SPSuCEulFJcI438BkA/s1600/Olivier+Schreuder2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRxjDxEen3NMh2FCEzgGCrwuYbQRYu5JXeztXRY6ryxNiJxDs1k8-Dokdr37YrElRIQ99ZnfTJsbfJ5mQSyzfNv6r_nqNpCONz8LG3HVmxypfU7yKeCXQ2SPSuCEulFJcI438BkA/s320/Olivier+Schreuder2.jpg" width="320" height="320" data-original-width="567" data-original-height="567" /></a>
<br><br>
Olivier Schreuder - gongs, bells, vietnamese buddha machine
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Olivier Schreuder composes & produces electronic and acoustic music with custom made electro-acoustic instruments. He is especially interested in how traditional cultures and new technologies meet, and often works together with musicians from these cultures to find new hybrid forms of music.
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-73488493199501912802018-01-04T22:34:00.003+00:002018-01-10T13:57:19.937+00:00HÄXAN<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbdfPt_GwZQLJ8Q-24QvDJa8aMauwaB-4_1NmjC1YqSbypg0V59IV9oMXBJLrH3PFR84LrcnZWDbn4J_-lJ2eZwaqk2F4NIoEPl-R-eOcQCYWMzEa0MHH9dnwenf8F3a4wdv_VMQ/s1600/2018_01_Kino_Hexen.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbdfPt_GwZQLJ8Q-24QvDJa8aMauwaB-4_1NmjC1YqSbypg0V59IV9oMXBJLrH3PFR84LrcnZWDbn4J_-lJ2eZwaqk2F4NIoEPl-R-eOcQCYWMzEa0MHH9dnwenf8F3a4wdv_VMQ/s320/2018_01_Kino_Hexen.jpg" width="320" height="317" data-original-width="500" data-original-height="496" /></a>
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present </i>
<br><br>
<b>Cinesthesia Screen Concert 003</b>
<br><br>
THURSDAY <b>25</b> JANUARY <b>2018</b> @ <b>21:00</b>
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FILM: <b>HÄXAN</b>
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Sweden 1922 | 107 minutes | Silent film with live music | D: Benjamin Christensen
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Benjamin Christensen's silent film "Häxan" (1922) was very ahead of its time and is a remarkable work in film history. A world history of mysticism and especially witchcraft is portrayed in seven chapters which struggle to differentiate between clarification, speculation and exploitation of the subject.
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LIVE MUSIC:
<br><br>
<b>BORIS HAUF</b> - keyboards, electronics<br>
<b>ALEX JEZDINSKY</b> - drums
<br><br>
Alex and Boris play in the legendary Austrian rock band <b>Naked Lunch</b>. "Häxan" was Williams Burrough's favourite movie. They will be using his original narration throughout the screening.
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<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b> Weißensee
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<a href="http://brotfabrik-berlin.de/event/auxxx-brotfabrik-present-cinesthesia-screen-concert-003-hexen-neu-vertont-von-boris-hauf-und-freunden/" target="blank">brotfabrik-berlin.de</a>
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<b>ARTIST INFO</b>
<br><br>
<b>BENJAMIN CHRISTENSEN</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkkudrh_xeBZvmNh2NIswCdD9EItJnTl04PtYvx8-xzxIfiZe6rfVECMtFAkios5kNDpg9x3G0kOiIcSumEh7PXIx-25-Lbx6OK7FeEyUvGalgwuLkNn5LdeTzHgzWMhMxFIdu7w/s1600/benjamin_christensen.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkkudrh_xeBZvmNh2NIswCdD9EItJnTl04PtYvx8-xzxIfiZe6rfVECMtFAkios5kNDpg9x3G0kOiIcSumEh7PXIx-25-Lbx6OK7FeEyUvGalgwuLkNn5LdeTzHgzWMhMxFIdu7w/s320/benjamin_christensen.jpg" width="320" height="206" data-original-width="1556" data-original-height="1000" /></a>
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photo and biography from: <a href="http://www.imdb.com/name/nm0159725/" target="blank">imdb.com/name/nm0159725</a>
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Benjamin Christensen was born on September 28, 1879 in Viborg, Denmark. He was a director and writer, known for Blind Justice (1916), Seven Footprints to Satan (1929) and The Devil's Circus (1926). He was married to Karen Winther, Sigrid Stahl and Ellen Arctander. He died on April 2, 1959 in Copenhagen, Denmark.
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<a href="https://en.wikipedia.org/wiki/Benjamin_Christensen" target="blank">en.wikipedia.org/wiki/Benjamin_Christensen</a>
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<b>BORIS HAUF</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D_JQv47aP_fElSa_o8M8Azg3D4Fzg-V9YLZTX7TFe882fPuTyDQbJflBhVw9umbP7nGc4hb7VdPERgPmoZno1K86aFDvkG2q_EBtQjPcoKGTiSEQKorHTgLCsV13A9FG7eqiDw/s1600/BORIS+HAUF.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D_JQv47aP_fElSa_o8M8Azg3D4Fzg-V9YLZTX7TFe882fPuTyDQbJflBhVw9umbP7nGc4hb7VdPERgPmoZno1K86aFDvkG2q_EBtQjPcoKGTiSEQKorHTgLCsV13A9FG7eqiDw/s320/BORIS+HAUF.jpg" width="320" height="213" data-original-width="1600" data-original-height="1065" /></a>
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Multi-intrumentalist, composer, producer and performer Boris Hauf plays saxophones, flutes, synths, organ, various computer-based applications, cymbals, bells, rudimentary guitar and sings. He composes for large and small ensembles, performance artists, film, radio, soloists, video and installation art. More than 50 releases on vinyl, CD, tape and online. He initiated and curated the annual composition festival Chicago Sound Map in Chicago and the concert series Playdate in Berlin and lectures at the University of the Arts in Berlin. Hauf tours worldwide in a variety of bands, ensembles as well as in various performative contexts and if necessary as a solo artist. Current bands include Clark, Owl & Mack, Postmarks, Next Delusion, The Peeled Eye. As performer and composer he collaborates closely with Choreographers Christina Ciupke, Martin Nachbar, Karen Christopher and many others with in the performance context. Boris is the keyboarder/multiinstrumentalist of legendary Austrian rock band “Naked Lunch”, owns and runs the independent record label shameless and lives in Berlin, Germany.
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<a href="http://hauf.klingt.org/" target="blank">hauf.klingt.org</a><br>
<a href="http://shamelessrecords.rocks/" target="blank">shamelessrecords.rocks</a>
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<b>ALEX JEZDINSKY</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELKAmYU9L1I_4yWAKxiH2oavknobb6_Esk_m2o5Ex6ZPksOMbGEJ4euX9V99_sH-yDjXCC3nGwK5JSIId2wMrzeQv0PAied7sQ4QYkyRqLUqv6VXuJz3pm4tDop_COkDVeeNpgw/s1600/ALEX_JEZDINSKY.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELKAmYU9L1I_4yWAKxiH2oavknobb6_Esk_m2o5Ex6ZPksOMbGEJ4euX9V99_sH-yDjXCC3nGwK5JSIId2wMrzeQv0PAied7sQ4QYkyRqLUqv6VXuJz3pm4tDop_COkDVeeNpgw/s320/ALEX_JEZDINSKY.jpeg" width="214" height="320" data-original-width="427" data-original-height="640" /></a>
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Alex studied Jazz Drums at the Frankfurter Musikwerkstatt and Musikhochschule Köln with Rainer Rumpel and Keith Copeland. Ever since he started playing the drums at the age of 10 he has always been playing his own music in bands, as a singer and drummer. He has been giving lessons for more than 20 years now and is constantly expanding his palette as a composer, musician and educator. As a sought after studio musician, he has recorded with a large number of German artists and producers, and has been part of theatrical productions both as musician and actor. As a touring musician he extensively travelled across Europe, the US and China. He is a member of the legendary Austrian band Naked Lunch for 10 years now.
He lives in Hamburg and is the proud father of his son Emil.
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<a href="https://www.youtube.com/channel/UCeejHJpebvhioLoSdH3z9rA" target="blank">alex's youtube channel</a>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-71649804005655963822017-11-01T21:37:00.001+00:002017-12-06T17:47:54.886+00:00DER RIESE<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm31tPbgIS7Z4YY5AF5x7rD4KpNIhML1ovNyeOJ7mHQbXiShx8VltQ6YD2NM6Apr1z6IcgRJfApL4MRIKnGTMmGb78QNna_TrAl9hkrLGVnt_btA-Vf6zT_9S4dPoMD-_jHxgK9w/s1600/der_riese_2.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm31tPbgIS7Z4YY5AF5x7rD4KpNIhML1ovNyeOJ7mHQbXiShx8VltQ6YD2NM6Apr1z6IcgRJfApL4MRIKnGTMmGb78QNna_TrAl9hkrLGVnt_btA-Vf6zT_9S4dPoMD-_jHxgK9w/s320/der_riese_2.jpeg" width="320" height="233" data-original-width="546" data-original-height="397" /></a>
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on 7 December 2017 <b>AUXXX</b> continues its film + music series at <b>BROTFABRIK</b> cinema
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<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b> Weißensee
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<b>THURSDAY 7 DECEMBER</b> @ 21:00
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<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present</i>
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<b>CINESTHESIA SCREEN CONCERT 002</b>
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<a href="http://brotfabrik-berlin.de/event/der-riese-auxxx-brotfabrik-present-cinesthesia-screen-concert-002/" target="blank">brotfabrik-berlin.de</a>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEknED5yDs8710zkaaWAdzZRjdMRTqygVFW3RfNAOvGGidBgPWE2bY4pBEUhCZCDVRVK9ftKG4rDEclLake1V3MzYuFd0uWNbRwKaeS5wFLsgJmV2GcipTQJT3zTYg7hXErtA5WA/s1600/der-riese.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEknED5yDs8710zkaaWAdzZRjdMRTqygVFW3RfNAOvGGidBgPWE2bY4pBEUhCZCDVRVK9ftKG4rDEclLake1V3MzYuFd0uWNbRwKaeS5wFLsgJmV2GcipTQJT3zTYg7hXErtA5WA/s320/der-riese.jpg" width="320" height="193" data-original-width="468" data-original-height="282" /></a>
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FILM: <b>DER RIESE</b> by <b>MICHAEL KLIER</b> - GERMANY 1983 - 82 min - 16mm
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<a href="http://www.medienkunstnetz.de/works/der-riese/" target="blank">medienkunstnetz.de/works/der-riese</a>
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LIVE MUSIC: <b>VARG</b>
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<b>BEAT KELLER</b> - guitar<br>
<b>JULIA REIDY</b> - guitar
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the screening will be followed by a short Q & A with film maker Michael Klier
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s1600/logo_brotfabrikNEU.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s320/logo_brotfabrikNEU.jpg" width="320" height="82" data-original-width="1500" data-original-height="383" /></a>
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<b>ARTIST INFO</b>
<br><br>
<b>BEAT KELLER</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQRbyHsEzEXX-6H1inq8aFwYKRVLzcWmtwu-Ga1X6x_aCws_pXxrQOmDBSEd3s4Le9Eu5Dyv9xQYeFBp4H16reXQ1RpxehrkfzTRqdUkUzU5YMoLMySGwtAcEgpBSBykn73z36Eg/s1600/beat_keller.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQRbyHsEzEXX-6H1inq8aFwYKRVLzcWmtwu-Ga1X6x_aCws_pXxrQOmDBSEd3s4Le9Eu5Dyv9xQYeFBp4H16reXQ1RpxehrkfzTRqdUkUzU5YMoLMySGwtAcEgpBSBykn73z36Eg/s320/beat_keller.jpg" width="320" height="213" data-original-width="720" data-original-height="480" /></a>
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Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland. After graduating as a jazz guitarist from the Zurich School of Music and Drama (Hochschule für Musik und Theater Zürich), Beat Keller obtained a Master of Arts in composition from the Lucerne School of Music. Among his current projects are Keller's 10, Cao-Keller-Siedl, Gunfire Orchestra, Bowee-Keller, Peckinpah Trio, Tilo Weber's Animate Repose. His compositions have been played and recorded by NDR Bigband, Lucerne Jazz Orchestra, Ballbreaker Ensemble, Composer's Group Ensemble, Keller's 10 and the Haiku String Trio. Beat Keller has played concerts at renowned festivals in Switzerland, in neighbouring Europe, the United States and on the African continent. Record releases on: Unit Records, Alpinechic, Edition Wandelweiser Records, Attenuation Circuit, Shoebill Records, Silken Tofu, Plus Timbre and many others.
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<a href="https://beatkeller.com" target="blank">beatkeller.com</a>
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<b>MICHAEL KLIER</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGehVANejqhcyCslGglM6LnN7j04LjGSEwFqopzP_ABvsEY-ASDWaCe67hqSOStWDLPURT1vOrJl1TFDiqPYF5CWp_OycpWyVsUlFMW0Ftr_O4ocV0xDSqMJh435m7F27PoPdO5g/s1600/michael-klier-10-kurzfilme.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGehVANejqhcyCslGglM6LnN7j04LjGSEwFqopzP_ABvsEY-ASDWaCe67hqSOStWDLPURT1vOrJl1TFDiqPYF5CWp_OycpWyVsUlFMW0Ftr_O4ocV0xDSqMJh435m7F27PoPdO5g/s320/michael-klier-10-kurzfilme.jpg" width="226" height="320" data-original-width="377" data-original-height="533" /></a>
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Michael Klier was born on January 16, 1943 in Karlsbad, Sudetenland, Germany. He is a director and writer, known for "Ostkreuz"(1991), "Überall ist es besser, wo wir nicht sind" (1989) and "99euro-films" (2001).
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<a href="http://www.imdb.com/name/nm0459451/?ref_=nmbio_bio_nm" target="blank">imdb.com</a>
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<b>JULIA REIDY</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY3gwHCk9gqr89STyMYf0SzKCR-EGhMcoU62aldvcwrvn14GW5no_GtshjJbk6Q743VsBcVn6VQ_V7WkYY5Cytd_h4UCOWjOCvY8lcayPkJmXkzV2L6iIoLlyAiW2DXARb8r5dXg/s1600/julia_reidy.jpeg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY3gwHCk9gqr89STyMYf0SzKCR-EGhMcoU62aldvcwrvn14GW5no_GtshjJbk6Q743VsBcVn6VQ_V7WkYY5Cytd_h4UCOWjOCvY8lcayPkJmXkzV2L6iIoLlyAiW2DXARb8r5dXg/s320/julia_reidy.jpeg" width="320" height="320" data-original-width="500" data-original-height="500" /></a>
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Julia Reidy is a musician from Australia. Her practice encompasses performance, composition, arrangement and production. Her approaches to acoustic and electric guitar, ensemble music and electro-acoustic works are characterized by the navigation of thematic material derived from unstable harmonic and rhythmic territories. Reidy has collaborated with Jon Rose, Anthony Pateras, Suze Whaites, Clayton Thomas, George Lewis, Phil Minton, Judy Bailey, Bob Ostertag, Tony Buck and Liz Kosack. She has produced works for Ensemble Offspring, Small Room, the Living Room Theatre, as well as many other projects in Australia and Europe.
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<a href="http://www.julia-reidy.com/" target="blank">julia-reidy.com</a>
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<b>AUXXX</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkQGNniPowFDUdfgkddJK9R4GfmB_ybt5pk3k2N6FO9mmATwm1N12oUtOVDAtOV73LWaHkfCWmZUavQAhJb3JU-u1qs9NbZ8eK4Vog6H0So8JM7uGRsK_CXn85XFNxImJ5s0rDgQ/s1600/auxxx_august.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkQGNniPowFDUdfgkddJK9R4GfmB_ybt5pk3k2N6FO9mmATwm1N12oUtOVDAtOV73LWaHkfCWmZUavQAhJb3JU-u1qs9NbZ8eK4Vog6H0So8JM7uGRsK_CXn85XFNxImJ5s0rDgQ/s320/auxxx_august.jpg" width="310" height="320" data-original-width="1548" data-original-height="1600" /></a>
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since 2006 <b>AUXXX</b> has been bringing audiences in Amsterdam and Berlin unique evenings of music, film, dance, poetry and performance, specialising in programs with new and unexpected combinations - <b>AUXXX</b> has succeeded in combining diverse artists and their audiences in a special way, tapping into creative undercurrents and opening up new channels
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comCaligariplatz 1, 13086 Berlin, Germany52.5526497 13.43064040000001652.552348200000004 13.430009900000016 52.5529512 13.431270900000015tag:blogger.com,1999:blog-33551091.post-27257436258032130622017-08-13T14:22:00.000+01:002017-08-30T23:43:54.303+01:00CINESTHESIA @ BROTFABRIK<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjeS-5FA3R86h57dHKyghqW8DOJRGfB5mcUEjsCiDXEwCbfK6PU1CdB4eNp57BV_dEp1pxU3Z8MEaIevvGfX1nrJKeFKNBKikNa-35K0e9VH9tL6Pb0kQ45eeP4Shj2X91cy464w/s1600/caligariplatz.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjeS-5FA3R86h57dHKyghqW8DOJRGfB5mcUEjsCiDXEwCbfK6PU1CdB4eNp57BV_dEp1pxU3Z8MEaIevvGfX1nrJKeFKNBKikNa-35K0e9VH9tL6Pb0kQ45eeP4Shj2X91cy464w/s320/caligariplatz.jpg" width="320" height="240" data-original-width="640" data-original-height="480" /></a>
<br><br>
in September 2017 <b>AUXXX</b> begins an exciting new film and music programme together with the <b>BROTFABRIK</b> cinema
<br><br>
<b>BROTFRABIK KINO</b><br>
Caligariplatz 1<br>
13086 <b>BERLIN</b> Weißensee
<br><br>
<b>THURSDAY 14 SEPTEMBER</b> @ 20:00
<br><br>
<b>AUXXX</b> + <b>BROTFABRIK</b> <i>present</i>
<br><br>
<b>CINESTHESIA SCREEN CONCERT 001</b>
<br><br>
<a href="http://brotfabrik-berlin.de/event/auxxx-brotfabrik-presents-thx-1138/" target="blank">brotfabrik-berlin.de</a>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRbkWlsJ7cADTF_eFwCUTGSoSMdtqT0vb75MpzDUlbITstVclMiHKPUkn1wH5KONi3f9coniJgBWRQDUvMkO14km251FWdFxFLptixivkNvmmFDdYHDn_LIRJMAOUh9oeAMzt0Og/s1600/thx1.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRbkWlsJ7cADTF_eFwCUTGSoSMdtqT0vb75MpzDUlbITstVclMiHKPUkn1wH5KONi3f9coniJgBWRQDUvMkO14km251FWdFxFLptixivkNvmmFDdYHDn_LIRJMAOUh9oeAMzt0Og/s320/thx1.jpg" width="235" height="320" data-original-width="525" data-original-height="714" /></a>
<br><br>
FILM: <b>THX 1138</b> by <b>GEORGE LUCAS</b> - USA 1969 - 95 min - 35mm
<br><br>
LIVE MUSIC: <b>HUB</b>
<br><br>
<b>BORIS HAUF</b> - saxophones, keyboards, electronics<br>
<b>STEVE HEATHER</b> - drums, electronics<br>
<b>HILARY JEFFERY</b>- trombone, electronics
<br><br>
appearing for the first time since their debut at <b>Festsaal Kreuzberg</b> in 2010<br>
<b>HUB</b> will play a live improvised soundtrack to George Lucas' paranoid sci-fi classic!<br><br>
<a href="https://vimeo.com/24693653" target="blank">vimeo.com/24693653</a>
<br><br>
since 2006 <b>AUXXX</b> has been bringing audiences in Amsterdam and Berlin unique evenings of music, film, dance, poetry and performance, specialising in programs with new and unexpected combinations - <b>AUXXX</b> has succeeded in combining diverse artists and their audiences in a special way, tapping into creative undercurrents and opening up new channels
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s1600/logo_brotfabrikNEU.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYHflgwj6dXr1f-Y1X2X3NyMmynQHsX-U-cCx_quU39VS_Mx8r37o93Zv04bfi03Kj7r7BeclTWJE_UBwoSJ8rNheKZ33a4UipNDUObVpsE5YqAMvJffECbDcKywQSGjxCszZeg/s320/logo_brotfabrikNEU.jpg" width="320" height="82" data-original-width="1500" data-original-height="383" /></a>Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-70256327302581113472017-04-14T10:18:00.001+01:002017-06-18T17:31:19.866+00:00IN MEMORY OF DANNY O REALLY<b>SUNDAY 2 JULY</b> @ 17:30
<br><br>
<b>THREE EVENINGS WITH DANNY O REALLY - PART 3</b>
<br><br>
<b>OCCII</b></b><br>
Amstelveenseweg 134</b><br>
1075 XL <b>AMSTERDAM</b>
<br><br>
doors open 17:30<br>
music starts 18:30
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQINkyBmjsi4XKkhz-1fnvRnGMSpjRgvX4PZCJOdoBn0NyRKcWp7vkgLqqfoZMG1zm_GQDR-YyCIAcwxg6acim1d-PK5-OdiGE_ScfMr4DCCUmj5J6C0Z9ozoNgdh8YNjBMmCL8w/s1600/danny.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQINkyBmjsi4XKkhz-1fnvRnGMSpjRgvX4PZCJOdoBn0NyRKcWp7vkgLqqfoZMG1zm_GQDR-YyCIAcwxg6acim1d-PK5-OdiGE_ScfMr4DCCUmj5J6C0Z9ozoNgdh8YNjBMmCL8w/s320/danny.jpg" width="305" height="320" /></a>
<br><br>
- <b>LINE UP</b> -
<br><br>
22:30 <b>SEITA</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkrrkjFczV4z_fRrXwPtebIzuf8WO4dmyPRanF0jHuWL-CMzmRjDCeK4CYy1FqSu-7jaFdGs9cuE7OBZ8PXSrpptyGb6e3m_c5HgDg6ybeXd3RyXGgJQnSr1dlWilNFuWD-5bcFQ/s1600/seita.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkrrkjFczV4z_fRrXwPtebIzuf8WO4dmyPRanF0jHuWL-CMzmRjDCeK4CYy1FqSu-7jaFdGs9cuE7OBZ8PXSrpptyGb6e3m_c5HgDg6ybeXd3RyXGgJQnSr1dlWilNFuWD-5bcFQ/s320/seita.jpg" width="320" height="213" data-original-width="1100" data-original-height="733" /></a>
<br><br>
<i>"in your face" thrash/death metal</i>
<br><br>
Michel Gambini - vocals, guitar<br>
Pablo Minoli - guitar<br>
Diego Gomez - bass<br>
Damian Lopez - drums
<br><br>
<i>Danny was a good friend, creative spirit, engineer and sound man. We had great times, great trips and surely we learned a lot from him. He worked with us on our debut EP 'Imprint Forever' and was also involved in the recordings of our follow up 'Asymmetric Warfare'.</i>
<br><br>
<a href="http://www.seitaofficial.com" target="blank">seitaofficial.com</a>
<br><br>
21:30 <b>RAZORBLADE JR</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLEEKAyPrVZjA6geVwHD2fDa8ARlmDJO-tMoy_dwlg_PVWbiRXRJRSdj-bPqbzkkr35syCyt3uZdyetLBQFQoLaQivMbct3rMn9gBW90t5ak76IimVREMzX1IBTUtRg8CytuzepQ/s1600/razorblade_jr_zagreb.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLEEKAyPrVZjA6geVwHD2fDa8ARlmDJO-tMoy_dwlg_PVWbiRXRJRSdj-bPqbzkkr35syCyt3uZdyetLBQFQoLaQivMbct3rMn9gBW90t5ak76IimVREMzX1IBTUtRg8CytuzepQ/s320/razorblade_jr_zagreb.jpg" width="320" height="240" data-original-width="1000" data-original-height="750" /></a>
<br><br>
photo: Razorblade JR playing live at the Danny Memorial concert in Zagreb
<br><br>
<i><b>Razorblade JR</b> is a musician, vocalist, cinephile, sound engineer, radio and club DJ, multi-instrumentalist, improviser... This is a solo project which started a long time ago as an "out-time" from many different bands and projects Razorblade JR was involved in and with. Back in the 90s, when Danny and Razorblade met, it didn't take too long for both to find out their shared interests, both being open and hungry enough for music and sound that tickled their passions. Danny started recording and doing live sound for Razorblade JR's bands "Gone Bald" and "Pink Noise Quartet". Soon after they both ended up playing in "Blisters", together with Marc Hurkmans, a band with an adventurous history, background and music.</i>
<br><br>
<a href="https://razorbladejr.bandcamp.com/" target="blank">razorbladejr.bandcamp.com</a><br>
<a href="https://blisters.bandcamp.com/album/the-sleepless-nights" target="blank">blisters.bandcamp.com</a>
<br><br>
20:30 <b>SUMSHAPES</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGKVCpXP97w_VzFdgaFjICmg-DSY_hCEy0kvTcPPoRd5AY_ZhOq4B5U2EwgF9Uc7HbFD62Gu8sTED-r0BPj6rho_w-3trVSwmY1T366MVMaIKqMZUySXNDy8do76cvG2mj4OaHaQ/s1600/sumshapes-hairdressers.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGKVCpXP97w_VzFdgaFjICmg-DSY_hCEy0kvTcPPoRd5AY_ZhOq4B5U2EwgF9Uc7HbFD62Gu8sTED-r0BPj6rho_w-3trVSwmY1T366MVMaIKqMZUySXNDy8do76cvG2mj4OaHaQ/s320/sumshapes-hairdressers.jpg" width="320" height="180" data-original-width="800" data-original-height="450" /></a>
<br><br>
<b>sumshapes</b> are Ali Begbie, Richie Dempsey and Jer Reid<br>
they last played together in 1992, in a band called <b>dawson</b>
<br><br>
Grrrt writes:<br>
<i><b>sumshapes</b> are the kind of band I would have shared with Danny, this is their record release party of sorts and I am happy he will be there in spirit.</i>
<br><br>
<a href="http://jerreid.co.uk/sumshapes/" target="blank">jerreid.co.uk/sumshapes</a>
<br><br>
19:30 <b>NAUSEAHTAKE</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOA9eG1v5UkrQliehzFD671HewjzeFNSskSrw6Rscx1EozhM3t1WeFp5_eykBBLXj5N5svcM8_SQIe0lMeEntkLUkVISSPhkRxp4tJCsXjMGqqBx5UoHpx7eWa0OOZfbW9hfg3_w/s1600/nauseahtake2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOA9eG1v5UkrQliehzFD671HewjzeFNSskSrw6Rscx1EozhM3t1WeFp5_eykBBLXj5N5svcM8_SQIe0lMeEntkLUkVISSPhkRxp4tJCsXjMGqqBx5UoHpx7eWa0OOZfbW9hfg3_w/s320/nauseahtake2.jpg" width="218" height="320" data-original-width="341" data-original-height="500" /></a>
<br><br>
<i>experimental - crust - improv - noise - post-metal - psychedelic - sludge</i>
<br><br>
Nemo - bass, vocals, samples<br>
Tedo - guitar, vocals<br>
Djox - synth, vocals, samples<br>
Elder - drums
<br><br>
<a href="https://nauseahtake.bandcamp.com/" target="blank">nauseahtake.bandcamp.com</a>
<br><br>
18:30 <b>LYSN</b> + <b>JAAP PIETERS</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6OuY-7qqk3g0sG6LkGvnjEMw6OthYw-VIHrUs21qSdJganEH_jiuu0GTt1iL_vjIZ5csnXBwwGHnyNrL7BxbL0hv1z_StwQ3eNZoRvujzF7fwIjbxXvoKl0dmVbKDddAx2JevFQ/s1600/lysnface.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6OuY-7qqk3g0sG6LkGvnjEMw6OthYw-VIHrUs21qSdJganEH_jiuu0GTt1iL_vjIZ5csnXBwwGHnyNrL7BxbL0hv1z_StwQ3eNZoRvujzF7fwIjbxXvoKl0dmVbKDddAx2JevFQ/s320/lysnface.jpg" width="320" height="272" data-original-width="300" data-original-height="255" /></a>
<br><br>
<i>improvised music for inner-space dedicated to Danny O Really<br>
with live super 8 films from Jaap Pieters</i>
<br><br>
Tobias Delius - tenor sax<br>
James Fulkerson - trombone<br>
Nina Hitz - cello<br>
Alfredo Genovesi - guitar, electronics<br>
Hilary Jeffery - trombone<br>
Noortje Koehne - viola<br>
Jaap Pieters - super 8 films<br>
Raphael Vanoli - bass
<br><br>
<a href="http://www.hiljef.com/lysn/" target="blank">hiljef.com/lysn</a>
<br><br>
+ readings and tributes from <b>PHIL WOOD</b>, <b>SCOTT ROLLINS</b> and more<br>
+ <b>DJ GRRRT</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtWEWceO5LLWIYX9Xv41Hgd9W_okVlMeF1Q988KywU-my_Mj2j8h1QYZWjp8qoy0PagB_ezIxGmjDGxN3mqAIr8-zwPUWcHqZ0yNvnFMUuueGBmXqNyEnXtjLDvIeXaibI0yzDoQ/s1600/danny_with_cul_de_sac_06.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtWEWceO5LLWIYX9Xv41Hgd9W_okVlMeF1Q988KywU-my_Mj2j8h1QYZWjp8qoy0PagB_ezIxGmjDGxN3mqAIr8-zwPUWcHqZ0yNvnFMUuueGBmXqNyEnXtjLDvIeXaibI0yzDoQ/s320/danny_with_cul_de_sac_06.jpg" width="320" height="240" /></a>
<br><br>
<b>DANNY O REALLY</b>, who passed away on 21 January 2017, was a true original with many friends and fans. He supported AUXXX from its early beginnings in <b>Amsterdam</b>, both morally and as a sound engineer + performer. His last live appearance was at AUXXX Berlin on Sunday 20 November 2016 when he summoned all his strength to rock out with old friends from <b>ZAGREB</b>.
<br><br>
The cremation of Danny's body including a ceremony for family and friends took place on 31 January 2017 in Berlin. Three special memorial concerts have been arranged this year in Berlin, Zagreb and Amsterdam to honour Danny's life and spirit. Details here, all are welcome.
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_eqpzKy5sgEbRIaCwbMZxFYLHuGFkj2yolM7hpcITfI7EskV_8wy_QmLbia6TnGfztVAmmD2iWTulewfncoMXIaD1NwHJ0QqIcNZ8gAalgtVm6JtMaYSImAt0cXQblizxas1uNw/s1600/auxxximals2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_eqpzKy5sgEbRIaCwbMZxFYLHuGFkj2yolM7hpcITfI7EskV_8wy_QmLbia6TnGfztVAmmD2iWTulewfncoMXIaD1NwHJ0QqIcNZ8gAalgtVm6JtMaYSImAt0cXQblizxas1uNw/s320/auxxximals2.jpg" width="250" height="320" data-original-width="150" data-original-height="192" /></a>
<br><br>
<b>THURSDAY 4 MAY</b> @ midnight
<br><br>
<b>THREE EVENINGS WITH DANNY O REALLY - PART 2</b> dedicated to Danny and Pajo
<br><br>
<b>izlog suvremenog zvuka – showroom of contemporary sound</b><br>
<b>THEATER &TD</b><br>
Savska Cesta 25<br>
HR-10000 <b>ZAGREB</b><br>
Croatia
<br><br>
<b>CUL-DE-SAC Accelerated Evolution Orchestra</b>
<br><br>
<b>RAZORBLADE JR</b>
<br><br>
<b>ZINC & COPPER</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq-I7Q5FU1DiWwGjUxm7O8aoCpX9lc2VXaJMOaPj3wLwmOPj06aidIqWNcjTG8VohtYbKsL35kdnN8i3mAkYu6m12rwf01EXuOO8Z4MQrjSFdhy9IEAO-zpMat3SydMZuYJTeFxQ/s1600/danny_with_cul_de_sac_01.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq-I7Q5FU1DiWwGjUxm7O8aoCpX9lc2VXaJMOaPj3wLwmOPj06aidIqWNcjTG8VohtYbKsL35kdnN8i3mAkYu6m12rwf01EXuOO8Z4MQrjSFdhy9IEAO-zpMat3SydMZuYJTeFxQ/s320/danny_with_cul_de_sac_01.jpg" width="320" height="240" /></a>
<br><br>
<b>SATURDAY 22 APRIL</b> @ 19:00
<br><br>
<b>THREE EVENINGS WITH DANNY O REALLY - PART 1</b>
<br><br>
<b>FEHRE 6</b><br>
Fehrbelliner Str. 6<br>
10119 <b>BERLIN</b> Mitte
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uhbJKZLw-OsqfkeSagr6K7bDx_x8uFaC3glZMmkcLPUMrhHtl-YMMO9F6qXrJucZl80YIwNDXEoujwJP4BakRaJkahQpaJ37liq5jujsriRHhkKPNURSRWAsSwOfdReCbTT0LA/s1600/eve+with+o%2527really+poster+3.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uhbJKZLw-OsqfkeSagr6K7bDx_x8uFaC3glZMmkcLPUMrhHtl-YMMO9F6qXrJucZl80YIwNDXEoujwJP4BakRaJkahQpaJ37liq5jujsriRHhkKPNURSRWAsSwOfdReCbTT0LA/s320/eve+with+o%2527really+poster+3.jpg" width="240" height="320" /></a>
<br><br>
<b>HORACIO POLLARD</b>
<br><br>
<b>HACKLANDER \ HATAM</b>
<br><br>
<b>DON THE TIGER</b>
<br><br>
<b>KLAUS KUERVERS / MICHELLE YOM / LOIC BERTRAND / FRANCIS HEERY</b>
<br><br>
<b>ANTHEA CADDY / WERNER DURAND / HILARY JEFFERY</b>
<br><br>
<b>DJ GRRRT</b>
<br><br>
<b>FEHRE 6</b><br>
Fehrbelliner Str. 6<br>
10119 <b>BERLIN</b> Mitte
<br><br>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.comtag:blogger.com,1999:blog-33551091.post-55808141623994609502017-03-09T15:59:00.001+00:002017-04-07T17:38:16.706+01:00ALCHEMISTIC CABARET 2017<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR9J1KTAuHHgXvH94_ciR7DFMdKHOnhWjl50jwKy6Vw456wArfgAtTEa7KS5d7rtHv4yXAIPoDgWMtGUdPnLHACJ89tGN_WIpFzbyWIPXZe5cpYKcC2PqecMcsAQgRivhJffbARA/s1600/alchemistic_cabaret_april.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR9J1KTAuHHgXvH94_ciR7DFMdKHOnhWjl50jwKy6Vw456wArfgAtTEa7KS5d7rtHv4yXAIPoDgWMtGUdPnLHACJ89tGN_WIpFzbyWIPXZe5cpYKcC2PqecMcsAQgRivhJffbARA/s320/alchemistic_cabaret_april.jpg" width="320" height="205" /></a>
<br><br>
Since 2006 AUXXX has been bringing audiences in Amsterdam and Berlin unique evenings of music, film, dance, poetry and performance, specialising in programs with new and unexpected combinations. AUXXX has succeeded in combining diverse artists and their audiences in a special way, tapping into creative undercurrents and opening up new channels. In April 2017 AUXXX starts afresh, inaugurating a new series of their celebrated <b>Alchemistic Cabaret</b> at <b>ACKERSTADT PALAST</b> in Berlin Mitte.
<br><br>
AUXXX <b>ALCHEMISTIC</b> CABARET <b>11</b> + <b>12</b> + <b>13 APRIL</b> 2017
<br><br>
<b>ACKERSTADT PALAST</b><br>
Ackerstr. 169/170<br>
10115 <b>BERLIN</b> Mitte
<br><br>
<a href="http://ackerstadtpalast.de/Events/AUXXX-Alchemistic-Cabaret-Reihe-ACKER-DEUX-MI" target="blank">ackerstadtpalast.de</a>
<br><br>
<b>TUESDAY 11 APRIL</b> @ 20:00
<br><br>
<b>ALCHEMISTIC CABARET</b> <i>part 1</i>
<br><br>
<b>ASHES</b>
<br><br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEjybFJne2iWvXH69j-pAJCjMHKlP7nHA0wBUgH_ynh8-xgURhcCF_v2nNAe5VVFU49dF-GQhJRQ6mVTXHytzlslXs-A0qGDGxs7C_LFVujzlnISOEQu6Ug7SWaCuEIOySVd9k2g/s1600/ASHES_by_Christina_Marx.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEjybFJne2iWvXH69j-pAJCjMHKlP7nHA0wBUgH_ynh8-xgURhcCF_v2nNAe5VVFU49dF-GQhJRQ6mVTXHytzlslXs-A0qGDGxs7C_LFVujzlnISOEQu6Ug7SWaCuEIOySVd9k2g/s320/ASHES_by_Christina_Marx.jpg" width="320" height="180" /></a><br><i>photo: Christina Marx</i>
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Steve Heather – drums<br>
Hilary Jeffery – trombone<br>
Julia Reidy – guitar<br>
Richard Scott – modular synthesizer<br>
+ special guest:<br>
Thomas Olbrechts - saxophone
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Electric and raw - ASHES deliver a unique brand of groove-based music. Encompassing jilted funk, driving rock grooves, searching soundscapes and frantic shifting textures. A displaced British-Australian quartet all currently based in Berlin, creating a fresh and compelling approach to hard hitting improv rock. Their enthusiastically received debut concert at Nickelsdorf Konfrontationen Festival in 2015 was followed in 2016 by a collaboration with Elliot Sharp in Berlin. In 2017 they will appear at Ulrichsberger Kaleidophon # 32 and unveil a new set of studio recordings.
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<iframe width="70%" height="250" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/241123566&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true"></iframe>
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<b>KOMPASS</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZwUfLqJ9OOJas9Ji3AI4GR-bOaaRelNJ8UnmvhgoUoQAI80t7XEGfgIXgVStiLfZlRboZcdvOSADAb9yEQ_XacsQosbBjvMkJroC2WruPXLtbtM2pwLbcOZMG34GsN3AoACbupg/s1600/kompass.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZwUfLqJ9OOJas9Ji3AI4GR-bOaaRelNJ8UnmvhgoUoQAI80t7XEGfgIXgVStiLfZlRboZcdvOSADAb9yEQ_XacsQosbBjvMkJroC2WruPXLtbtM2pwLbcOZMG34GsN3AoACbupg/s320/kompass.jpg" width="320" height="156" /></a>
<br><i>image: Camilla Milena Feher</i>
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Camilla M. Feher - dance, voice, sound<br>
Sylvi Kretzschmar - dance, voice, sound<br>
Veronika Zott - dance, voice, sound
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A performance investigating how the nature of space affects our movements, thoughts and habits in communication. Performing in an environment infused with sound, Feher and Zott play with the ways in which movements are expressed in sound, forming a real time composition in space. In a dynamic fusion of choreographed movement and composed sound - the performers bodies begin to function as antennae - receiving and transmitting signals...
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<b>SKILLS</b> - Camilla M.Feher's performance duo with Sylvi Kretzschmar - is currently preparing the performance "FIELD" in collaboration with Veronika Zott as well as ASHES musicians Steve Heather and Hilary Jeffery. "FIELD" will be premiered on the 9th June 2017 at Hebbel am Ufer Theater, Berlin.
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<a href="http://www.we-are-the-skills.de" target="blank">we-are-the-skills.de</a>
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<b>WEDNESDAY 12 APRIL</b> @ 20:00
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<b>ALCHEMISTIC CABARET</b> <i>part 2</i>
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<b>KANDINSKY'S DOT 1</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBP6dfx2mKr2DHJL3DzyHyuvgN_2FWqzOIjYRy_lFe2DMkciiYCoNg-XUYu2v8l_M6ftunHuGO20jH5olMzap_s6X79oppPGNAFHuVrozkgUrBAriRGejb6hBOFuxuQyHQSRMtMw/s1600/SKieS.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBP6dfx2mKr2DHJL3DzyHyuvgN_2FWqzOIjYRy_lFe2DMkciiYCoNg-XUYu2v8l_M6ftunHuGO20jH5olMzap_s6X79oppPGNAFHuVrozkgUrBAriRGejb6hBOFuxuQyHQSRMtMw/s320/SKieS.jpg" width="320" height="232" /></a>
<br><i>image: Marie Donath</i>
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Elena Kakaliagou - french horn<br>
Marie Donath - shadow theater
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<i>"Der Klang des mit dem Punkt gewohnheitsmässig verbundenen Schweigens ist so laut, dass er die anderen Eigenschaften vollkommen übertönt" W.Kandinsky</i>
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<b>THOR'S FEATHERS 2</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgomeiZr-t4FR7kowFr57IEJfoYE4eWG2K8hMjjebB2aJvy9yJBgNEFSXouwqVQpO25qV9t2D39pbuG6J6EO350ShsqdSBObK5kFdFxQHSz-8iMm93BxMv9ZbdmHQrxppLdbany8A/s1600/yorgos_foto_JeffHumbert_960.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgomeiZr-t4FR7kowFr57IEJfoYE4eWG2K8hMjjebB2aJvy9yJBgNEFSXouwqVQpO25qV9t2D39pbuG6J6EO350ShsqdSBObK5kFdFxQHSz-8iMm93BxMv9ZbdmHQrxppLdbany8A/s320/yorgos_foto_JeffHumbert_960.jpg" width="320" height="320" /></a>
<br><i>photo: Jeff Humbert</i>
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Yorgos Dimitriadis - drums, percussion<br>
Ingo Reulecke - dance
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"Thor's Feathers" is the title of a very irregular series of AUXXX solo drum concerts, appearing for the first time since Chris Corsano played in Amsterdam in November 2008! Yorgos Dimitriadis has been extensively researching the hidden frequencies of cymbals and drums, using a pair of microphones anda normal drum kit for his solo performances. For the last 10 years he has been a very active member of the Berlin experimental and improvised music community, playing with Andrea Parkins, Achim Kaufmann, Audrey Chen, Tobias Delius, Ignaz Schick, Alexander von Schlippenbach, Paul Dunmall while also working with the collaboratve trios Grix, Glue and Fabric amongst many others. For the "Thor's Feathers 2" he will play solo for the first time in parallel with a solo dancer.
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<b>THURSDAY 13 APRIL</b> @ 20:00
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<b>ALCHEMISTIC CABARET</b> <i>part 3</i>
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<b>THE COOL GANG</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5_JSxhYDDG39TtSjYKSNuC7jmQX6u_kmkyVv-rOtny8jobLVi6oRpabe4DqCYR9PR_brj7_nQ27yo0X5XO6e4Fn4TXzEfxZNZSyMQ9VLohsPAAlwh2CgHe_zdP5v4xbSV1S1VAg/s1600/coolgang2.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5_JSxhYDDG39TtSjYKSNuC7jmQX6u_kmkyVv-rOtny8jobLVi6oRpabe4DqCYR9PR_brj7_nQ27yo0X5XO6e4Fn4TXzEfxZNZSyMQ9VLohsPAAlwh2CgHe_zdP5v4xbSV1S1VAg/s320/coolgang2.jpg" width="320" height="247" /></a>
<br><i>image: Hilary Jeffery</i>
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Anthea Caddy - cello, voice<br>
Angharad Davies - violin, voice<br>
Robin Hayward - microtonal tuba, tuning vine, voice<br>
Steve Heather - cymbal, voice<br>
Sanne van Hek - computer, voice<br>
Hilary Jeffery - trombone, voice<br>
Thomas Olbrechts - saxophone, voice
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The Cool Gang once more invite you to sit back relax and join them on an inner journey into their Zone. Blissed out, tuning into prime frequencies, the Cool Gang never fail to deliver discerning listeners a tasty dose of space. This time with added spice from special guests: Angharad Davies, Sanne Van Hek and Thomas Olbrechts.
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<b>ALSO IN APRIL</b> - <b>AUXXX PRESENTS</b>:
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<b>EVENINGS</b> WITH <b>MAKINO TAKASHI</b> - <b>REI HAYAMA</b> - <b>DANNY O REALLY</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6XPqXE8Xl14Jq5TXsura9Pbwi3SZI9ZUiAbCp2G8lIgf6KXnqOunQ65fYvzXdw8eEZ2vg2h_BwgZfnI1fCvvl675ciU2_klal-XV_FrJzRbdDmdh7w9jgmKmzCSp-QIxR_EJtXw/s1600/makino_goggles.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6XPqXE8Xl14Jq5TXsura9Pbwi3SZI9ZUiAbCp2G8lIgf6KXnqOunQ65fYvzXdw8eEZ2vg2h_BwgZfnI1fCvvl675ciU2_klal-XV_FrJzRbdDmdh7w9jgmKmzCSp-QIxR_EJtXw/s320/makino_goggles.jpg" width="320" height="240" /></a>
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<b>WEDNESDAY 19 APRIL</b> @ 21:00
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AUXXX and Lichtblick-Kino present:
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<b>LIGHT ECHOES</b> - films by <b>REI HAYAMA</b> & <b>MAKINO TAKASHI</b>
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21:00 - Films by Rei Hayama
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitlixLVZrcMkimaLNiwpE9Z2E2wARZvaAzpezoEHg0g9TXaXZyvuTbSoFMdrIz5WaoTe7g0xqAHLMxBivp5oXZujWJ4gdEgeIferAhGxtZCYjNZljM1uhIo99VcXTHmnE97lkWdg/s1600/The_Focus_02.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitlixLVZrcMkimaLNiwpE9Z2E2wARZvaAzpezoEHg0g9TXaXZyvuTbSoFMdrIz5WaoTe7g0xqAHLMxBivp5oXZujWJ4gdEgeIferAhGxtZCYjNZljM1uhIo99VcXTHmnE97lkWdg/s320/The_Focus_02.jpg" width="320" height="187" /></a>
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<b>The Focus</b> (2013), 25 min, music by Rei Hayama
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<b>The Knot of Meridian</b> (2015), 12 min, music by Rei Hayama
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Q&A with Filmmaker/Artist Rei Hayama
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- <i>intermission</i> -
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22:00 - films by Makino Takashi
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUAgDQ-dsNPAeLslFaiqPUg9en5Pgno0hI0GcdUHttXyOorkYCvTBw3qRzra7I_6SzX86uQTFkyHhqWIP6SSs3lAl4DkzQGTJW6TvAId_gbYfkIJPCosc6Y9gLORMUVWEW6AZ0g/s1600/Kontrast_3D.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUAgDQ-dsNPAeLslFaiqPUg9en5Pgno0hI0GcdUHttXyOorkYCvTBw3qRzra7I_6SzX86uQTFkyHhqWIP6SSs3lAl4DkzQGTJW6TvAId_gbYfkIJPCosc6Y9gLORMUVWEW6AZ0g/s320/Kontrast_3D.jpg" width="320" height="180" /></a>
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<b>Ghost of OT301</b> (2014), 9 min, music by Inconsolable Ghost
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<b>Cinema concret</b> (2015), 23 min, music by Machinefabriek
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<b>Kontrast 3D</b> (2016), 20 min, live Music by Makino Takashi with secret guest
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Q&A with Filmmaker/Artist Makino Takashi
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<b>LICHTBLIK KINO</b><br>
Kastanienallee 77<br>
10435 <b>BERLIN</b> Prenzlauer Berg
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<b>THREE EVENINGS WITH DANNY O REALLY</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtWEWceO5LLWIYX9Xv41Hgd9W_okVlMeF1Q988KywU-my_Mj2j8h1QYZWjp8qoy0PagB_ezIxGmjDGxN3mqAIr8-zwPUWcHqZ0yNvnFMUuueGBmXqNyEnXtjLDvIeXaibI0yzDoQ/s1600/danny_with_cul_de_sac_06.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtWEWceO5LLWIYX9Xv41Hgd9W_okVlMeF1Q988KywU-my_Mj2j8h1QYZWjp8qoy0PagB_ezIxGmjDGxN3mqAIr8-zwPUWcHqZ0yNvnFMUuueGBmXqNyEnXtjLDvIeXaibI0yzDoQ/s320/danny_with_cul_de_sac_06.jpg" width="320" height="240" /></a>
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<b>DANNY O REALLY</b>, who passed away on 21 January 2017, was a true original with many friends and fans. He supported AUXXX from its early beginnings in <b>Amsterdam</b>, both morally and as a sound engineer + performer. His last live appearance was at AUXXX Berlin on Sunday 20 November 2016 when he summoned all his strength to rock out with old friends from <b>ZAGREB</b>.
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The cremation of Danny's body including a ceremony for family and friends took place on 31 January 2017 in Berlin.
There will be 3 special memorial concerts this year in Berlin, Zagreb and Amsterdam to honour Danny's life and spirit. Details below, all are welcome.
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<b>SATURDAY 22 APRIL</b> @ 19:00
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<b>THREE EVENINGS WITH DANNY O REALLY - PART 1</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uhbJKZLw-OsqfkeSagr6K7bDx_x8uFaC3glZMmkcLPUMrhHtl-YMMO9F6qXrJucZl80YIwNDXEoujwJP4BakRaJkahQpaJ37liq5jujsriRHhkKPNURSRWAsSwOfdReCbTT0LA/s1600/eve+with+o%2527really+poster+3.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uhbJKZLw-OsqfkeSagr6K7bDx_x8uFaC3glZMmkcLPUMrhHtl-YMMO9F6qXrJucZl80YIwNDXEoujwJP4BakRaJkahQpaJ37liq5jujsriRHhkKPNURSRWAsSwOfdReCbTT0LA/s320/eve+with+o%2527really+poster+3.jpg" width="240" height="320" /></a>
<br><br>
<b>FEHRE 6</b><br>
Fehrbelliner Str. 6<br>
10119 <b>BERLIN</b> Mitte
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<b>HORACIO POLLARD</b>
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<b>HACKLANDER \ HATAM</b>
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<b>DON THE TIGER</b>
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<b>KLAUS KUERVERS / MICHELLE YOM / LOIC BERTRAND / FRANCIS HEERY</b>
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<b>ANTHEA CADDY / WERNER DURAND / HILARY JEFFERY</b>
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<b>DJ GRRRT</b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQINkyBmjsi4XKkhz-1fnvRnGMSpjRgvX4PZCJOdoBn0NyRKcWp7vkgLqqfoZMG1zm_GQDR-YyCIAcwxg6acim1d-PK5-OdiGE_ScfMr4DCCUmj5J6C0Z9ozoNgdh8YNjBMmCL8w/s1600/danny.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQINkyBmjsi4XKkhz-1fnvRnGMSpjRgvX4PZCJOdoBn0NyRKcWp7vkgLqqfoZMG1zm_GQDR-YyCIAcwxg6acim1d-PK5-OdiGE_ScfMr4DCCUmj5J6C0Z9ozoNgdh8YNjBMmCL8w/s320/danny.jpg" width="305" height="320" /></a>
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<b>THURSDAY 4 MAY</b> @ midnight
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<b>THREE EVENINGS WITH DANNY O REALLY - PART 2</b> dedicated to Danny and Pajo
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<b>izlog suvremenog zvuka – showroom of contemporary sound</b><br>
<b>THEATER &TD</b><br>
Savska Cesta 25<br>
HR-10000 <b>ZAGREB</b><br>
Croatia
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<b>CUL-DE-SAC Accelerated Evolution Orchestra</b>
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<b>RAZORBLADE JR</b>
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<b>ZINC & COPPER</b>
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<b>SUNDAY 2 JULY</b> @ 17:00
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<b>OCCII</b></b><br>
Amstelveenseweg 134</b><br>
1075 XL <b>AMSTERDAM</b>
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<i>line up to be announced soon... </i>
Auxiliary Gesturehttp://www.blogger.com/profile/11539918910700715527noreply@blogger.com